All stories by Susan Galbraith on BroadwayStars

Monday, May 23, 2016

The Girl Who Forgot to Sing Badly (review) new magic from the Emerald Isle by Susan Galbraith

Louis Lovett is a teller of stories. From Ireland he is and he is simply grand. I have it on good authority from two smallish people and one not so smallish I met at the Kennedy Center last …

SOURCE: DC Theatre Scene at 09:26AM[SHARE]
Monday, May 16, 2016

Hedda Gabler, an emotional steeplechase, at Studio Theatre (review) by Susan Galbraith

Henrik Ibsen shocked the world with the psychological portrait of a female "monster of unsexed depravity" in his Hedda Gabler and cemented his reputations as the father of modern drama, in p…

SOURCE: DC Theatre Scene at 01:34PM[SHARE]
Monday, May 9, 2016

WNO's "made in America" Ring of the Nibelung: Twilight of the Gods by Susan Galbraith

Friday morning, images across TV screens and in The Washington Post flashed pictures of wildfires burning in the oil fields of Alberta, Canada. For those of us this past week who have lived …

SOURCE: DC Theatre Scene at 01:02PM[SHARE]
Friday, May 6, 2016

WNO's "made in America" Ring of the Nibelung " Part 3 Siegfried (review) by Susan Galbraith

Projections follow music and carry us from clouds to forest canopy. But how quickly the woods change to a panorama of deforestation. Magnificent trunks become denuded logs and are carried by…

SOURCE: DC Theatre Scene at 09:33AM[SHARE]
Wednesday, May 4, 2016

WNO's "made in America" Ring of the Nibelung " Part 2 The Valkyrie (review) by Susan Galbraith

"Nun zäume dein Ross, reisige Maid!" ("Mount your horses, cavalry maiden!") We're in for a ride! Zambello's big pre-show announcement on opening night of The Valkyrie was that Christine Goe…

SOURCE: DC Theatre Scene at 11:27AM[SHARE]
Monday, May 2, 2016

WNO's "made in America" Ring of the Nibelung " Part 1 The Rhinegold (review) by Susan Galbraith

In the darkened Kennedy Center Opera House, the music begins so quietly one thinks maybe it is only imagined. But that E-flat major triad rolls on and grows. On an enormous screen, from a mu…

SOURCE: DC Theatre Scene at 11:49AM[SHARE]
Friday, April 29, 2016

The Kennedy Center Arts Summit: a call to live life as citizen artists by Susan Galbraith

Renée Fleming walks on stage and shares confidentially that when she isn't jetting to the glamorous capitals of the opera world or singing the great soprano roles on stage, she is making tr…

SOURCE: DC Theatre Scene at 11:11AM[SHARE]
Tuesday, April 26, 2016

Journey to the West from Constellation Theatre (review) by Susan Galbraith

  April turns out to be an "epic" month in the city. This week Washington National Opera opens its much-anticipated full "Ring Cycle" by Richard Wagner, and Constellation Theatre, the c…

SOURCE: DC Theatre Scene at 03:22PM[SHARE]

Exclusive: Francesca Zambello on directing The Ring of the Nibelung at WNO by Susan Galbraith

Francesca Zambello is directing Wagner's Ring Cycle that opens April 30th at The Kennedy Center and brings to Washington National Opera for the first time the whole four-part epic oper…

SOURCE: DC Theatre Scene at 02:15PM[SHARE]
Monday, March 14, 2016

The Odyssey: From Vietnam to America at The Kennedy Center (review) by Susan Galbraith

  Kennedy Center's World Stages is what I might call a rolling festival of international works that defy easy categorizing of genres, and no show more so than The Odyssey: from Vietnam …

SOURCE: DC Theatre Scene at 10:33AM[SHARE]
Monday, February 15, 2016

Lost in the Stars from Washington National Opera (review) by Susan Galbraith

Many people taking their seats for the first time at WNO's Lost in the Stars may wonder at the production's stark and formidable stockade, lit but darkly. The leader of the Chorus enters and…

SOURCE: DC Theatre Scene at 11:56AM[SHARE]
Tuesday, January 19, 2016

Puppets rule Avant Bard's Midsummer Night's Dream by Susan Galbraith

Following the plinkety-plinks of a somewhat less-than-shimmering overture " after all, it is a "junk yard" gamelan " delicately carved puppets transport us through their shadow play.  All…

SOURCE: DC Theatre Scene at 11:00AM[SHARE]
Monday, January 11, 2016

Better Gods, new opera reveals Hawaii's last queen, from WNO by Susan Galbraith

Washington National Opera’s Better Gods brings a mostly unknown chapter in Hawaiian history onto the stage at the Kennedy Center, telling the story of Queen Lili'uokalani, the is…

SOURCE: DC Theatre Scene at 11:21AM[SHARE]
Thursday, December 31, 2015

Susan Galbraith's Top 10, a celebration of Women's Voices Theater Festival by Susan Galbraith

I continue to celebrate the voices and the productions that were heard in Washington this Fall as part of the Women’s Voices Theater Festival. Frankly, I'm also still mulling over the …

SOURCE: DC Theatre Scene at 10:48AM[SHARE]
Tuesday, December 1, 2015

Catone in Utica from Opera Lafayette (review) by Susan Galbraith

There's much to learn watching a production being remounted by essentially the same team. The riches and new challenges proved fascinating in the rarity of Vivaldi's Catone in Utica that pla…

