All stories by Matt Wolf on BroadwayStars

Tuesday, January 22, 2013

Theater Review: Tentative Optimism for Children in London Theater by Matt Wolf

"No Quarter,'' written by Polly Stenham, concludes with some hope for the next generation, while "Hansel and Gretel'' shows the director Katie Mitchell's playful side.

SOURCE: The New York Times Subscription at 08:30AM[SHARE]
Wednesday, January 16, 2013

London Star Gillian Bevan on 25 Years of Musical Memories, from Follies to Billy Elliot by Matt Wolf

Gillian Bevan has spent 25 years on and off the West End, appearing largely in musicals (Follies, The Boys From Syracuse, Road Show), as well as three years in playwright/director Alan Ayckb…

SOURCE: Broadway.com at 02:58PM[SHARE]
Monday, January 14, 2013

The Silence of the Sea, Trafalgar Studios by Matt Wolf

Few productions give the sound designer absolute pride of place, but such is the presumably inevitable nature of a play called The Silence of the Sea that what isn't voiced counts every bit …

SOURCE: The Arts Desk at 07:23PM[SHARE]
Thursday, January 10, 2013

IHT Rendezvous: What to See on the London Stage in 2013 by Matt Wolf

The IHT's London theater critic takes a look at what's in store this season: Kristin Scott Thomas, Rufus Sewell, Helen Mirren, "Othello" and "Charlie and the Chocolate Factory."

SOURCE: rendezvous.blogs.nytimes.com at 08:52AM[SHARE]
Wednesday, January 9, 2013

Reuven Gershon on Tapping Into Beatlemania as John Lennon in the Hit London Musical Let It Be by Matt Wolf

The sleeper musical success Let It Be finishes its initial West End run on January 19 at the Prince of Wales Theatre before resuming performances on February 1 across town at the Savoy, with…

SOURCE: Broadway.com at 11:19AM[SHARE]
Tuesday, January 8, 2013

Theater Review: 'Viva!' but Maybe Not Forever by Matt Wolf

The much-discussed Spice Girls tribute musical arrives on stage with much froth. At the National, two Alan Bennett one-acts are much needed grace notes.

SOURCE: The New York Times Subscription at 12:50PM[SHARE]
Thursday, January 3, 2013

Wunderbar! London Star Alex Bourne on the Old-School Appeal of Kiss Me, Kate by Matt Wolf

Popular London musical star Alex Bourne is best known for his long and successful runs in We Will Rock You and Buddy, and now the strapping 6'4" performer is wowing audiences in the…

SOURCE: Broadway.com at 02:36PM[SHARE]

It's ladies' night on the London stage in 2013 by Matt Wolf

The London theatre looks to be awash in great women of the English (and Irish) stage in a 2013 line-up of star roles that disproves the often-held assertion that the men get all the great st…

SOURCE: The Arts Desk at 05:28AM[SHARE]
Thursday, December 27, 2012

Theatre: The Best of 2012 by Matt Wolf

For much of 2012, London theatre seemed to celebrate the playhouse as much as the play, turning certain venues into essential destinations. I'm thinking, of course, of Shakespeare's Globe, w…

SOURCE: The Arts Desk at 04:00AM[SHARE]
Wednesday, December 26, 2012

Critic's Notebook: A Bard-Fueled London Theater in 2012 by Matt Wolf

Festivals, a few misfires and all-around success in an action-packed year.

SOURCE: The New York Times Subscription at 01:05PM[SHARE]

London Year-End Roundup: Best Productions of 2012 by Matt Wolf

In a year dominated by the Olympics and the Queen’s diamond jubilee, could the London stage hold its own? Most emphatically yes, thanks to an inordinate array of world-class production…

SOURCE: Broadway.com at 10:11AM[SHARE]
Wednesday, December 19, 2012

London Year-End Roundup: Best Performances of 2012 by Matt Wolf

The classics offered London stage actors plenty to chew on this year—not just not productions of Shakespeare but also Ibsen, Chekhov, Webster and Stephen Sondheim who, by this point, i…

SOURCE: Broadway.com at 09:50AM[SHARE]
Wednesday, December 12, 2012

Daniel Ings on Winning Laughs as an Over-the-Top Actor in London's One Man, Two Guvnors by Matt Wolf

Daniel Ings is an actor playing an actor (the colorfully named Alan Dangle) in the long-running Richard Bean comedy One Man Two Guvnors, and the 27-year-old Englishman is especially winning …

SOURCE: Broadway.com at 03:47PM[SHARE]
Tuesday, December 11, 2012

Theater Review: 'Julius Caesar' Flexes Its Female Muscle by Matt Wolf

"Julius Caesar" packs a believable wallop while two other London shows stretch credibility to breaking point and beyond.

