All stories by Michael Billington on BroadwayStars

Thursday, November 20, 2014

Richard Pasco obituary by Michael Billington

Classical actor with a prolific repertoire, authoritative stage presence and unforgettable voice Continue reading...

SOURCE: The Guardian at 01:41PM[SHARE]
Wednesday, November 19, 2014

Behind the Beautiful Forevers review " a triumph for David Hare and Meera Syal by Michael Billington

Olivier, LondonMeticulously detailing the endless grind of Mumbai slum life helps this spirited adaptation of Katherine Boo's award-winning reportage avoid any danger of quaintness' A spotli…

SOURCE: The Guardian at 07:00AM[SHARE]
Tuesday, November 18, 2014

Accolade review " Blanche McIntyre's impeccable revival of 50s thriller by Michael Billington

St James, LondonA novelist gains a knighthood, then is outed as a frequenter of pub orgies: Emlyn Williams's play has plenty of contemporary resonance Continue reading...

SOURCE: The Guardian at 08:34AM[SHARE]
Monday, November 17, 2014

Pomona review dark, compelling play brings to mind Poliakoff by Michael Billington

Orange Tree, RichmondPowerfully articulated and skilfully wrought, Alistair McDowalls bleakly pessimistic horror story has young audiences in raptures Alistair McDowall: There are no rules i…

SOURCE: The Guardian at 06:55AM[SHARE]
Friday, November 14, 2014

The Shape of the Table review David Edgars power play proves prophetic by Michael Billington

Cockpit, London Twenty-five years after the fall of the Berlin Wall, the first play in the Iron Curtain trilogy gets an excellent revival David Edgar: Ukip is my territory. I suspect I am g…

SOURCE: The Guardian at 07:23AM[SHARE]
Thursday, November 13, 2014

Warren Clarke had burly power, vulnerability and immense presence by Michael Billington

In plays by David Storey and Anthony Shaffer, Clarke was something special on stage. If only theatre had made more use of him Warren Clarke: a life in clips Continue reading...

SOURCE: The Guardian at 08:45AM[SHARE]

Wildefire review visceral, vigorous police drama by Michael Billington

Hampstead theatre, LondonRoy Williams explore the problems of an eager young policewoman in south London and finds little division between law enforcers and law breakers Continue reading...

SOURCE: The Guardian at 07:40AM[SHARE]
Wednesday, November 12, 2014

La Soirée review raucously enjoyable, sex-obsessed circus by Michael Billington

Spiegeltent, Southbank, London Ping-pong, knife-juggling and witty stripping save the show from sniggering adolescence Continue reading...

SOURCE: The Guardian at 07:19AM[SHARE]
Friday, November 7, 2014

2071 five-star review urgent call for the greatest collective action in history by Michael Billington

Royal Court, LondonThe facts are sombre in Chris Rapleys compelling 75-minute talk on climate change, but his belief in human ingenuity knows no bounds Climate change play 2071 aims to make …

SOURCE: The Guardian at 07:52AM[SHARE]

Speaking truth to power: this is the rebirth of political theatre by Michael Billington

Too much film and television is cursed by blandness. Societys mirror now is the stage Continue reading...

SOURCE: The Guardian at 01:00AM[SHARE]
Wednesday, November 5, 2014

Made in Dagenham review brassy Gemma Arterton musical lacks passion by Michael Billington

Adelphi, LondonDirected by Rupert Goold, this stage version of the film suffers from its caricatures, relentless jokiness and functional score Ford fiesta: Made in Dagenham musical opens in…

SOURCE: The Guardian at 06:00PM[SHARE]
Tuesday, November 4, 2014

Hippolytos review V&A stages Greek tragedy in a tunnel by Michael Billington

The Colepit, V&A Museum, LondonAntic Faces frantic, inventive staging of the Euripides play is worlds away from the corseted passion of Racine Continue reading...

SOURCE: The Guardian at 06:43AM[SHARE]
Monday, November 3, 2014

Dance Til Dawn review Strictly Come Dancing stars dazzle but lose the plot by Michael Billington

Aldwych, London Vincent Simone and Flavia Cacace impress with a sexy tango in this film noir pastiche Continue reading...

SOURCE: The Guardian at 06:00PM[SHARE]
Sunday, November 2, 2014

First Episode review what impresses is the sexual and emotional candour by Michael Billington

Jermyn Street theatre, LondonTerence Rattigans Oxford-set first play captures the hedonistic irresponsibility of privileged pre-war student life Continue reading...

SOURCE: The Guardian at 10:04AM[SHARE]
Friday, October 31, 2014

Coolatully review touching tale of tough times in rural Ireland by Michael Billington

Finborough theatre, London With its echoes of Brian Friel and Conor McPhersons The Weir, this prizewinning play paints a plausible picture of the modern Celtic twilight Continue reading...

