All stories by Michael Billington on BroadwayStars

Tuesday, December 6, 2016

Michael Billington's top 10 theatre of 2016 by Michael Billington

Glenda Jackson ruled as Lear and Harry Potter left the West End spellbound but a three-hour drama in an empty cinema tops our critic's pick of the year's theatreMore on the best culture of 2…

SOURCE: The Guardian at 02:31AM[SHARE]
Sunday, December 4, 2016

Peter Pan review " spirited exuberance with a touch of sadness by Michael Billington

Olivier, London Sally Cookson's inventive playfulness reinforces the hero's devotion to fun and games but remains true to the melancholy spirit of JM Barrie's playJM Barrie's play is an obli…

SOURCE: The Guardian at 07:42AM[SHARE]
Friday, December 2, 2016

The Seven Acts of Mercy review "  Caravaggio has a brush with Bootle by Michael Billington

Swan theatre, Stratford-upon-AvonAnders Lustgarten's play pits the biblical morality of an Italian masterpiece against the cruelty of current housing policies with ingenuity and humourAnders…

SOURCE: The Guardian at 07:24AM[SHARE]
Thursday, December 1, 2016

Buried Child review " Ed Harris is brutally compelling in Sam Shepard's dark drama by Michael Billington

Trafalgar Studios, LondonHarris impresses as a whiskey-soaked old wreck in Shepard's gothic story of loveless inertia and poisonous guilt in a dysfunctional familyIt is good to see Hollywood…

SOURCE: The Guardian at 06:24PM[SHARE]
Wednesday, November 30, 2016

This House five-star review " James Graham's thrilling political play returns by Michael Billington

Garrick, LondonGraham captures the daily machinations of politics, and raises questions about our current parliamentary system, in this account of Labour's 1970s strugglesIt has taken four y…

SOURCE: The Guardian at 06:48PM[SHARE]
Tuesday, November 29, 2016

Sheppey review " Somerset Maugham's benign barber still cuts a radical figure by Michael Billington

Orange Tree, Richmond Maugham's 1933 play " about a man whose charitable giving horrifies his family " beautifully skewers the self-interestedness of society then and nowSomerset Maugham is …

SOURCE: The Guardian at 08:42AM[SHARE]
Monday, November 28, 2016

After October review " all the pathos of Rodney Ackland's struggling playwright by Michael Billington

Finborough, London Oscar Toeman directs Rodney Ackland's most autobiographical work, which painfully records the reckless optimism that accompanies any theatrical ventureTime has lent a pati…

SOURCE: The Guardian at 08:24AM[SHARE]
Friday, November 25, 2016

Nice Fish review " Mark Rylance reels them in with kooky comedy by Michael Billington

Harold Pinter theatre, LondonRylance plays a goofball novice on an ice-fishing trip in a play that feels derivative and slides into absurdismMark Rylance and Louis Jenkins have fashioned a p…

SOURCE: The Guardian at 06:42PM[SHARE]

The Children review " Kirkwood's slow-burning drama asks profound questions by Michael Billington

Royal Court, LondonFrancesca Annis, Ron Cook and Deborah Findlay give fine performances in a post-apocalyptic play that is genuinely disturbingLucy Kirkwood astonished us in 2013 with the ep…

SOURCE: The Guardian at 07:12AM[SHARE]
Wednesday, November 23, 2016

In an era of global musicals, Half a Sixpence is distinctly British by Michael Billington

A refurbished version of the 1963 Tommy Steele vehicle has opened in the West End and joins a string of stellar homegrown hitsIt is an odd, but intriguing, fact that Oh! What a Lovely War an…

SOURCE: The Guardian at 05:12AM[SHARE]
Monday, November 21, 2016

Beyond Hamilton: five shows Pence and Trump should see together by Michael Billington

Following the hip-hop musical's special message to the US vice-president elect, here's a selection of great American shows that could enlighten him and his bossEveryone knows what happened w…

SOURCE: The Guardian at 07:06AM[SHARE]
Friday, November 18, 2016

The Tempest review " Beale's superb Prospero haunts hi-tech spectacle by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonFears that digital technology would upstage the actors are scotched in this RSC production starring Simon Russell BealeSimon Russell Beale's ret…

SOURCE: The Guardian at 11:06AM[SHARE]
Thursday, November 17, 2016

The Sewing Group review " power struggles of the quilt makers by Michael Billington

Royal Court, LondonIn EV Crowe's teasing tale, the suspicion and rebellion among rural women in 1700s England lead to troubling questions about the modern worldEV Crowe tends to write about …

SOURCE: The Guardian at 10:12AM[SHARE]
Wednesday, November 16, 2016

Rumpy Pumpy! review " WI's brave sex crusaders trivialised by lewd jokes and crass songs by Michael Billington

Union theatre, LondonThe story of Women's Institute members fighting to decriminalise sex work did not deserve the Carry On treatmentThere is a good show to be written about the 10-year camp…

SOURCE: The Guardian at 10:18AM[SHARE]
Tuesday, November 15, 2016

I Call My Brothers review " an innocent on the run in the wake of terror by Michael Billington

Gate, LondonJonas Hassen Khemiri's disturbing, topical exploration of what it's like to be a foreigner in the aftermath of a terrorist attack is stalled by a series of flashbacksWhat must it…