SOURCE: The New York Times Subscription at 11:16AM[SHARE]
Thursday, December 6, 2012

IHT Rendezvous: Love Unleashed on the London Stage by Matt Wolf

Love may or may not make the world go round, but it's certainly doing its bit for the London theater, from "Twelfth Night" and "Kiss Me Kate" to "Boy Meets Boy" and "The Effect," the galvani…

SOURCE: rendezvous.blogs.nytimes.com at 01:10PM[SHARE]
Wednesday, December 5, 2012

The Bodyguard, Adelphi Theatre by Matt Wolf

It's Academy Award season within the showbiz-centric world of The Bodyguard, but even the greatest of Oscar obsessives - count me among them - would be hard-pressed to toss many a trophy in …

SOURCE: The Arts Desk at 10:25PM[SHARE]

Sally Ann Triplett on Playing a Feisty Single Mom in London's New Spice Girls Musical Viva Forever! by Matt Wolf

Sally Ann Triplett knows her way around musicals, having appeared over the last 25 years in shows ranging from Follies, Grease and Chess to the original UK and Broadway productions of Carrie…

SOURCE: Broadway.com at 12:59PM[SHARE]
Thursday, November 29, 2012

Merrily We Roll Along, Menier Chocolate Factory by Matt Wolf

On Broadway, Merrily We Roll Along remains forever scarred as the Stephen Sondheim musical that ground to an abrupt halt, closing after two weeks in 1981.read more

SOURCE: The Arts Desk at 03:30AM[SHARE]
Wednesday, November 28, 2012

Jenna Russell on Her Sterling Sondheim Resume, from Sunday in the Park to the London Revival of Merrily We Roll Along by Matt Wolf

Jenna Russell has become London’s go-to star in the musicals of Stephen Sondheim. She played Young Sally in Follies back in 1988, won the 2007 Olivier Award for Dot/Marie in Sunday in …

SOURCE: Broadway.com at 11:07AM[SHARE]
Tuesday, November 27, 2012

Theater Review: A Libidinous Frenzy That Is Hard to Resist by Matt Wolf

"Twelfth Night'' is a success in London, with Mark Rylance set to make waves again in the role of Olivia, while "The Magistrate'' leaves some room for improvement.

SOURCE: The New York Times Subscription at 02:10PM[SHARE]
Wednesday, November 21, 2012

Tony Winner Heather Headley on Honoring Whitney Houston and Eyeing a Broadway Run in London's The Bodyguard by Matt Wolf

Heather Headley has blazed a theatrical trail for herself on the strength of two Broadway shows (The Lion King and Aida, winning a Tony in 2000 for the latter) and via a Grammy-winning recor…

SOURCE: Broadway.com at 01:10PM[SHARE]
Monday, November 19, 2012

The Promise, Trafalgar Studios by Matt Wolf

An expert cast delivers on their promise in Aleksei Arbuzov's triangular Russian drama from 1965 of the same name, which offers up war and peace and the shifting tides of love - so much of t…

SOURCE: The Arts Desk at 07:16PM[SHARE]
Wednesday, November 14, 2012

British TV Favorite Stephen Tompkinson on Donning King Arthur's Crown in a Rebooted West End Spamalot by Matt Wolf

Stephen Tompkinson is a familiar name on screens both large and small, having starred in series like Wild At Heart and DCI Banks and in films such as Brassed Off. The 47-year-old Englishman …

SOURCE: Broadway.com at 04:02PM[SHARE]
Tuesday, November 13, 2012

Theater Review: Leading Ladies Get Their Chance to Shine Onstage by Matt Wolf

Matt Wolf reviews the plays "People," "NSFW" and "Daddy Long Legs," currently showing in London.

SOURCE: The New York Times Subscription at 11:50AM[SHARE]
Wednesday, November 7, 2012

Honey, Honey! Haley Flaherty on the Joy of Playing the Saintly Teacher in London's Matilda by Matt Wolf

Haley Flaherty has appeared in a range of musicals in and outside London, from Chicago and Mamma Mia! to Love Never Dies, but the Scottish actress shines especially brightly as Miss Honey in…

SOURCE: Broadway.com at 01:03PM[SHARE]
Monday, November 5, 2012

IHT Rendezvous: Musical Rain-Making on the West End by Matt Wolf

Move over, "Singin' in the Rain." Here comes "The Bodyguard" and "Viva Forever!" Not to mention "The Book of Mormon."

SOURCE: rendezvous.blogs.nytimes.com at 11:00AM[SHARE]
Wednesday, October 31, 2012

Megan McGinnis on Being BFF With Sutton Foster and Making Her West End Debut in Daddy Long Legs by Matt Wolf

Megan McGinnis has spent a large chunk of the past few years touring around America in Daddy Long Legs, and now the John Caird/Paul Gordon musical two-hander is touching down at London&…

SOURCE: Broadway.com at 03:43PM[SHARE]
Tuesday, October 30, 2012

Theater Review: Regime Change Amid the Salvos by Matt Wolf

Three new plays shake up the Off-West End and put it at center-stage.

SOURCE: The New York Times Subscription at 12:28PM[SHARE]
Monday, October 29, 2012

IHT Rendezvous: In London, Big Talent in Small Spaces by Matt Wolf

The current London theater season offers a chance to see some mighty actors up close. Very close.

SOURCE: rendezvous.blogs.nytimes.com at 03:42PM[SHARE]
Friday, October 26, 2012

The River, Royal Court Theatre by Matt Wolf

Still waters run deep, but that truism barely hints at the quiet power of The River, the eagerly awaited new play from Jez Butterworth (writer) and Ian Rickson (director) whose col…

SOURCE: The Arts Desk at 07:22PM[SHARE]
Wednesday, October 24, 2012

Lloyd Owen on Stepping Into Kevin Costner's Title Role in the West End Musical The Bodyguard by Matt Wolf

Versatile London stage star Lloyd Owen is about to grab the spotlight as he steps into the role made famous by Kevin Costner in the eagerly awaited musical adaptation of The Bodyguard. Owen …

SOURCE: Broadway.com at 04:19PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off