Wednesday, August 7, 2013
Donmar Warehouse, London: Josie Rourke, artistic director of the Donmar Warehouse, continues her support of young award-winning playwright Nick Payne, whose debut - If There is I Haven'…
SOURCE: The Stage Registration at 06:42AM[SHARE]Tuesday, August 6, 2013
Britain today: while the total of car crashes is falling the number of whiplash claims is rising by 25 per cent. Yes, the compensation culture is speeding ahead. In Nick Payne's follow up to…
SOURCE: The Arts Desk at 07:01PM[SHARE]Monday, July 15, 2013
There's a united nations of Great Britain feel about this site-specific Royal Court show: it is a National Theatre of Scotland piece played at the London Welsh Centre as a co-production with…
SOURCE: The Arts Desk at 07:01PM[SHARE]Friday, July 12, 2013
With site specific shows it's a natural urge to start by reviewing the location. And I'm not strong enough to resist this temptation. So here goes. This new piece by American playwright Anni…
SOURCE: The Arts Desk at 07:01PM[SHARE]Thursday, July 11, 2013
Some plays have such historic significance that it is surprising that they are not revived more often. I blame the obsession with novelty that characterises our culture. So it's great to see…
SOURCE: The Arts Desk at 07:01PM[SHARE]Thursday, July 4, 2013
When any arts institution gets a new head, the media scrutiny of their first work is usually intense. The Royal Court theatre's new artistic director, Vicky Featherstone, has defused this te…
SOURCE: The Arts Desk at 07:00PM[SHARE]Monday, June 17, 2013
Tricycle Theatre, London: Director Polly Teale and Shared Experience return to the Tricycle with a beautifully crafted new play by award-winning playwright Alexi Kaye Campbell, who wrote his…
SOURCE: The Stage Registration at 06:25AM[SHARE]Monday, June 10, 2013
One of the promises of artistic director Nicholas Hytner when he took the helm of this flagship ten years ago was to stage new and innovative musicals. His problem, of course, is that these …
SOURCE: The Arts Desk at 07:05PM[SHARE]Monday, June 3, 2013
I love poetic play titles, but even I would admit that sometimes they are difficult to remember. In this case, the name of Brad Birch's new play has taught me a lesson that I'm happy to pass…
SOURCE: The Arts Desk at 07:01PM[SHARE]Thursday, May 23, 2013
Bush Theatre, London: After a career as an actor and scriptwriter, New Yorker Ayad Akhtar turned to playwriting and his debut, which premiered in Chicago in 2012, was a huge success. It tran…
SOURCE: The Stage Registration at 06:21AM[SHARE]Wednesday, May 22, 2013
There's one big problem about being an Asian actor in America " you just don't get the big parts. So the multitalented Ayad Akhtar put acting on hold, and turned to screen writing, producing…
SOURCE: The Arts Desk at 07:01PM[SHARE]Thursday, May 2, 2013
Rikki Beadle-Blair is a high-energy polymath. He's a real phenomenon. Raised by his lesbian mum in sarf London, he wrote his first play at the age of seven and was, he claims, already direct…
SOURCE: The Arts Desk at 06:30PM[SHARE]Tuesday, April 30, 2013
Most theatre directors produce work which is visually the same as everyone else's. Katie Mitchell doesn't. Her plays are always brilliantly acted, highly atmospheric and often use film media…
SOURCE: The Arts Desk at 06:00PM[SHARE]Thursday, April 18, 2013
Scandi thrillers have a lot to answer for. Ever since the small-screen success of the Swedish Wallander series, based on the books by Henning Mankell, there has been a host of other must-see…
SOURCE: The Arts Desk at 07:01PM[SHARE]Wednesday, April 17, 2013
Some plays are game-changers. When Jonathan Harvey's Beautiful Thing opened at the tiny Bush Theatre in 1993 the joy that radiated off the stage was ample affirmation that this tale of puppy…
SOURCE: The Arts Desk at 07:01PM[SHARE]Monday, April 15, 2013
The Shed, National Theatre, London: The National Theatre's new space, The Shed, a square construction painted bright red, is located just outside its main entrance in Theatre Square. A …
