
Reporting from the Cannes Film Festival, our film critic Alissa Wilkinson describes how the event is both fending off and embracing aspects of artificial intelligence.
SOURCE: The New York Times Subscription at 06:45PM[SHARE]Alice Brooks, the cinematographer of "Wicked: For Good," explains the meaning and intention behind the color choices in the film.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]

