Most theatre directors produce work which is visually the same as everyone else's. Katie Mitchell doesn't. Her plays are always brilliantly acted, highly atmospheric and often use film media in an amazing way. But she almost never works in this country any more. Scorned by the National Theatre, by the myopic critics (although loved by audiences), she now works mainly abroad. This production, first staged at the Schau…
SOURCE: The Arts Desk at 06:00PM on April 30, 2013