All stories by Michael Billington on BroadwayStars

Tuesday, June 14, 2011

Shrek the Musical " review by Michael Billington

Theatre Royal, Drury Lane, LondonOnce upon a time musicals drew their inspiration from books, plays or even real life; now they seem to be based on animated movies. But, although Shrek stems…

SOURCE: The Guardian at 06:00PM[SHARE]

The Magician's Daughter " review by Michael Billington

Little Angel, LondonProspero, at the end of The Tempest, promises to break his staff and "bury it certain fathoms in the earth." Clearly he didn't make a very good job of it since, in Michae…

SOURCE: The Guardian at 08:58AM[SHARE]
Monday, June 13, 2011

Luise Miller " review by Michael Billington

Donmar Warehouse, LondonMichael Grandage, with his revivals of Don Carlos and Mary Stuart, has made Schiller sexy. Now he and translator Mike Poulton turn their attention to this earlier 178…

SOURCE: The Guardian at 06:01PM[SHARE]

War Horse gallops past the funding neigh-sayers by Michael Billington

Jerusalem and War Horse triumphed at this week's Tony awards. What a great night for subsidised British theatreWhere would Broadway be without the British taxpayer? I ask because it always s…

SOURCE: The Guardian at 05:00PM[SHARE]
Thursday, June 9, 2011

Government Inspector " review by Michael Billington

Young Vic, LondonThere are, broadly speaking, two possible approaches to Gogol's classic 1836 comedy. Treat it as a realistic satire on provincial corruption or as a wild fantasy. Given his …

SOURCE: The Guardian at 07:35PM[SHARE]

Public Interest " review by Michael Billington

New Diorama, LondonFact or fiction: which is the best way to deal with the issues raised by the Baha Mousa inquiry into the death of an Iraqi civilian in army custody? Coming hot on the heel…

SOURCE: The Guardian at 10:06AM[SHARE]
Tuesday, June 7, 2011

Chicken Soup With Barley " review by Michael Billington

Royal Court, LondonEither because of a paucity of good new plays or an urge to rediscover the recent past, this is proving to be a summer of revivals. Now it is the turn of Arnold Wesker, wh…

SOURCE: The Guardian at 07:38PM[SHARE]
Monday, June 6, 2011

Tactical Questioning - review by Michael Billington

Tricycle Theatre, LondonVerbatim theatre is at its best the closest it comes to the condition of classical drama. That was certainly true of one of the Tricycle's most famous tribunal plays,…

SOURCE: The Guardian at 07:48PM[SHARE]

Butley - review by Michael Billington

Duchess, LondonSeeing Simon Gray's play revived in the West End, after a gap of 40 years, induces a feeling of nostalgia. Despite how much one may have mocked the commercial theatre of the p…

SOURCE: The Guardian at 06:01PM[SHARE]
Sunday, June 5, 2011

Three Farces " review by Michael Billington

Orange Tree, RichmondKenneth Tynan first had the bright idea of staging a trio of mid-Victorian farces by the forgotten John Maddison Morton, claiming he is "better than Feydeau". A single M…

SOURCE: The Guardian at 10:33AM[SHARE]
Friday, June 3, 2011

Into Thy Hands " review by Michael Billington

Wilton's Music Hall, LondonEveryone is busy celebrating the quatercentenary of the King James bible. Jonathan Holmes, in this ambitious historical drama, takes a more oblique approach. The y…

SOURCE: The Guardian at 01:35PM[SHARE]
Wednesday, June 1, 2011

The School for Scandal's Deborah Warner: no mother of reinvention by Michael Billington

Director Deborah Warner's meshing of Sheridan's 18th-century comedy of manners with modern culture proves some classics are best left as they areIt's good to find Deborah Warner responding t…

SOURCE: The Guardian at 08:00PM[SHARE]

Much Ado About Nothing " review by Michael Billington

Wyndham's Theatre, LondonArt is not a competition. Since, however, this is the second Much Ado in five days, comparisons are inevitable. And, while Jeremy Herrin's version at Shakespeare's G…

SOURCE: The Guardian at 06:00PM[SHARE]

Rosencrantz and Guildenstern Are Dead " review by Michael Billington

Chichester Festival TheatreTrevor Nunn's fine production of Tom Stoppard's 1966 play begins with a striking image: the two heroes seen against the stark background of a leafless tree. The Be…

SOURCE: The Guardian at 01:35PM[SHARE]
Sunday, May 29, 2011

Haunting Julia " review by Michael Billington

Riverside Studios, LondonLondon is finally catching up on Alan Ayckbourn's ghost stories. After the all-female Snake in the Grass (2002), we now get the metropolitan debut of its 1994 all-ma…

SOURCE: The Guardian at 01:00PM[SHARE]
Friday, May 27, 2011

Much Ado About Nothing " review by Michael Billington

Globe, LondonOn a chill, damp night Jeremy Herrin's production, pre-empting next week's West End version (starring David Tennant and Catherine Tate) conquered its audience. But, although Her…

