All stories by Lyndsey Winship on BroadwayStars

Friday, March 18, 2022

He's Dead review " was Tupac Shakur depressed? by Lyndsey Winship

Battersea Arts Centre, LondonInspired by the pain that is audible behind the machismo of the rapper's music, Malik Nashad Sharpe has created an intriguing show Was Tupac Shakur depressed? Th…

SOURCE: The Guardian at 07:12AM[SHARE]
Thursday, March 17, 2022

Dancers and dissidents: how ballet became a political football between east and west by Lyndsey Winship

As the conflict in Ukraine intensifies, Russia's dance corps are under scrutiny. But ballet has long been the "secret weapon" in Russia's diplomatic arsenal When the independent Russian TV s…

SOURCE: The Guardian at 12:42PM[SHARE]

Swan Lake review" ambitious production provides more hits than misses by Lyndsey Winship

Royal Opera House, LondonFrancesca Hayward brings intelligence and sensuality to her debut in the dual role of an uneven but stylish production As highly anticipated debuts go, this one had …

SOURCE: The Guardian at 09:33AM[SHARE]
Monday, March 14, 2022

'It's like Heathrow control room': creating Wondrous Stories, Birmingham 2022's opening ceremony by Lyndsey Winship

Motionhouse artistic director Kevin Finnan reveals the challenges in preparing a spectacular start to a festival '"In the 60s, choreographer Yvonne Rainer came out with this whole manifesto:…

SOURCE: The Guardian at 09:48AM[SHARE]
Tuesday, March 1, 2022

'It's offensive in the best possible way': Eric Underwood on his leap into acting with Clybourne Park by Lyndsey Winship

The former Royal Ballet dancer and model is set to make his theatrical debut in Bruce Norris's knotty, Pulitzer prize-winning play. He explains how he found his voice on and off stage Twenty…

SOURCE: The Guardian at 06:42AM[SHARE]
Monday, February 28, 2022

Well, slap my shoe! A lederhosen classic and a polka only five men can do by Lyndsey Winship

What do you get if you cross a 1,000-year-old Bavarian shoe-slapping dance with an all-male Italian folk routine that was on the brink of extinction? A sweaty, joyous double-bill! When Aless…

SOURCE: The Guardian at 03:12AM[SHARE]
Friday, February 25, 2022

Mark Bruce: Phantoms review " a broodingly cinematic dance triple bill by Lyndsey Winship

Wilton's Music Hall, LondonThe choreographer draws on Tarantino, the White Stripes and grizzly folklore in an evocative and brilliantly scuzzy show Mark Bruce has always been driven by music…

SOURCE: The Guardian at 10:03AM[SHARE]
Thursday, February 24, 2022

Lost Dog: A Tale of Two Cities review " the best of times by Lyndsey Winship

The Place, LondonBen Duke directs a triumphant theatre-dance interpretation of the Dickens classic that offsets complexity with out-loud laughs Choreographer Ben Duke and his company Lost Do…

SOURCE: The Guardian at 07:37AM[SHARE]
Thursday, February 17, 2022

NDT2 review " dancing clean enough to eat your dinner off by Lyndsey Winship

Sadler's Wells, LondonThe incredible young dancers of NDT's satellite company easily navigate a triple bill of Hans van Manen, Marco Goecke and Johan Inger, fleet and varied NDT2 is a compan…

SOURCE: The Guardian at 09:03AM[SHARE]
Wednesday, February 16, 2022

Donuts review " in sync with the delicate dynamics of friendship by Lyndsey Winship

The Place, LondonFusing funk styles with contemporary dance, Jamaal Burkmar's original voice and feelgood choreography is warm, fun and very watchable The programme notes for Jamaal Burkmar'…

SOURCE: The Guardian at 10:06AM[SHARE]
Friday, February 11, 2022

Snow Maiden review " The Russian State Ballet of Siberia's stilted fairytale by Lyndsey Winship

