All stories by Matt Wolf on BroadwayStars

Wednesday, March 23, 2016

Two-Time Emmy Winner Uzo Aduba on Being Proud of Her Orange is the New Black Co-Star & Making Her London Debut in The Maids by Matt Wolf

Uzo Aduba is a two-time Emmy winner for her performance as Suzanne (a.k.a. "Crazy Eyes") in the prison drama Orange is the New Black and revealed her gifts as a belter as Glinda in…

SOURCE: Broadway.com at 12:26PM[SHARE]
Wednesday, March 16, 2016

People, Places & Things Star Denise Gough on Nicole Kidman as Her Awards Rival, Her Olivier Speech Prep & Being the Toast of the Town by Matt Wolf

Irish actress Denise Gough has gone from comparative unknown to West End star on the back of her acclaimed performance as Emma, an actress battling addiction in Duncan Macmillan’s Peop…

SOURCE: Broadway.com at 02:32PM[SHARE]
Saturday, March 12, 2016

Theater Review: Review: Plays With Punch, With Roots in France by Matt Wolf

On the London stage, "Welcome Home, Captain Fox!," "The Maids" and "The Patriotic Traitor."

SOURCE: The New York Times Subscription at 11:45AM[SHARE]
Thursday, March 10, 2016

Cedric Neal on the Miracle of Playing Berry Gordy in London's Motown & What He Misses Most About NYC by Matt Wolf

Cedric Neal’s Broadway credits include After Midnight and The Gershwins’ Porgy and Bess, but the Texas-born performer is now U.K.-based, to the benefit of audiences that can see …

SOURCE: Broadway.com at 11:58AM[SHARE]

Cedric Neal on the Miracle of Playing Berry Gordon in London's Motown & What He Misses Most About NYC by Matt Wolf

Cedric Neal’s Broadway credits include After Midnight and The Gershwins’ Porgy and Bess, but the Texas-born performer is now U.K.-based, to the benefit of audiences that can see …

SOURCE: Broadway.com at 11:02AM[SHARE]
Wednesday, March 9, 2016

Motown the Musical, Shaftesbury Theatre by Matt Wolf

Shorter feels longer in the West End iteration of Motown the Musical, a minor-league jukebox musical that became a Broadway hit courtesy an unbeatable back catalogue - keep those hits coming…

SOURCE: The Arts Desk at 06:07AM[SHARE]
Monday, March 7, 2016

I See You, Royal Court Theatre by Matt Wolf

An innocently intended Friday night out turns into something fearsome indeed in I See You, a Royal Court co-production with the Market Theatre, Johannesburg, that puts the tensions of post-a…

SOURCE: The Arts Desk at 04:41AM[SHARE]
Thursday, March 3, 2016

Motown Grooves, Guys and Dolls Gets Lucky & Miss Atomic Heats Up in the London Datebook by Matt Wolf

Guys and Dolls transfers with a (largely) new cast, Motown the Musical grooves its way across the Atlantic, and a new musical that folds the atomic bomb, of all things, into its title are am…

SOURCE: Broadway.com at 04:46PM[SHARE]
Saturday, February 27, 2016

The Tempest, Sam Wanamaker Playhouse by Matt Wolf

A prevailing sense of farewell ripples through this closing production in the Sam Wanamaker Playhouse's hugely welcome season of Shakespeare's final quartet of plays. That valedictory feel i…

SOURCE: The Arts Desk at 09:45AM[SHARE]
Thursday, February 25, 2016

Tony Nominee Tracie Bennett on Ignoring Judi Dench, Obsessing Over NYC and Starring in London's Mrs. Henderson Presents by Matt Wolf

Tracie Bennett was a 2012 Tony nominee for best actress in a play for End of the Rainbow, in which the pint-sized Englishwoman played Judy Garland. And now the powerhouse performer has retur…

SOURCE: Broadway.com at 05:58PM[SHARE]

Theater Review: On the London Stage, Atrocities, Puppets and Addiction by Matt Wolf

Three plays: A new take on Sarah Kane, an American import and a Matthew Perry debut.

SOURCE: The New York Times Subscription at 09:28AM[SHARE]
Wednesday, February 17, 2016

Ilan Goodman on Bad Jews Getting Banned on the Tube, Landing The Imitation Game & Giving Notes to his Famous Dad by Matt Wolf

Ilan Goodman may be the son of Olivier Award-winning actor Henry Goodman (Assassins, Chicago) but the RADA-educated performer has been carving a name for himself as a fine talent in his own …

SOURCE: Broadway.com at 02:52PM[SHARE]
Monday, February 15, 2016

Uncle Vanya, Almeida Theatre by Matt Wolf

Uncle Johnny instead of Vanya, a passing reference to sharia law, and nary a samovar in sight: surely this can't be the Uncle Vanya that has long been a cornerstone of the British theatre, e…

SOURCE: The Arts Desk at 05:50AM[SHARE]
Saturday, February 13, 2016

Review: 'Iphigenia in Splott,' 'The Mother' and 'Escaped Alone' by Matt Wolf

Three plays in London range the worlds of women on the verge, or simply breaking free.

