All stories by Michael Billington on BroadwayStars

Tuesday, February 28, 2012

The Lady From The Sea " review by Michael Billington

Rose theatre, Kingston-upon-ThamesJoely Richardson is very brave. In playing Ellida, the mysterious heroine of Ibsen's 1889 drama, she takes on a role already made famous by her mother and l…

SOURCE: The Guardian at 07:55PM[SHARE]

All New People " review by Michael Billington

Duke of York's, LondonThanks to the TV series Scrubs and the film Garden State, Zach Braff clearly enjoys cult status in Britain. His first appearance in his own play, All New People, is gre…

SOURCE: The Guardian at 06:00PM[SHARE]

L is for lousy plays by Michael Billington

The age of the genuine theatrical stinker is over. But there are still plenty of terrible things to watch out for ...In all the recent controversy about whether British theatre has become mo…

SOURCE: The Guardian at 12:58PM[SHARE]
Sunday, February 26, 2012

Hay Fever " review by Michael Billington

Noel Coward, LondonHoward Davies has a gift for revitalising Coward's comedies. Having put the sexuality back into Private Lives, he now visually redefines Hay Fever and pulls off the daring…

SOURCE: The Guardian at 01:30PM[SHARE]
Friday, February 24, 2012

Bingo " review by Michael Billington

Young Vic, LondonWhen Angus Jackson's fine production of Edward Bond's bony masterpiece was first seen in Chichester two years ago, a respected colleague attacked the author for his assumpti…

SOURCE: The Guardian at 01:30PM[SHARE]
Thursday, February 23, 2012

In Basildon " review by Michael Billington

Royal Court, LondonBasildon has always been a key political barometer. But, although David Eldridge's riveting new play has its roots in this allegiance-shifting Essex town, he also uses it …

SOURCE: The Guardian at 02:15PM[SHARE]
Wednesday, February 22, 2012

'Tis Pity She's a Whore " review by Michael Billington

Barbican, London"Try everything once except incest and folk-dancing," runs an old Scottish adage. In fact there is plenty of both in Declan Donnellan's revival of John Ford's 1633 tragedy, a…

SOURCE: The Guardian at 01:54PM[SHARE]
Tuesday, February 21, 2012

K is for Jan Kott | Michael Billington's A to Z of modern drama by Michael Billington

The largely forgotten Polish professor, who drew a connection between Shakespeare and 20th-century European theatre, had a huge impact on modern-day theatrical cultureDoes anyone still read …

SOURCE: The Guardian at 01:00PM[SHARE]

The Bomb " review by Michael Billington

Tricycle theatre, LondonNicolas Kent bids farewell to the Tricycle with a characteristically grand project: a two-part history of the nuclear bomb consisting of 10 separate plays. Obviously …

SOURCE: The Guardian at 10:52AM[SHARE]
Monday, February 20, 2012

Patience " review by Michael Billington

Union theatre, LondonThis is the third all-male version of Gilbert and Sullivan that Sasha Regan has directed at this tiny Southwark theatre. But, while the result is as "blithe and gay" as …

SOURCE: The Guardian at 01:56PM[SHARE]
Friday, February 17, 2012

A Midsummer Night's Dream " review by Michael Billington

Lyric Hammersmith, LondonThe sound of wild laughter suddenly fills our theatre. Following on the success of their Twelfth Night, Filter now bring us a joyous, two-hour Dream that owes a visi…

SOURCE: The Guardian at 12:59PM[SHARE]
Thursday, February 16, 2012

King Lear " review by Michael Billington

Tobacco Factory, BristolThere is a sentimental myth abroad that if we could only minimise the role of these pesky directors with their quirky concepts, we could see Shakespear…

SOURCE: The Guardian at 01:29PM[SHARE]
Tuesday, February 14, 2012

J is for Jewish dramatists by Michael Billington

Just as Jewish folk culture influenced Hollywood cinema, modern theatre has also been shaped by Yiddish traditionAt the moment there is a rather under-valued play by Nicholas Wright, Travell…

SOURCE: The Guardian at 09:11AM[SHARE]
Monday, February 13, 2012

Muswell Hill " review by Michael Billington

Orange Tree, RichmondWe've all been there: the dinner party from hell. Although it's a stock dramatic device, Torben Betts gives it a fresh and funny spin in this new play that, at its best,…

SOURCE: The Guardian at 12:45PM[SHARE]
Friday, February 10, 2012

The King's Speech on stage " review by Michael Billington

At Guildford's Yvonne Arnaud theatre, playwright David Seidler has much more room to explore the story's historical background than the cinema version allowedWatching David Seidler's play in…

