Thursday, May 14, 2026
Contributor Brendan McCall on James Clements' play BEAUTY FREAK.
SOURCE: Culture Bot at 11:15AM[SHARE]Wednesday, May 13, 2026
Brendan McCall on Sarah Groustra´s RADIO MAN, which played at The Paradise Factory earlier this month.
SOURCE: Culture Bot at 10:35AM[SHARE]Tuesday, April 28, 2026
Contributor Brendan McCall on New York Theater Ballet's performance of program LEGENDS & VISIONARIES at Judson Church in early April.
SOURCE: Culture Bot at 03:20PM[SHARE]Thursday, April 9, 2026
Contributor Brendan McCall on Dan Safer SPIDER RABBIT starring Tony Torn currently playing at La MaMa.
SOURCE: Culture Bot at 12:54PM[SHARE]Thursday, April 2, 2026
Contributor Brendan McCall on TOUCH featuring Anthony Rapp.
SOURCE: Culture Bot at 02:18PM[SHARE]Thursday, March 19, 2026
Contributor Brendan McCall responds to the premier of Barry Boehm OUR HOUSE presented by THE OTHER SIDE OF SILENCE at A.R.T/New York Theatres.
SOURCE: Culture Bot at 02:42PM[SHARE]Monday, February 23, 2026
Contributor Brendan McCall on Elevator Repair Services' ULYSSES at The Public Theater.
SOURCE: Culture Bot at 05:54PM[SHARE]Monday, February 2, 2026
Contributor Brendan McCall on Suzzanne Ponomarenko's TAPESTRIES and Dominica Greene's OPENINGS, part of of The OUT FRONT Festival curated by Pioneer Go East Collective.
SOURCE: Culture Bot at 02:54PM[SHARE]Thursday, December 11, 2025
Contributor Brendan McCall on Alessia Palanti's "All In Your Head" presented at Arts on Site.
SOURCE: Culture Bot at 05:02PM[SHARE]Tuesday, November 18, 2025
Let social media posts or opinion articles in the paper give us "answers" to challenging subjects. Let dance or theater (or both) instead give us time to look at our contradictory selves.
SOURCE: Culture Bot at 06:54PM[SHARE]Thursday, October 23, 2025
Brendan McCall reviews Tim Blake Nelson's newest play And Then We Were No More at La Mama.
SOURCE: Culture Bot at 01:31PM[SHARE]Monday, September 8, 2025
Outside the LGBT Community Center, it was August 18, 2025, but as soon as I stepped into Room 101, I went back in time. People were wearing black t-shirts with the words SILENCE = DEATH blaz…
SOURCE: Culture Bot at 12:18PM[SHARE]Thursday, September 4, 2025
As he stepped up to his piano at the beginning of For Morgan, Nicky Paraiso looked out the intimate audience at Pangea restaurant. "It feels like family in here," he said. Sometime in the fa…
SOURCE: Culture Bot at 05:24PM[SHARE]Monday, July 14, 2025
At the conclusion of the electrifying performance of Curriculum III: People, Places, and Things, members of the Bill T. Jones/Arnie Zane Dance Company took their bows to a standing ovation f…
SOURCE: Culture Bot at 12:18PM[SHARE]Thursday, July 10, 2025
At the opening of Memory Piece: Mr. Ailey, Alvin…the un-Ailey?, we catch glimpses of Bill T. Jones dancing in and out of darkness. His flowing white pants and matching shirt caress his bod…
SOURCE: Culture Bot at 11:18AM[SHARE]Tuesday, May 27, 2025
Shared programs can be tricky. As a dance festival curator, part of the battle is attempting to describe a work of art effectively to the public while predicting their reaction. Putting two …
SOURCE: Culture Bot at 12:32PM[SHARE]Tuesday, March 4, 2025
"There he is." Nicky Paraiso is sitting next to me and wants me to look at something on his phone. Ostensibly, we´re here at St. Mark's Church-in-the-Bowery to see a show, the first o…
SOURCE: Culture Bot at 11:18AM[SHARE]Monday, June 2, 2014
(This post is part of the World Theatre Day 2014/Crossing Borders salon series. More than a choreographer or a teacher, Mary Overlie is a philosopher.  When I got to study with her at …
SOURCE: Theatre Communications Group at 08:37AM[SHARE]Loading more stories…