SOURCE: The New York Times Subscription at 09:57AM[SHARE]
Thursday, February 11, 2016

Clear Eyes, Full Hearts! Janie Dee on How Friday Night Lights Helped Her in London's Hand to God by Matt Wolf

Janie Dee has won two Olivier Awards and moved from classics to new plays, Shakespeare to musicals. But the protean talent is shifting gears big-time to inherit 2015 Tony nominee Geneva Carr…

SOURCE: Broadway.com at 09:27PM[SHARE]

Clear Eyes, Full Hearts! Janie Dee on How Friday Light Nights Helped Her in London's Hand to God by Matt Wolf

Janie Dee has won two Olivier Awards and moved from classics to new plays, Shakespeare to musicals. But the protean talent is shifting gears big-time to inherit 2015 Tony nominee Geneva Carr…

SOURCE: Broadway.com at 07:07PM[SHARE]
Thursday, February 4, 2016

Jennifer Mudge on Being Friends with Matthew Perry and Making Her West End Debut in The End of Longing by Matt Wolf

Jennifer Mudge has a slew of New York credits that range from The Philanthropist on Broadway opposite Matthew Broderick to the Witch in Fiasco Theatre’s revelatory Into the Woods off-B…

SOURCE: Broadway.com at 03:46PM[SHARE]
Wednesday, February 3, 2016

Ma Rainey's Black Bottom, National Theatre by Matt Wolf

"One... Two... You know what to do": that coolly delivered rehearsal intro from a trombonist called Cutler (Clint Dyer) could serve as a synoptic appraisal of the simply overwhelming Nationa…

SOURCE: The Arts Desk at 04:19AM[SHARE]
Thursday, January 28, 2016

Theater Review: Review: 'Five Finger Exercise,' 'Waste' and 'Amaluna' Take to London Stage by Matt Wolf

The Print Room offers a revelatory production of "Five Finger Exercise," but "Waste," at the National Theater's Lyttelton stage, and Cirque du Soleil's "Amaluna," at Royal Albert Hall waver.

SOURCE: The New York Times Subscription at 06:06PM[SHARE]

Matthew Perry's Longing, Adrian Lester in Red Velvet & More in the London Datebook by Matt Wolf

February is a busy month for American accents in London, with multiple Broadway titles emerging on the scene alongside a bevy of stars that includes a TV favorite (Matthew Perry), a two-time…

SOURCE: Broadway.com at 04:50PM[SHARE]

Matthew Perry's Longing, Adrian Lester in Red Velevet & More in the London Datebook by Matt Wolf

February is a busy month for American accents in London, with multiple Broadway titles emerging on the scene alongside a bevy of stars that includes a TV favorite (Matthew Perry), a two-time…

SOURCE: Broadway.com at 03:38PM[SHARE]

Review: 'Five Finger Exercise,' 'Waste' and 'Amaluna' Take to London Stage by Matt Wolf

The Print Room, a 180-seat playhouse in London's Notting Hill, has come up with the most revelatory production of this still-young theatrical year.

SOURCE: The New York Times Subscription at 02:09PM[SHARE]
Thursday, January 21, 2016

Jeremy Secomb, London's Javert, on Playing a Baddie and the Reason Les Miserables Has Endured for So Long by Matt Wolf

Jeremy Secomb moved to London from his native Australia over 17 years ago, since then he has risen through the ranks to become a West End leading man. Last year, he won raves in the title ro…

SOURCE: Broadway.com at 01:09PM[SHARE]
Thursday, January 14, 2016

Thriller Live Star Haydon Eshun on Seven Years of Singing Like Michael Jackson in the West End by Matt Wolf

Now in its seventh year at the Lyric Theatre, Thriller Live has become a West End mainstay and a focal point for fans of Michael Jackson, who died not long after the show opened in January, …

SOURCE: Broadway.com at 03:33PM[SHARE]

Review: 'Cymbeline,' 'Macbeth' and 'As You Like It' in London by Matt Wolf

It often seems with Shakespeare's works in London as if the titles are shown on a sort of perpetual loop, constantly subject to a renewed interpretation.

SOURCE: The New York Times Subscription at 01:47PM[SHARE]
Sunday, January 10, 2016

Grey Gardens, Southwark Playhouse by Matt Wolf

One of the more unusual Broadway offerings of recent times crosses the Atlantic with considerable style in an Off West End premiere of 2006 New York entry Grey Gardens that punches well abov…

SOURCE: The Arts Desk at 06:31AM[SHARE]
Thursday, January 7, 2016

Guys and Dolls, Savoy Theatre by Matt Wolf

The seemingly eternal British love affair with Guys and Dolls continues apace with the (somewhat recast) transfer to London of the Chichester production from two summers ago, and a more buoy…

SOURCE: The Arts Desk at 08:16AM[SHARE]
Wednesday, January 6, 2016

London's Kinky Boots Star Matt Henry on Finding His Inner Lola, Footwear Advice & Thoughts on Hamilton by Matt Wolf

Matt Henry has understudied across a range of West End hits, from The Lion King to Avenue Q, and was a finalist on popular British reality TV show The Voice. But only now as the cross-dressi…

SOURCE: Broadway.com at 04:01PM[SHARE]
Friday, January 1, 2016

Review: A Year of Greek Revivals on the London Stage by Matt Wolf

Ancient tales of retribution and revenge rang out with fresh vigor in 2015.

SOURCE: The New York Times Subscription at 10:30AM[SHARE]
Wednesday, December 30, 2015

London Datebook: Roll the Dice with Guys and Dolls, Meet the Beales in Grey Gardens & More by Matt Wolf

It’s a New Year, and with it comes a wealth of fresh enticements on the London stage, from two Broadway musicals reborn in Britain to the premiere of a new play by arguably England'…

SOURCE: Broadway.com at 12:25AM[SHARE]
Tuesday, December 29, 2015

Best of 2015: Theatre by Matt Wolf

Say what you will about London theatre during 2015, and by my reckoning it was a pretty fine year, there certainly was a lot of it. I can't recall a year that brought with it a comparable vo…

SOURCE: The Arts Desk at 03:30AM[SHARE]

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