Anne Gridley begins "Watch Me Walk" by taking its title at punishingly literal face value. She introduces herself, grips her walking stick"never a cane, a semantic correction that quickly reveals its philosophical weight"and proceeds to walk the length of the stage again and again, in near silence, for so long that the initial charge of provocation slowly discharges. What remains is not suspense but facticity. In ano…
SOURCE: www.theaterscene.net at 10:51AM on January 30, 2026