SOURCE: The Guardian at 07:42AM[SHARE]
Monday, November 14, 2016

School of Rock review " Andrew Lloyd Webber's most exuberant show in years by Michael Billington

New London TheatreWhen Lloyd Webber and Julian Fellowes let down their hair, the results are hardly anti-establishment. But the kids are genuinely talented and this is good-natured entertain…

SOURCE: The Guardian at 05:36PM[SHARE]
Saturday, November 12, 2016

Farinelli and the King review " Mark Rylance gets lost in music by Michael Billington

Sam Wanamaker Playhouse, LondonClaire van Kampen mixes story and song superbly in a tale about the celebrated castratoPlays about mad kings are always popular. After Alan Bennett's portrait …

SOURCE: The Guardian at 05:36AM[SHARE]

Gypsy review " Imelda Staunton in superb tale of showbiz and self-delusion by Michael Billington

Chichester festival theatreEverything slots perfectly into place in this glorious evocation of American vaudeville's tackinessIf proof were needed of the power of the traditional Broadway mu…

SOURCE: The Guardian at 12:12AM[SHARE]
Wednesday, November 9, 2016

Orca review " Jaws meets The Wicker Man in unnerving drama by Michael Billington

Southwark Playhouse, LondonMatt Grinter's play vividly captures the pressure to conform as a girl in an isolated fishing community tries to prevent a devastating mythical ritual The Papatang…

SOURCE: The Guardian at 07:31AM[SHARE]
Tuesday, November 8, 2016

Lazarus review " Michael C Hall is a loving alien in spectacular Bowie fantasy by Michael Billington

King's Cross theatre, LondonDavid Bowie and Enda Walsh's sequel to The Man Who Fell to Earth is staged with visual sophistication by Ivo van Hove but it's rarely emotionally engagingHelp fun…

SOURCE: The Guardian at 06:36PM[SHARE]

Strindberg's Women review " a double bill of power games and sexual politics by Michael Billington

Jermyn Street theatre, LondonTwo short plays by the Swedish dramatist show that his female characters can be just as varied and vivid as the menThe title sounds like a provocation, given Str…

SOURCE: The Guardian at 05:06PM[SHARE]
Monday, November 7, 2016

Deny, Deny, Deny review " doping play puts sport in the Faust lane by Michael Billington

Park theatre, LondonJonathan Maitland's new work about an ambitious runner and her coach shows that there is no such thing as a level playing field in sportJonathan Maitland, as a journalist…

SOURCE: The Guardian at 08:06AM[SHARE]
Saturday, November 5, 2016

King Lear " review by Michael Billington

Minerva, ChichesterThis return to star-driven Shakespeare has in Frank Langella a commanding Lear still driven by a craving for loveWe are used to director's Shakespeare. This production, wh…

SOURCE: The Guardian at 04:42AM[SHARE]
Friday, November 4, 2016

King Lear " review by Michael Billington

Theatre Royal, BathDavid Haig, like the late Nigel Hawthorne, follows an acclaimed performance in Alan Bennett's The Madness of George III by playing Shakespeare's deranged monarch. But, alt…

SOURCE: The Guardian at 11:12PM[SHARE]

King Lear review " Glenda Jackson makes a shattering return to the stage by Michael Billington

Old Vic, LondonJackson ends a 25-year absence with a ferocious, unflinching performance that transcends gender and puts her among the best LearsHelp fund our journalism by becoming a Guardia…

SOURCE: The Guardian at 08:54PM[SHARE]
Thursday, November 3, 2016

Dead Funny review " Johnson's classic brings laughs with a lump in the throat by Michael Billington

Vaudeville, LondonKatherine Parkinson is hilarious in Terry Johnson's revival of his 1994 drama about a group of emotionally deficient comedy obsessivesImages of Frankie Howerd, Tommy Cooper…

SOURCE: The Guardian at 07:42PM[SHARE]
Wednesday, November 2, 2016

Theatre review: Othello / Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonWhat are the hottest tickets in London theatre? Patrick Stewart's Macbeth, Ian McKellen's Lear and what will now be known as Chiwetel Ejiofor's Othello. For director …

SOURCE: The Guardian at 10:48PM[SHARE]

What Shadows review " Ian McDiarmid ignites portrait of Enoch Powell by Michael Billington

Birmingham RepMcDiarmid delivers the paradoxical politician's 'rivers of blood' speech in Chris Hannan's new play which switches between the 1960s and the 90sThe Rep seems the right place fo…

SOURCE: The Guardian at 09:36AM[SHARE]
Tuesday, November 1, 2016

Don Juan in Soho, Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonPatrick Marber is not the first person to give Molière's comedy a makeover. Only two years ago Neil Bartlett transposed the action to a belle-époque hotel. But, whi…

SOURCE: The Guardian at 04:48PM[SHARE]

Much Ado About Nothing " review by Michael Billington

Wyndham's Theatre, LondonArt is not a competition. Since, however, this is the second Much Ado in five days, comparisons are inevitable. And, while Jeremy Herrin's version at Shakespeare's G…

SOURCE: The Guardian at 03:31PM[SHARE]

A subsidised critic is the thin end of a dangerous wedge by Michael Billington

The Boston Globe's initiative to fund a classical music critic by nonprofit groups raises troubling questions for arts critics on both sides of the AtlanticAll critics cherish their independ…

SOURCE: The Guardian at 12:31PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off