New Theatre, OxfordThere's a general sense of wasted potential in a show that has flashes of brilliance, yet feels light on vitality with an underwhelming score The Russian State Ballet of S…

SOURCE: The Guardian at 09:03PM[SHARE]
Thursday, February 10, 2022

Acosta Danza: 100% Cuban review " Carlos's mesmerising movers by Lyndsey Winship

Sadler's Wells, LondonThe company mix worldwide influences into Cuban dance and though not all these cocktails hit the mark, they make for an intoxicating evening Carlos Acosta doesn't curre…

SOURCE: The Guardian at 07:54AM[SHARE]
Friday, February 4, 2022

Tanztheater Wuppertal Pina Bausch: Kontakthof review " the miseries of mating by Lyndsey Winship

Sadler's Wells, LondonTender, brutal and humorous, the choreographer's 1978 piece about gender wars and sexual mores still feels acutely contemporary It was 40 years ago that choreographer P…

SOURCE: The Guardian at 07:06AM[SHARE]
Friday, January 28, 2022

Compagnie 111: aSH review " godlike serenity and transcendent movement by Lyndsey Winship

Barbican, LondonKuchipudi dancer Shantala Shivalingappa is hypnotically precise in a piece about renewal and transformation inspired by the Hindu god Shiva The Hindu god Shiva is an inspirat…

SOURCE: The Guardian at 06:54AM[SHARE]
Thursday, January 13, 2022

'Bam! Incredible energy' " how a group of performers with learning disabilities are changing dance by Lyndsey Winship

For 30 years, pioneering company Corali has subverted audience expectations. Now it's helping queer-dance duo Thick & Tight with a work about poet Edith Sitwell We've all got our teas?" …

SOURCE: The Guardian at 12:12PM[SHARE]

Gandini Juggling: Life review " Merce Cunningham tribute is a little gem by Lyndsey Winship

Sadler's Wells, LondonCombining juggling and contemporary dance, this is a complex and accomplished homage to the late choreographer There have been many tributes to the great choreographer …

SOURCE: The Guardian at 06:36AM[SHARE]
Wednesday, January 12, 2022

A 10-year triumph: how Tamara Rojo transformed English National Ballet by Lyndsey Winship

The dancer, choreographer and artistic director has shown great ambition and had an astonishing impact at the company Right now, Tamara Rojo is putting the finishing touches to the first bal…

SOURCE: The Guardian at 09:54AM[SHARE]
Tuesday, January 4, 2022

Raymonda reborn: Tamara Rojo on ditching the sexism, Arab stereotypes, and 32 one-legged jumps by Lyndsey Winship

The ENB director has pulled the story forward to the Crimean war, based the female lead on Florence Nightingale " and adapted the choreography for today's more slender dancers When people ta…

SOURCE: The Guardian at 05:03PM[SHARE]
Monday, December 27, 2021

Theatre, dance and comedy to book in 2022 " from Alan Partridge to Tennessee Williams by Arifa Akbar, Lyndsey Winship and Brian Logan

Amy Adams makes her West End debut, immersive dance confronts mental health and Steve Coogan's alter ego embarks on a rare live UK tour ' Preview more cultural highlights of 2022 Continue re…

SOURCE: The Guardian at 03:36AM[SHARE]
Saturday, December 18, 2021

The best theatre, comedy and dance of 2021 by Arifa Akbar, Brian Logan and Lyndsey Winship

It was a year of revivals in every sense, as venues threw open their doors again. From fresh takes on classics to blazing new talents and shows that captured the current moment, our critics …

SOURCE: The Guardian at 01:54AM[SHARE]
Thursday, December 16, 2021

Matthew Bourne's Nutcracker! review " a pink, chewy fizz of a show by Lyndsey Winship

Sadler's Wells, LondonBourne's reworked version has a darker edge but it's still full of wit, energy and colour, with a sensuous thrill It's nearly a decade since Matthew Bourne's Nutcracker…