SOURCE: The Stage Registration at 06:43AM[SHARE]Friday, April 12, 2013
The family can be a knot of hatred as well as a cradle of love. Rather late in this new play by Tanya Ronder comes a scene in which a separated husband and wife try to untangle this knot, an…
SOURCE: The Arts Desk at 07:01PM[SHARE]Thursday, April 11, 2013
Jerwood Theatre Upstairs, Royal Court, London: As it was in the beginning, so shall it be at the end: Anthony Neilson's masterpiece, The Wonderful World of Dissocia, was part of artisti…
SOURCE: The Stage Registration at 06:29AM[SHARE]Wednesday, April 10, 2013
Anthony Neilson is the wild man of new writing. However, this reputation, which has been provoked by shock-fests such as Penetrator (1993) and Stitching (2002), belies the fact that some of …
SOURCE: The Arts Desk at 07:01PM[SHARE]Wednesday, April 3, 2013
Ruth Ellis, the last woman to be hanged in Britain, is a cultural icon, the image of the peroxide blonde who spells big trouble. An influence on Diana Dors in the 1956 film Yield to the Nigh…
SOURCE: The Arts Desk at 07:01PM[SHARE]Thursday, March 28, 2013
Jerwood Theatre Downstairs, Royal Court, London: This is the last production that Dominic Cooke is directing at this venue before he steps down as artistic director next month. It is an apt …
SOURCE: The Stage Registration at 06:46AM[SHARE]Wednesday, March 27, 2013
"My honest instinct," says Jim, the hero of Bruce Norris's The Low Road, "is one of resentment." And while this contemporary fable of industrious bees, aka capitalist speculators, is set in …
SOURCE: The Arts Desk at 08:01PM[SHARE]Thursday, March 21, 2013
The best horror stories take place in mundane surroundings. The envelope of the ordinary gives a context of credibility to the practically incredible. In Janice Okoh's new play, which won th…
SOURCE: The Arts Desk at 08:01PM[SHARE]Sunday, March 17, 2013
Legendary English playwright Edward Bond doesn't often come to Malta, but when he does, he doesn't suffer fools gladly. After the first performance of his Olly's Prison " a stage version of …
SOURCE: The Arts Desk at 05:00AM[SHARE]Thursday, February 21, 2013
Royal Court, Jerwood Theatre Downstairs, London: The most common complaint about plays that criticise the austerity measures that have followed the global financial meltdown is that they don…
SOURCE: The Stage Registration at 06:49AM[SHARE]Wednesday, February 20, 2013
Is this the most poetic title in London theatre today? Anders Lustgarten's new play joins a ragged march of work, from David Hare's The Power of Yes (2009) to Clare Duffy's Money: The Gamesh…
SOURCE: The Arts Desk at 07:01PM[SHARE]Monday, February 4, 2013
Plays about plays are often touched by theatrical magic. This is certainly the case with Timberlake Wertenbaker's masterpiece, first staged in 1988, and now revived by the same director, Max…
SOURCE: The Arts Desk at 07:01PM[SHARE]Sunday, February 3, 2013
Eclipse Theatre Company's artistic director Dawn Walton talks to Aleks Sierz about her latest project, a revival of Don Evans' 1970s comedy analysis of racial and gender stereotypes, One Mon…
SOURCE: The Stage Registration at 02:00AM[SHARE]Tuesday, January 29, 2013
Lyttelton, National Theatre: Today, when long-term playwright-director partnerships are rare, it is a cause for celebration when a writer and a director work together over several years. Pla…
SOURCE: The Stage Registration at 04:50AM[SHARE]Monday, January 28, 2013
Over the past decade or so, Simon Stephens has emerged as one of Britain's premier playwrights. As well as being a prolific penman, with three volumes of collected plays already in print, he…
SOURCE: The Arts Desk at 07:03PM[SHARE]Friday, January 25, 2013
Gate Theatre, London: This is the first time the work of US playwright Rajiv Joseph, a Pulitzer Prize nominee, has been seen in the UK. Directed by Justin Audibert, who is this year's r…
SOURCE: The Stage Registration at 05:11AM[SHARE]Loading more stories…
