Monday, June 21, 2021
The film, set in a New York neighborhood known as the Little Dominican Republic, didn't cast dark-skinned Latinos in lead roles. Our writers discuss how that absence reverberates.
SOURCE: The New York Times Subscription at 02:26PM[SHARE]Sunday, June 20, 2021
Raja Feather Kelly's "The Kill One Race" and "This American Wife" exist in a realm between, changing our relationship with what we witness.
SOURCE: The New York Times Subscription at 02:48PM[SHARE]Friday, June 18, 2021
Tuesday, June 15, 2021
Sunday, May 23, 2021
Thursday, May 20, 2021
Monday, May 17, 2021
Sunday, May 9, 2021
With four actors and a contemporary setting, Bedlam offers an audacious, if half-baked, take on the Schiller play about the fate of Mary, Queen of Scots.
SOURCE: The New York Times Subscription at 03:54PM[SHARE]Thursday, May 6, 2021
Exquisite Corpse Company's clever choose-your-own-adventure play has a handful of viewers peek in on a Brooklyn couple in really close quarters.
SOURCE: The New York Times Subscription at 03:33PM[SHARE]Friday, April 30, 2021
Live performances via Zoom mix with actual game footage in this well-intentioned but preachy play by the poet Darrel Alejandro Holnes.
SOURCE: The New York Times Subscription at 06:06PM[SHARE]Sunday, April 25, 2021
In this clever show, audience members join a "neighborhood" and lobby for how its discordant residents should to spend a chunk of community money.
SOURCE: The New York Times Subscription at 04:42PM[SHARE]Wednesday, April 14, 2021
Casting Black actors and filming in a claustrophobic New York apartment revitalizes Jason Robert Brown's popular two-character musical.
SOURCE: The New York Times Subscription at 02:03PM[SHARE]Tuesday, April 13, 2021
Thursday, April 8, 2021
The autobiographical solo show from Daniel J. Watts shows off his skill with spoken word and dance, but doesn't add up to more than the sum of its parts.
SOURCE: The New York Times Subscription at 12:32PM[SHARE]Tuesday, April 6, 2021
Stimulating and immersive " yet actor-free " this audio adaptation of the Saramago novel brings the terror of an epidemic into your ears.
SOURCE: The New York Times Subscription at 03:42PM[SHARE]Tuesday, March 30, 2021
It's easier to find meaning in fiction than in the senseless mass killings of our reality, which seem to render the critical perspective pointless, even silly, at times.
SOURCE: The New York Times Subscription at 10:03AM[SHARE]Monday, March 29, 2021
Thursday, March 18, 2021
Thursday, March 4, 2021
This new franchise installment, "Sponge on the Run," wants to be clever in nodding toward genre conventions. But its execution is poor.
SOURCE: The New York Times Subscription at 08:26AM[SHARE]Wednesday, March 3, 2021
Wednesday, February 17, 2021
Thursday, February 11, 2021
Patrick Page writes and stars in a meditation on the Bard's villains, moving swiftly through a catalog of characters as if he were a chameleon.
SOURCE: The New York Times Subscription at 01:24PM[SHARE]Friday, January 29, 2021
Tuesday, January 26, 2021
Sibyl Kempson's unruly audio play takes Mary Shelley and her famed creation from old England to contemporary America. Bigfoot shows up, too.
SOURCE: The New York Times Subscription at 02:18PM[SHARE]Monday, January 18, 2021
Sunday, January 17, 2021
A digital four-play retrospective, capped by a world premiere, illuminates this writer's fascination with doubling, violence and Black identity.
SOURCE: The New York Times Subscription at 03:32PM[SHARE]Tuesday, January 12, 2021
Wednesday, December 30, 2020
Tuesday, December 29, 2020
Brave Spirits Theater expected to mount an ambitious cycle of eight history plays. Instead it became yet another victim of the pandemic.
SOURCE: The New York Times Subscription at 03:32PM[SHARE]Friday, December 18, 2020
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