SOURCE: The Guardian at 06:00PM[SHARE]
Thursday, February 9, 2012

Absent Friends - review by Michael Billington

Harold Pinter Theatre, LondonIt is fascinating to see a new generation of directors and actors discover Alan Ayckbourn. And, even if the National came badly unstuck with Season's Greetings, …

SOURCE: The Guardian at 07:30PM[SHARE]

The Heresy of Love " review by Michael Billington

The Swan, Stratford-upon-AvonReligion is big by the Avon this winter. Following Written on the Heart, about the King James Bible, the RSC brings us Helen Edmundson's new play about the life …

SOURCE: The Guardian at 01:05PM[SHARE]
Wednesday, February 8, 2012

The Way of the World " review by Michael Billington

Sheffield CrucibleAfter a decade of neglect, Restoration comedy is back on the agenda. And Lyndsey Turner's modern-dress revival of William Congreve's 1700 classic proves highly pleasurable,…

SOURCE: The Guardian at 02:18PM[SHARE]

I is for illusion by Michael Billington

Suspension of belief can be a powerful theatrical tool, but should we be more emotionally detached from what's happening in front of us?The last 100 years have seen a constant battle against…

SOURCE: The Guardian at 05:36AM[SHARE]
Tuesday, February 7, 2012

Master Class " review by Michael Billington

Vaudeville, LondonBeware of Americans bearing gift-wrapped versions of Greek legends. After the horrors of Martin Sherman's Onassis, we now have the return of Terrence McNally's version of a…

SOURCE: The Guardian at 06:00PM[SHARE]

Sex With a Stranger " review by Michael Billington

Trafalgar Studios, LondonPlays about casual sex among today's twentysomethings are not that uncommon. But two things give this cryptic, 80-minute three-hander by Stefan Golaszewski (wri…

SOURCE: The Guardian at 03:00PM[SHARE]

Worth the wait: why Look Back in Anger is the equal of Godot by Michael Billington

It took Judi Dench's astonishing 1989 production of Look Back in Anger to give us the play that John Osborne actually wrote " a play, like Beckett's, about waitingBritish theatre is full of …

SOURCE: The Guardian at 11:00AM[SHARE]

Worth the wait: why Look Back in Anger is the equal of Godot by Michael Billington

It took Judi Dench's astonishing 1989 production of Look Back in Anger to give us the play that John Osborne actually wrote " a play, like Beckett's, about waiting Continue reading...

SOURCE: The Guardian at 11:00AM[SHARE]
Tuesday, January 31, 2012

H is for David Hare by Michael Billington

The playwright has put up with my running commentary for 40 years. But no one else so tenaciously exposes society's frailtyI'm currently reading Benjamin Disraeli's Sybil, which offers a sta…

SOURCE: The Guardian at 09:38AM[SHARE]
Sunday, January 29, 2012

Michael Billington on judging classics by past performances by Michael Billington

Why Shakespeare plays havoc with your memoryHow much should critics invoke the past when judging the present? It's a thorny topic. I sometimes get letters along the lines of "You may not hav…

SOURCE: The Guardian at 05:45PM[SHARE]

The Sea Plays " review by Michael Billington

Old Vic Tunnels, LondonIn theory, this underground venue should be an ideal place to stage Eugene O'Neill's early sea plays, two of which are set in a ship's forecastle. But, with its shaky …

SOURCE: The Guardian at 01:45PM[SHARE]
Tuesday, January 17, 2012

F is for film by Michael Billington

For over a century, theatre has been inspired by the movies, and vice versa. If only musicals would keep their relationship with Hollywood to a Brief EncounterWhat, you may wonder, is a sect…

SOURCE: The Guardian at 09:30AM[SHARE]
Thursday, January 12, 2012

The Story of Musicals has its high notes by Michael Billington

The BBC4 series is better on anecdotes than ideas, so it's at its best when it stops drum-beating and deals with specificsCatch up with The Story of Musicals on iPlayerI'm enjoying BBC4's se…

SOURCE: The Guardian at 10:23AM[SHARE]
Tuesday, January 10, 2012

Why a London home for the RSC is a capital idea by Michael Billington

For too long, the Shakespeare powerhouse founded by Peter Hall has been seen only randomly in London. This wasteful state of affairs has become a threat to the company's standingWhen Peter H…

SOURCE: The Guardian at 10:31AM[SHARE]

E is for experiment by Michael Billington

Despite its radical history, experimental theatre has become institutionalised. Time for a shot in the armExperimental theatre is a hard concept to get one's head around, since everyone defi…

SOURCE: The Guardian at 07:16AM[SHARE]
Friday, January 6, 2012

Fog " review by Michael Billington

Finborough, LondonThis 80-minute play is the product of an unusual partnership between an emerging young actor, Toby Wharton, and a veteran of feminist theatre, Tash Fairbanks. The result is…

SOURCE: The Guardian at 01:30PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off