SOURCE: The Guardian at 08:04AM[SHARE]
Thursday, October 30, 2014

The Witch of Edmonton review superbly textured lead performance by Michael Billington

Swan, Stratford-on-AvonIf the quality of Rowley, Dekker and Fords 1621 attack on society is open to debate, Eileen Atkins multifaceted turn as the witch is a resounding success Continue read…

SOURCE: The Guardian at 08:02AM[SHARE]
Wednesday, October 29, 2014

Tis Pity Shes a Whore review naked passion illuminated by candlelight by Michael Billington

Sam Wanamaker Playhouse, LondonJohn Fords unsettling Renaissance incest drama is lent a subtle urgency by fine acting and direction Continue reading...

SOURCE: The Guardian at 08:31AM[SHARE]
Tuesday, October 28, 2014

Sunny Afternoon review: a heady celebration of the Kinks and Ray Davies by Michael Billington

Harold Pinter theatre, LondonNeatly allows the songs to grow out of the story, and perfectly captures Ray Daviess mix of bloody-mindedness and innocence Continue reading...

SOURCE: The Guardian at 07:00PM[SHARE]

Blank canvas: the enduring appeal of Yasmina Rezas Art by Michael Billington

The French playwrights comedy has been packing audiences in worldwide for 20 years. What is the secret of its success? Continue reading...

SOURCE: The Guardian at 12:32PM[SHARE]
Monday, October 27, 2014

The Wild Duck review revision serves up 80 minutes of potted Ibsen by Michael Billington

Barbican, LondonSimon Stones compressed and clever Australian version aims to capture the essence of Ibsens greatest tragicomedy, but wheres the irony? More from the International Ibsen seas…

SOURCE: The Guardian at 07:39AM[SHARE]
Thursday, October 23, 2014

Memphis: The Musical review Beverley Knight shines in story of R&Bs explosion by Michael Billington

Shaftesbury, LondonThe singer combines charisma and power alongside a Sinatra-like Killian Donnelly in this exciting take on a key moment in pop history Continue reading...

SOURCE: The Guardian at 05:00PM[SHARE]
Tuesday, October 21, 2014

Nevilles Island review descent into savagery stretches credulity by Michael Billington

Duke of Yorks, LondonAwayday adventurers Adrian Edmondson, Robert Webb, Miles Jupp and Neil Morrissey go wild in the Lake District Ade Edmondson: I never laughed as hard as I did with Rik Co…

SOURCE: The Guardian at 04:59PM[SHARE]
Monday, October 20, 2014

The House That Will Not Stand review unlike any other play in London by Michael Billington

Marcus Gardleys pulsing new play about a free black woman and her daughters in 1830s New Orleans is a rich mix of rivalry, voodoo and the fight for freedom Continue reading...

SOURCE: The Guardian at 11:11AM[SHARE]
Sunday, October 19, 2014

Our Town review an unforgettable evocation of Everytown by Michael Billington

Almeida, LondonDavid Cromers cooly observant narrator leads a radically reworked version of Thornton Wilders classic that taps into collective folk memory Continue reading...

SOURCE: The Guardian at 10:37AM[SHARE]
Friday, October 17, 2014

The Cherry Orchard review: Simon Stephens leaves little space for laughter by Michael Billington

Young Vic, London This compressed, contemporary Chekhov directed by Katie Mitchell skips over the works tragicomic irony Simon Stephens on the impossible act of translating Chekhov Continue …

SOURCE: The Guardian at 06:54AM[SHARE]
Thursday, October 16, 2014

Loves Labours Lost/Loves Labours Won a perceptive pairing by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThe operetta treatment of the first play may be misguided, but Christopher Luscombes directing style comes into its own in the second, Much Ado …

SOURCE: The Guardian at 07:07AM[SHARE]
Wednesday, October 15, 2014

Gypsy review Imelda Staunton in superb tale of showbiz and self-delusion by Michael Billington

Chichester festival theatreEverything slots perfectly into place in this glorious evocation of American vaudevilles tackiness Continue reading...

SOURCE: The Guardian at 07:29AM[SHARE]
Monday, October 13, 2014

Here Lies Love review a fine, immersive spectacle lacking substance by Michael Billington

Dorfman theatre, LondonBeguiling songs, ingenious design and stunning performances dont quite do justice to a subject that deserves more complex treatment Continue reading...

SOURCE: The Guardian at 07:17PM[SHARE]

Here Lies Love review " David Byrne and Fatboy Slim show lacks substance by Michael Billington

Dorfman theatre, LondonBeguiling songs, ingenious design and stunning performances don't quite do justice to the story of Imelda Marcos's riseImelda Marcos puts on her disco shoes " in pictu…

SOURCE: The Guardian at 07:17PM[SHARE]
Sunday, October 12, 2014

The Distance review a funny, lively second play from Deborah Bruce by Michael Billington

Orange Tree, RichmondHelen Baxendale catches perfectly a sense of numbed isolation in this look at the anguished adventure of motherhood Continue reading...

SOURCE: The Guardian at 09:16AM[SHARE]
Friday, October 10, 2014

Henry IV review a welcome change from male-dominated Shakespeare by Michael Billington

Donmar Warehouse, London Phyllida Lloyd returns to a prison setting for her all-female follow-up to Julius Caesar, with entertaining results Continue reading...

SOURCE: The Guardian at 07:15AM[SHARE]

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