All stories by Tony Frankel on BroadwayStars

Thursday, July 14, 2011

LA Theater Review: D IS FOR DOG (Rogue Artists Ensemble at Studio/Stage) by Tony Frankel

PAST TO THE FUTURE To be honest, I was not a fan of Rogue Artist Ensemble's Hyperbole at [inside] The Ford last year. Their current work, D is for Dog, clearly elucidates what was lacking in…

SOURCE: Stage and Cinema at 01:54PM[SHARE]

Theater Review: BARRIE: BACK TO BACK (Pacific Resident Theatre in Venice) by Tony Frankel

IN PRAISE OF LITERATURE Saving the "What is Literature?" and "Are Plays Literature?" arguments for another time, allow me to unequivocally state that there is a starvation for new drama as l…

SOURCE: Stage and Cinema at 02:38AM[SHARE]
Sunday, July 10, 2011

Theater Review and Commentary: FOUR CLOWNS: ROMEO & JULIET by Tony Frankel

STUPID IS AS STUPID DOES Our planet is overpopulated and sick. Wars are raging. People are telecommunicating so rapidly that we are losing the art of communication. Leaders and visionaries a…

SOURCE: Stage and Cinema at 04:26AM[SHARE]
Friday, July 8, 2011

Theater Review: LIFE IN THE MIDDLE AGES (Theatre Asylum in Hollywood) by Tony Frankel

THERE'S LIFE IN THE OLD BOY YET I couldn't think of a better way to pop my Hollywood Fringe Festival cherry than with Steve Ochs and his solo outing, Life in the Middle Ages, which has right…

SOURCE: Stage and Cinema at 06:10PM[SHARE]

Theater Review: THE INTERLOPERS (Bootleg Theater in Los Angeles) by Tony Frankel

ENTERTAINING, BUT HARDLY INTRUSIVE When Ralph Waldo Emerson referred to an "interloper" in his writings, it was most assuredly with a negative connotation, for in the 1800s an interloper was…

SOURCE: Stage and Cinema at 06:10PM[SHARE]
Friday, July 1, 2011

Theater Review: INEFFABLE (Ten West at the Theatre of Note) by Tony Frankel

WHO'S CHEATING WHOM? The spookiest image of Death (with a capital "D") is that of a tall, hooded, scythe-carrying figure. It merely points with bony finger towards that ultimate location to …

SOURCE: Stage and Cinema at 11:19PM[SHARE]

Musical Theater Review: TWIST " AN AMERICAN MUSICAL (Pasadena Playhouse) by Tony Frankel

A TWIST OF LEMON Tony, a frantic theatre critic, calls John, his editor, in the middle of the night. John: [sleepy] This better be good. Tony: What's happening to the theatre? [sobbing now] …

SOURCE: Stage and Cinema at 09:35PM[SHARE]

Musical Theater Review: THE TROUBLE WITH WORDS (The Coeurage Theatre Company at Actors Circle Theatre) by Tony Frankel

NO TROUBLE HERE I vividly remember the first time I heard William Finn's  March of the Falsettos, Adam Guettel's  Floyd Collins, Michael John LaChiusa's  The Wild Party, and Jason R…

SOURCE: Stage and Cinema at 08:47PM[SHARE]

Musical Theater Review: THE LAST FIVE YEARS (Bright Eyes Productions at the Lounge 2 Theatre in Hollywood) by Tony Frankel

THE BEGINNING AND THE END Jason Robert Brown's The Last Five Years is contextually brilliant: it is a two-character musical that starts at the end of a five year relationship for the woman, …

SOURCE: Stage and Cinema at 08:08PM[SHARE]

Musical Theater Review: WORKING: THE MUSICAL (theTRIBE) by Tony Frankel

WORKING WITH WHAT THEY'VE GOT theTRIBE's simplistic production of an updated revision of Working " Stephen Schwartz' soapy musical adaptation of Studs Terkel's book " actually left an emotio…

SOURCE: Stage and Cinema at 07:45PM[SHARE]
Sunday, June 5, 2011

Musical Theater Review: ARMISTEAD MAUPIN'S TALES OF THE CITY (San Francisco) by Tony Frankel