SOURCE: The Guardian at 01:53PM[SHARE]
Wednesday, May 25, 2011

Pygmalion - review by Michael Billington

Garrick, LondonLast year in Chichester I found Philip Prowse's production of Shaw's indestructible play coarse and overstated. If it has improved, it is partly because it fits more snugly in…

SOURCE: The Guardian at 07:47PM[SHARE]
Tuesday, May 24, 2011

One Man, Two Guvnors - review by Michael Billington

Lyttelton, LondonIn 1746, Carlo Goldoni wrote a classic comedy normally translated as The Servant of Two Masters. Richard Bean has used it for a riotous farce combining the original's struct…

SOURCE: The Guardian at 07:25PM[SHARE]

The Acid Test " review by Michael Billington

Royal Court, LondonThe second play, they say, is the hardest. But Anya Reiss more than fulfils the promise she showed last year, as an 18-year-old, with Spur of the Moment. Even if this new …

SOURCE: The Guardian at 05:33AM[SHARE]
Monday, May 23, 2011

From the archive, 23 May 1980: Barnardo at the Royalty by Michael Billington

Originally published in the Guardian on 23 May 1980Written, composed and directed by Ernest Maxin (to whom we raise our hatchets), Barnardo at the Royalty is everything one expects a British…

SOURCE: The Guardian at 06:44AM[SHARE]
Sunday, May 22, 2011

The School for Scandal - review by Michael Billington

Barbican, LondonI fear that the great tradition of English artificial comedy, written mainly by Irishmen and running from the Restoration to Oscar Wilde, is in danger. Either we neglect it o…

SOURCE: The Guardian at 11:50AM[SHARE]
Thursday, May 19, 2011

The Merchant of Venice - review by Michael Billington

Royal Shakespeare Theatre, Stratford-on-AvonWhat to do with this endlessly problematic play? Directors such as Peter Zadek and David Thacker set it in the stock exchange. But Rupert Goold, a…

SOURCE: The Guardian at 07:22PM[SHARE]
Wednesday, May 18, 2011

Silence - review by Michael Billington

Hampstead, LondonFilter is an experimental company famed for its sonic virtuosity: David Farr is a writer/director with the language-driven RSC. So there is a certain irony in seeing them wo…

SOURCE: The Guardian at 07:35PM[SHARE]
Tuesday, May 17, 2011

The Cherry Orchard - review by Michael Billington

Olivier Theatre, LondonGiven Howard Davies's brilliant productions of Bulgakov and Gorky, I had perhaps extravagantly high hopes for his rare excursion into Chekhov. But, while this producti…

SOURCE: The Guardian at 07:33PM[SHARE]

The League of Youth " review by Michael Billington

Nottingham PlayhouseIbsen fanciers are in seventh heaven. In advance of the National's Emperor and Galilean, we get the British professional premiere of this 1869 prose comedy, although I di…

SOURCE: The Guardian at 06:00PM[SHARE]
Sunday, May 15, 2011

Bully Boy " review by Michael Billington

Nuffield, SouthamptonHaving produced two series of live drama for Sky Arts, Sandi Toksvig has now written her own play about postwar trauma. The result, belying Toksvig's familiar comic pers…

SOURCE: The Guardian at 11:59AM[SHARE]
Friday, May 13, 2011

A Delicate Balance " review by Michael Billington

Almeida, LondonWhich is Edward Albee's best play? I'd plump for this one. Written in 1966, it may not have the emotional extravagance of Who's Afraid of Virginia Woolf, but it has a greater …

SOURCE: The Guardian at 01:10PM[SHARE]
Wednesday, May 11, 2011

The City Madam " review by Michael Billington

Stratford-upon-AvonIt is always good to see The Swan, conceived as a venue for non-Shakespearean classics, reverting to its original purpose. But, much as I enjoyed this rare revival of Phil…

SOURCE: The Guardian at 08:52PM[SHARE]
Tuesday, May 10, 2011

I Am the Wind | Michael Billington by Michael Billington

Young Vic, LondonYou can't beat a pre-emptive strike. Both Jon Fosse and Patrice Chereau, the Norwegian author and French director of this strange piece, have said in advance they expect to …

SOURCE: The Guardian at 08:21PM[SHARE]
Monday, May 9, 2011

Autumn and Winter " review by Michael Billington

Orange Tree, London"It's been a strange evening," says a character at the end of Lars Noren's play. That seems an understatement for a work in which a family dinner party turns into a psycho…

SOURCE: The Guardian at 12:04PM[SHARE]
Sunday, May 8, 2011

Incoming " review by Michael Billington

The Cut, Halesworth, SuffolkGiven that Andrew Motion is a poet, novelist and biographer, it's surprising it has taken him so long to get round to writing a play. But, prompted by an invitati…

SOURCE: The Guardian at 09:00AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off