
Black artists didn't wait around for institutional change. They are making it happen.
SOURCE: The New York Times Subscription at 05:18AM[SHARE]A playwright, a director, an artistic director and an actor share their experiences " and prescriptions for change.
SOURCE: The New York Times Subscription at 02:24PM[SHARE]Our writers suggest works that illuminate and tackle issues of police brutality, social injustice and racial inequity.
SOURCE: The New York Times Subscription at 05:48PM[SHARE]How do you turn a magazine article about air travel and race relations into theater? For "Help," Rankine's new play, she started with a pile of letters.
SOURCE: The New York Times Subscription at 11:48AM[SHARE]The creator of "A Soldier's Play" has largely written for black theaters. But now he has the chance to remind the biggest audiences: African-Americans served, too.
SOURCE: The New York Times Subscription at 02:24PM[SHARE]Why Anna Deavere Smith handed Michael Benjamin Washington a revival of her breakthrough 1992 documentary solo show about the Crown Heights race riot.
SOURCE: The New York Times Subscription at 11:18AM[SHARE]How does who you are affect how you see this Pulitzer Prize-winning drama? Two critics finally have the talk.
SOURCE: The New York Times Subscription at 10:18AM[SHARE]The bio-play "Twisted Melodies" aims to remind us of his timeless musicianship and unsettling personal struggles.
SOURCE: The New York Times Subscription at 02:54PM[SHARE]The new documentary "Sighted Eyes/Feeling Heart" explores a more complex and complicated playwright than the civil rights figure known to most people.
SOURCE: The New York Times Subscription at 02:43PM[SHARE]