PLENTY OF TALE " VERY LITTLE CITY The much-anticipated Tales of the City just opened at A.C.T. in San Francisco. Although the libretto (by Avenue Q's Jeff Whitty) splices together the first …

SOURCE: Stage and Cinema at 08:48PM[SHARE]
Wednesday, May 25, 2011

Theater Review: KRUNK FU BATTLE BATTLE (L.A. " Downtown) by Tony Frankel

WHAT THE FUNK? When giving feedback at High School theatre competitions, adjudicators are reminded to encourage, not discourage young performers: negative criticism, however accurate, may da…

SOURCE: Stage and Cinema at 05:03PM[SHARE]

Theater Review: LET ME DOWN EASY (Tour) by Tony Frankel

SHE MAKES IT LOOK EASY With Let Me Down Easy, Anna Deavere Smith's powerful, engrossing and resonant solo outing, you may feel inspired to have a meaningful conversation with friends and fam…

SOURCE: Stage and Cinema at 04:10PM[SHARE]
Thursday, May 19, 2011

Theater Review: LIFE OF RILEY by Alan Ayckbourn (San Diego) by Tony Frankel

BY GEORGE, I THINK THEY'VE GOT IT; THE SCRIPT, HOWEVER… A friend of mine is an Alan Ayckbourn fanatic, owning dozens of the prolific playwright's scripts, yet he can count on one hand the …

SOURCE: Stage and Cinema at 05:39PM[SHARE]
Wednesday, May 18, 2011

Theater Review: AUGUST: OSAGE COUNTY (San Diego) by Tony Frankel

HOT AUGUST PLAY NEEDS EVEN MORE HEAT It was impossible not to have any expectations prior to The Old Globe's production of Tracy Letts' Pulitzer Prize and Tony© Award-winning three-act bl…

SOURCE: Stage and Cinema at 09:54PM[SHARE]
Saturday, May 14, 2011

Theater Review: VOICE LESSONS (L.A. " Hollywood) by Tony Frankel

IT'S NOT THE SIZE OF THE PLAY THAT MATTERS Say what you will about Voice Lessons, Justin Tanner's shockingly uproarious one-act play, now receiving an encore presentation at Sacred Fools The…

SOURCE: Stage and Cinema at 09:21PM[SHARE]
Thursday, May 12, 2011

Theater Review: THE MALCONTENT (Wittols Cast) (L.A. " North Hollywood) by Tony Frankel

A CRITIC WHO RHYMES? IT'S A SIGN OF GOOD TIMES. I tell you, there's no place that I'd rather be in, than a theatre where actors become Jacobean. A classical company, Antaeus by name, has cre…

SOURCE: Stage and Cinema at 08:35PM[SHARE]
Sunday, May 8, 2011

Theater Review: HOW TO DISAPPEAR COMPLETELY AND NEVER BE FOUND (L.A. " Pasadena) by Tony Frankel

DISAPPEARANCE ACT After the opening night performance of Fin Kennedy's existential and enigmatic drama How To Disappear Completely and Never Be Found, someone remarked that, while film is ab…

SOURCE: Stage and Cinema at 07:26PM[SHARE]
Monday, May 2, 2011

Theater Review: UNSCRIPTED REP by Impro Theater (L.A. " West Los Angeles) by Tony Frankel

MASTERS OF AUTOSCHEDIASM I was so blown away by Impro Theatre's Shakespeare Unscripted that I had to check out Unscripted Rep at the Odyssey, where the inimitable company is having fun in…

SOURCE: Stage and Cinema at 02:44PM[SHARE]
Saturday, April 30, 2011

Theater Review: THE CHINESE MASSACRE (ANNOTATED) (L.A. " Atwater Village) by Tony Frankel

THE WILD, WILD BRECHTIAN WEST The Chinese Massacre (Annotated), Tom Jacobson's rousing new play, is like a fun day at Disneyland. Jacobson chronicles the 1871 lynching of 18 Chinese men by a…

SOURCE: Stage and Cinema at 11:22PM[SHARE]

