
From 2009: I never succeeded in engaging with John Updike's work, and I've always assumed that the fault is mine. Throughout my lifetime he was the very model of a modern man of letters, a q…
SOURCE: ArtsJournal at 07:01AM[SHARE]"Patience, n. A minor form of despair, disguised as a virtue." Ambrose Bierce, The Devil's Dictionary
SOURCE: ArtsJournal at 07:00AM[SHARE]Ricardo Montalban "plays" "Fantasia Mexicana," Johnny Green's arrangement for piano and orchestra of Aaron Copland's El Salón Mexico, in Fiesta, a 1947 film directed by Richard …
SOURCE: ArtsJournal at 07:01AM[SHARE]"Suffering is admittedly one of the central problems of human existence; but this is because we have a suspicion that it is all for nothing. If we had a certainty about meaning, th…
SOURCE: ArtsJournal at 07:00AM[SHARE]My Wall Street Journal review of the Broadway transfer of Tarell Alvin McCraney's Choir Boy is now on line. Here's an excerpt. * * * Careerwise, Tarell Alvin McCraney i…
SOURCE: ArtsJournal at 07:02AM[SHARE]Fred Astaire is interviewed by Michael Parkinson in 1976. This clip is an excerpt from an episode of Parkinson, originally telecast by the BBC on February 14, 1976: (This is the latest …
SOURCE: ArtsJournal at 07:01AM[SHARE]"Waiting is still an occupation. It is having nothing to wait for that is terrible." Cesare Pavese, This Business of Living
SOURCE: ArtsJournal at 07:00AM[SHARE]In my new Wall Street Journal "Sightings" column, which I resume this week after a hiatus caused by Mrs. T's recent illness, I write about the reissue of The Kindness of Strangers, Salk…
SOURCE: ArtsJournal at 07:01AM[SHARE]"But the real, tremendous truth is this: suffering serves no purpose whatever." Cesare Pavese, This Business of Living
SOURCE: ArtsJournal at 07:00AM[SHARE]John Hartford is interviewed by Hugh Hefner, then performs "California Earthquake." This clip was taped on November 10, 1968, for an episode of Playboy After Dark, Hefner's syndicated T…
SOURCE: ArtsJournal at 06:01AM[SHARE]"Privacy is a peculiarly twentieth-century concept, an artifact of the Western urban middle classes: Before then, only the super rich could afford it, and since the invention of e-mail and t…
SOURCE: ArtsJournal at 06:00AM[SHARE]From 2009: I went to Kansas City to spend a day communing with myself when young, wondering whether I'd know where to look for him. I drove toward what sounded like a familiar address, took …
SOURCE: ArtsJournal at 07:01AM[SHARE]Those wearing Tolerance for a labelCall other views intolerable. Phyllis McGinley, "In Praise of Diversity"
SOURCE: ArtsJournal at 07:00AM[SHARE]Most of the time I can't quite grasp the undeniable fact that I'm sixty-two, going on sixty-three. Rarely if ever do I feel that old, and I know I don't look anything like my age (unles…
SOURCE: ArtsJournal at 07:02AM[SHARE]Benno Moiseiwitsch, Constant Lambert, and the London Philharmonic play an excerpt from Rachmaninoff's Second Piano Concerto in Battle for Music, a British wartime propaganda film releas…
SOURCE: ArtsJournal at 07:01AM[SHARE]So might two climbers lost in mountain weather On a high slope and taken by the storm, Desperate in the darkness, cling together Under one cloak and breathe each other warm. Stay…
SOURCE: ArtsJournal at 07:00AM[SHARE]Malcolm Muggeridge interviews Edward R. Murrow on Panorama, a BBC series first seen in 1953 that is the world's longest-running television program about current affairs. The two men discuss …
SOURCE: ArtsJournal at 07:01AM[SHARE]"I believe television is going to be the test of the modern world, and that in this new opportunity to see beyond the range of our vision we shall discover either a new and unbearable distur…
SOURCE: ArtsJournal at 07:00AM[SHARE]"With most men, unbelief in one thing springs from blind belief in another." Georg Christoph Lichtenberg, Notebook L
SOURCE: ArtsJournal at 07:00AM[SHARE]"Their one idea was to get in with people who didn't want them and to take snubs as if they were honorable scars." Henry James, "The Pupil"
SOURCE: ArtsJournal at 07:00AM[SHARE]"History is irony on the move, the Mind's jeer down through men and events. Today this belief triumphs; tomorrow, vanquished, it will be dismissed and replaced: those who accepted it wi…
SOURCE: ArtsJournal at 07:00AM[SHARE]"Why is it when we get older, we think it's the weather that's changing?" Robert W. Lenski, teleplay for Decoration Day (adapted from a novella by John William Corrington)
SOURCE: ArtsJournal at 07:00AM[SHARE]Two episodes of Three on the Aisle, the twice-monthly podcast in which Peter Marks, Elisabeth Vincentelli, and I talk about theater in America, became available on line for listening or…
SOURCE: ArtsJournal at 07:02AM[SHARE]"There is one thing that 99 percent of all critics share with one another: they are failures. I don't mean failures as critics"my God, that's understood. I don't even mean they are failures …
SOURCE: ArtsJournal at 07:00AM[SHARE]In addition to my regular drama columns, I published three other pieces in <I>The Wall Street Journal</I> during my recent semi-hiatus from this blog. The first one, which ra…
SOURCE: ArtsJournal at 07:03AM[SHARE]"Examine any work of art down to its bone and you find cliché." William Goldman, <I>The Season: A Candid Look at Broadway</I> (courtesy of Jason Zinoman)
SOURCE: ArtsJournal at 07:00AM[SHARE]My Wall Street Journal best-theater-of-2018 list appeared in the paper two weeks ago. Here are some excerpts. You can read the whole thing by going here. * * * ' B…
SOURCE: ArtsJournal at 07:03AM[SHARE]One of the finest new plays of the year just past, Heather Raffo's Noura, opened off Broadway at Playwrights Horizons a couple of days after I had to send in my Wall Street Journal best-t…
SOURCE: ArtsJournal at 07:02AM[SHARE]"'Do you know any happy music?' asked Stephen. 'I do not.'" Patrick O'Brien, The Hundred Days
SOURCE: ArtsJournal at 07:00AM[SHARE]I parted company with most of my colleagues in my Wall Street Journal review of Aaron Sorkin's new stage version of To Kill a Mockingbird, whose Broadway premiere I loathed. In the same…
SOURCE: ArtsJournal at 07:02AM[SHARE]"The sea, if it teaches nothing else, does at least compel a submission to the inevitable which resembles patience." Patrick O'Brien, Blue at the Mizzen
SOURCE: ArtsJournal at 07:00AM[SHARE]