SOURCE: DC Theatre Scene at 12:44PM[SHARE]
Friday, November 20, 2015

A magical Pericles at Folger Theatre (review) by Susan Galbraith

Flute, fiddle, and guitar sounds emanate from a corner tucked in the wings of the Folger stage setting up a kind of folk music-and-theatre production style. Suddenly the stage world grows da…

SOURCE: DC Theatre Scene at 10:07AM[SHARE]
Monday, November 16, 2015

Appomattox at Washington National Opera by Susan Galbraith

Philip Glass has been called by some the greatest living composer.  His new work, Appomattox, received a world premiere in its expanded and revised state by Washington National Opera on S…

SOURCE: DC Theatre Scene at 01:03PM[SHARE]
Tuesday, October 27, 2015

Duir-wyyd: The Dreamer's Doorway (review) by Susan Galbraith

 Women's rituals, eco-spirituality, shamanism, and Celtic wisdom are the themes in Sandra Kammann's self-produced offering for the Women's Voices in Theater Festival. The unabashed celebr…

SOURCE: DC Theatre Scene at 10:01AM[SHARE]
Monday, October 19, 2015

Isango Ensemble performs a fiery South African version of Carmen by Susan Galbraith

There is a Carmen for everyone. This production of Georges Bizet's opera is from South African townships around Capetown welded by the most spirited Isango Ensemble. They have made the work …

SOURCE: DC Theatre Scene at 01:08PM[SHARE]
Thursday, October 15, 2015

Yaël Farber's Salomé, STC at the Lansburgh Theatre by Susan Galbraith

On October 13th, we were treated to the debut of a bold new work, visually stunning and emotionally powerful. Yaël Farber has conceived, adapted and directed a fitting "crown" to the Wome…

SOURCE: DC Theatre Scene at 01:33PM[SHARE]
Wednesday, October 7, 2015

As One, transgender opera from UrbanArias (review) by Susan Galbraith

Pulsing music from a string quartet becomes a cinematic soundtrack to footage of green water swiftly flowing. The images change to handlebars while on stage a seated man pedals the air, the …

SOURCE: DC Theatre Scene at 11:38AM[SHARE]
Tuesday, September 29, 2015

Destiny of Desire by Karen Zacarias at Arena Stage (review) by Susan Galbraith

We are in full swing of the Women's Voices in Theatre Festival with some mighty impressive entries having led out of the gate. We have Artistic Director Molly Smith in great part to thank fo…

SOURCE: DC Theatre Scene at 01:10PM[SHARE]
Tuesday, September 22, 2015

A smashing Carmen at Washington National Opera (review) by Susan Galbraith

If opera is meant to be a true synthesis, bringing together the many art forms of music, singing, dance, acting, and the visual arts, then Washington National Opera's Carmen has created a sm…

SOURCE: DC Theatre Scene at 11:42AM[SHARE]
Sunday, September 13, 2015

Cosi fan Tutte, Mozart's opera in the Torpedo Factory by Susan Galbraith

As the title of one of last of Mozart's operas suggests about women, "so do they all," indeed! How perfect then to set this young lovers' romp in the hedonistic, cynical and self-referential…

SOURCE: DC Theatre Scene at 02:59PM[SHARE]
Wednesday, August 26, 2015

Kiss Me Kate from NextStop (review) by Susan Galbraith

NextStop Theatre Company presents Cole Porter’s classic American musical Kiss Me Kate as the first show in its third professional season. Already, the company has produced several poli…

SOURCE: DC Theatre Scene at 02:15PM[SHARE]
Friday, August 14, 2015

The Adventures of Prince Achmed with Tom Teasley (review) by Susan Galbraith

It takes only a few seconds of flickering light to find oneself anticipating the delicate magic of the early film animation of Lotte Reiniger. And then musician Tom Teasley intervenes, launc…

SOURCE: DC Theatre Scene at 02:07PM[SHARE]
Monday, July 27, 2015

Opera singer Eric Owens, from Glimmerglass Festival to Washington National Opera by Susan Galbraith

I interviewed Eric Owens, the world-renowned bass-baritone, in the beautiful surroundings of Glimmerglass Festival. He had just come off a performance of Verdi's Macbeth two nights before an…

SOURCE: DC Theatre Scene at 11:48AM[SHARE]
Thursday, July 23, 2015

Glimmerglass Festival: no better place for The Magic Flute and Candide by Susan Galbraith

On this the fortieth anniversary of the Glimmerglass Festival, Artistic Director Francesca Zambello has delivered to us two big valentines of shows: Mozart's much beloved work The Magic Flut…

SOURCE: DC Theatre Scene at 09:19AM[SHARE]

A haunting Macbeth at Glimmerglass Festival by Susan Galbraith

The general understanding in theatre is that there is a curse on Shakespeare's Scottish play. I wonder in Anne Bogart's new operatic production at Glimmerglass Festival, despite some wonderf…

SOURCE: DC Theatre Scene at 08:03AM[SHARE]
Tuesday, July 21, 2015

Stunning premiere for Vivaldi's Cato in Utica at Glimmerglass Festival by Susan Galbraith

There is something very special about attending the premiere of a great work, where all discoveries happen in real time. Saturday evening the energy was electrifying, filled with gasps and e…

SOURCE: DC Theatre Scene at 08:57PM[SHARE]

Justice Ruth Bader Ginsburg's 'On Opera and the Law' at Glimmerglass Festival by Susan Galbraith

Two giants were in fulsome display at Glimmerglass Festival on Saturday, both alike in dignity: the notorious RBG (Supreme Court Justice Ruth Bader Ginsburg) and Roman Republic's own Cato th…

SOURCE: DC Theatre Scene at 08:57PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off