SOURCE: The Guardian at 10:33AM[SHARE]
Thursday, December 2, 2021

Romeo & Juliet review " Sergei Polunin in swashbuckling form by Lyndsey Winship

Royal Albert Hall, LondonChoreographed by Johan Kobborg, this is an often overblown show but has a divine turn from Alina Cojocaru This vehicle for Ukrainian ballet star Sergei Polunin, crea…

SOURCE: The Guardian at 07:42AM[SHARE]
Tuesday, November 30, 2021

'I tell myself: You're a penis': Sergei Polunin on drugs, bad tweets " and his Putin chest tattoo by Lyndsey Winship

He walked out of the Royal Ballet and went off the rails. But the bad boy of ballet is now a father with a responsible a new attitude " and he's even dancing Romeo and Juliet Dancers sweep a…

SOURCE: The Guardian at 10:48AM[SHARE]
Thursday, November 25, 2021

Outwitting the Devil review " Akram Khan's dancers defy all limits by Lyndsey Winship

Sadler's Wells, LondonThe shows's Gilgamesh-inspired plot may be near-impossible to follow " but its dazzling performers are hard to resist Purely in terms of the dancing, the physical maste…

SOURCE: The Guardian at 10:18AM[SHARE]
Wednesday, November 24, 2021

Fishnets, French kisses and fireworks: inside Moulin Rouge! The Musical by Lyndsey Winship

After winning 10 Tony awards on Broadway, an adaptation of Baz Luhrmann's high-kicking, pop song-mashing film hits both the West End and Melbourne. Its creators draw back the red velvet curt…

SOURCE: The Guardian at 01:18AM[SHARE]
Friday, November 19, 2021

La Clique review " intimate alt cabaret full of giddy thrills by Lyndsey Winship

Leicester Square Spiegeltent, LondonFrom a sword-swallowing fire-breather to high-risk rollerskaters and the Incredible Hula Boy, this is sexy, edgy, head-exploding stuff Taking the Edinburg…

SOURCE: The Guardian at 11:03AM[SHARE]
Wednesday, November 17, 2021

Gardenia 10 Years Later review " a drag cabaret's frail, moving swansong by Lyndsey Winship

Sadler's Wells, LondonThe performers of the Belgian company Les Ballets C de la B revive a decade-old stage show with added poignancy Vanessa Van Durme walks falteringly to the mic, shoulder…

SOURCE: The Guardian at 07:48AM[SHARE]
Friday, November 12, 2021

We Are Not Finished review " youth manifesto has anger but no activism by Lyndsey Winship

The Place, LondonDevised piece presenting the hopes and fears of its young, untrained cast contemplates a burning world severed by divisions There's no way this many teenagers have this litt…

SOURCE: The Guardian at 06:18AM[SHARE]
Thursday, November 11, 2021

Samskara review " Lanre Malaolu's gem weaves Shakespeare with Sisqó by Lyndsey Winship

The Yard, LondonThis ingenious dance-play hybrid makes use of a richly talented cast to interrogate black masculinity and dismantle stereotypes Who in tonight's audience, I wonder, thought t…

SOURCE: The Guardian at 11:42AM[SHARE]
Tuesday, November 9, 2021

Shake your frozen pizza! The scrappy have-a-go exuberance of dance on TikTok by Lyndsey Winship

From tap stars duetting with Gene Kelly to Gordon Ramsay twisting with his daughter, TikTok is where performers " large, small, amateur, pro " drop the facade and dance till their toes are r…

SOURCE: The Guardian at 09:33AM[SHARE]
Friday, November 5, 2021

Royal Ballet: Giselle review " a supernatural tour de force from Natalia Osipova by Lyndsey Winship

Royal Opera House, LondonSupported by a talented cast in Peter Wright's acclaimed production, the principal makes an astounding return to the role she has made her own Natalia Osipova is an …

SOURCE: The Guardian at 09:18AM[SHARE]

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