Theater Review: THE BOY IN THE BATHROOM (Orange County) by Tony Frankel

A SHOW IN HOT WATER The Chance Theater is the best and most enterprising small theatre in Orange County; under the guidance of managing director Casey Long and co-founder and current artisti…

SOURCE: Stage and Cinema at 05:56AM[SHARE]
Friday, April 29, 2011

Theater Review: BURN THE FLOOR (L.A. " Hollywood) by Tony Frankel

FOXY TROT There are three reasons to attend Burn the Floor " the heart-pounding Ballroom Dance Sextravaganza now throbbing and thumping on the boards at the Pantages: one, the sexiest bodies…

SOURCE: Stage and Cinema at 07:15PM[SHARE]
Tuesday, April 26, 2011

Theater Review: I NEVER SANG FOR MY FATHER (L.A. " Hollywood) by Tony Frankel

I SING THE THEATRE ELECTRIC Any mental notes I had regarding I Never Sang For My Father at The McCadden Place Theatre disappeared just after curtain call. I was haunted by thoughts of my own…

SOURCE: Stage and Cinema at 11:46PM[SHARE]
Sunday, April 24, 2011

Theater Review: LITTLE ME (L.A. " Glendale) by Tony Frankel

HOW THE HELL DO THEY DO IT? Ah, celebrity. If you think that the headlining of television stars in Broadway musicals is a new phenomenon, check out the action in the early 1960s: brassy redh…

SOURCE: Stage and Cinema at 02:45PM[SHARE]

Theater Review: A WEEKEND WITH PABLO PICASSO (L.A. " Downtown) by Tony Frankel

THE ACTOR AND THE ARTIST: TWO MASTERS AT WORK AND PLAY What a joy it is to watch the Los Angeles Theatre Center roar back to life. Once considered a dodgy neighborhood, the Historic Core has…

SOURCE: Stage and Cinema at 01:58AM[SHARE]
Thursday, April 21, 2011

Los Angeles Theater Review: THE CHAIRS, ENDGAME, Existentialism, and the Theater of the Absurd by Tony Frankel

WHAT AN ABSURD WEEKEND: EXISTENTIALISM 101 You're watching a play but you have no idea what's happening. There is no plot, the dialogue is gobbledygook, and characters are filled with despai…

SOURCE: Stage and Cinema at 08:40PM[SHARE]

Theater Review: THE TEMPERAMENTALS by Jon Marans (Hollywood) by Tony Frankel

NOT SO WILD ABOUT HARRY Real-life gay activist Harry Hay and the West Coast Premiere of The Temperamentals — a play based on his story — have much in common: fascinating but pecu…

SOURCE: Stage and Cinema at 02:46PM[SHARE]
Wednesday, April 20, 2011

Theater Review: THE MERCHANT OF VENICE (L.A. " Santa Monica) by Tony Frankel

THE PLAY'S NOT THE ONLY THING Reinterpreting the setting of Shakespeare's plays for modern audiences will always be a subject for debate: purists believe that a play's relevance lies in the …

SOURCE: Stage and Cinema at 12:45PM[SHARE]

Theater Review: STANDING ON CEREMONY: THE GAY MARRIAGE PLAYS (L.A. " Hollywood) by Tony Frankel

AN EVENING OF DIVERSITY AND INCLUSIVENESS It was one of those magical nights in the theatre: a confluence of activism, sterling talent, and magnificent playwriting, made all the more joyous …

SOURCE: Stage and Cinema at 12:49AM[SHARE]
Sunday, April 17, 2011

Theater Review: THE ALL NIGHT STRUT (L.A.: North Hollywood) by Tony Frankel

SHOO SHOO BABY "How do you review The All Night Strut?" my theatre companion asked as we left The Colony Theatre. Well, you don't. This short Cabaret-style evening of songs (culled from the …

SOURCE: Stage and Cinema at 01:07AM[SHARE]
Thursday, April 14, 2011

Theater Review: A RAISIN IN THE SUN by Lorraine Hansberry, directed by Phylicia Rashad (Los Angeles) by Tony Frankel

UNCOMMON GRACE In order to validate his experience of a play, a reviewer should dissect and probe the components of a production, but once in a while a show comes along which catapults the h…

SOURCE: Stage and Cinema at 01:05AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off