Monday, November 27, 2017
Monday, November 20, 2017
Friday, November 17, 2017
Kate Hamill has turned "Sense and Sensibility" and "Vanity Fair" into fast-paced romps. Now she tackles "Pride and Prejudice."
SOURCE: The New Yorker Subscription at 04:00AM[SHARE]Wednesday, November 15, 2017
Michael Schulman on John Leguizamo's new one-man Broadway show, "Latin History for Morons,"Â in which the actor tries to find a hero for his son's history project.
SOURCE: The New Yorker Subscription at 05:00PM[SHARE]Thursday, November 9, 2017
Michael Schulman reviews the Broadway musical "The Band's Visit," starring Tony Shalhoub and Katrina Lenk and based on the 2007 Israeli film.
SOURCE: The New Yorker Subscription at 07:30PM[SHARE]Monday, November 6, 2017
The children's-book author visits the scale model of New York, which plays a starring role in his novel "Wonderstruck."
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Friday, November 3, 2017
Monday, October 30, 2017
Michael Schulman on the actor Kevin Spacey's troubling coming-out statement, which was coupled with the actor's response to a sexual-assault allegation.
SOURCE: The New Yorker Subscription at 04:48PM[SHARE]Friday, October 20, 2017
The comedian stars in "Meteor Shower," a play by Steve Martin that combines marital friction and astronomical calamity.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Saturday, October 14, 2017
Friday, October 13, 2017
Thursday, September 28, 2017
Friday, September 15, 2017
Michael Schulman explores the risk-taking career of Glenn Close, who will appear at The New Yorker Festival, on October 6th.
SOURCE: The New Yorker Subscription at 06:20PM[SHARE]Friday, September 8, 2017
Monday, September 4, 2017
A tennis match that began as a publicity stunt became a referendum on women's lib. Now it's the subject of Jonathan Dayton and Valerie Faris's new movie.Â
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Saturday, September 2, 2017
Magic Johnson's son was outed as gay by TMZ, then became a reality show star. All of 25, he is now embracing his role as a gender-flouting role model.
SOURCE: The New York Times Subscription at 06:00AM[SHARE]Friday, September 1, 2017
Michael Schulman writes a defense of the standing ovation at the conclusion of Broadway shows, a custom that some theatregoers have started to question.
SOURCE: The New Yorker Subscription at 12:28PM[SHARE]Monday, August 21, 2017
Michael Schulman on Michael Moore and the underlying tenderness that distinguishes his Broadway début, "The Terms of My Surrender."
SOURCE: The New Yorker Subscription at 01:30PM[SHARE]He's known for his salt-of-the-earth performance in "Babe," but this summer he's been in the news for his rabble-rousing.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Friday, August 18, 2017
On Broadway, there's the gem-size "The Band's Visit" and the star-studded "Meteor Shower." Off Broadway, old is new with "Measure for Measure."
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Friday, July 28, 2017
Tuesday, July 25, 2017
Friday, June 30, 2017
Monday, June 19, 2017
For the past ten years, a pseudonymous blogger has been writing Vanishing New York, chronicling the demises of beloved spots. Now he's ready to unmask himself.
SOURCE: The New Yorker Subscription at 12:00AM[SHARE]Tuesday, June 13, 2017
Who says that theatre can't cause a ruckus? On Sunday, as CBS was teasing "Broadway's biggest night," controversy was engulfing the Public Theatre's production of "Julius Caesar," at Shakesp…
SOURCE: The New Yorker Subscription at 09:37PM[SHARE]Sunday, June 11, 2017
Over the years, Lacombe has captured such iconic performers as Alec Baldwin, Meryl Streep, Denzel Washington, and Madonna (during the singer's volatile marriage to Sean Penn).
SOURCE: The New Yorker Subscription at 08:58AM[SHARE]Saturday, June 10, 2017
Actors are, by definition, an exhibitionist bunch. But they can also be deeply protective of a process that requires them to dive inside themselves before resurfacing with pearls of performa…
SOURCE: The New Yorker Subscription at 08:00AM[SHARE]Friday, May 19, 2017
"I've never been a girl-woman," Elizabeth Marvel said recently. "I've always been a Woman with a capital 'W.'Â " With her deep timbre and penetrating eyes, the forty-seven-year-old actress…
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Monday, May 15, 2017
"A woman cannot be herself in the society of the present day, which is an exclusively masculine society," Henrik Ibsen wrote in 1878, proving himself, in 2017 parlance, to be a woke bae. He …
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Loading more stories…
