Friday, August 18, 2017
A DELICATE TREASURE Rarely seen, half-forgotten, Githa Sowerby's 1924 play is sharp, entertaining, truthful and elegant: Richard Eyre's direction respects it with delicate prec…
SOURCE: theatrecat.com at 02:11AM[SHARE]Thursday, August 17, 2017
GUEST REVIEWER CHARLOTTE VALORI MARVELS AT MARIANNE VIDAL Aylin Bozok's productions of French opera for Grimeborn have all been marked by their elegance, restraint and psychological intensit…
SOURCE: theatrecat.com at 01:02PM[SHARE]Thursday, August 10, 2017
GUEST REVIEWER CHARLOTTE VALORI GETS THE ROYAL TREATMENT AT GRIMEBORN If you fancy being entertained like a French king, head to Grimeborn for Lully's Armide. Lully's artistic monopoly over …
SOURCE: theatrecat.com at 06:48AM[SHARE]Tuesday, August 8, 2017
GUEST CRITIC TOM HOLLOWAY WISHES FOR AN UPDATE.. Originally debuting eight years ago at the Bush Theatre, Alexi Kaye Campbell's Apologia is a story of intergenerational …
SOURCE: theatrecat.com at 06:31AM[SHARE]Saturday, August 5, 2017
GUEST REVIEWER CHARLOTTE VALORI GETS NUTTIN’ MUCH FROM GRIMEBORN’S REDUCTION OF GERSHWIN My suspicions should have been aroused by the fact that there was no programme for Porgy …
SOURCE: theatrecat.com at 05:44PM[SHARE]GUEST REVIEWER CHARLOTTE VALORI WISHES SOMETHING ELSE WOULD DISAPPEAR AT GRIMEBORN The poems which inspired the mysterious song cycle Diary of One Who Disappeared first appeared anonymously …
SOURCE: theatrecat.com at 04:19AM[SHARE]Wednesday, August 2, 2017
PRETTY MUCH A BOOJUM I must admit I yearned towards this production – for 4 years old upwards, though there were some younger infants having a hell of a good time, even without …
SOURCE: theatrecat.com at 06:52AM[SHARE]Thursday, July 27, 2017
MICHAEL ADAIR, 25  ¾ ,  APPROPRIATELY TAKES OVER AND WRITES.. Before The Inbetweeners, the most accurate reflection of the total embarrassment of teenage life in Br…
SOURCE: theatrecat.com at 07:56AM[SHARE]Wednesday, July 26, 2017
BOB AND CONOR: A NEW DIRECTION HOME… Bob Dylan songs – from each of six decades – woven into a musical by Conor McPherson? At Dylan's own suggestion? What? But he…
SOURCE: theatrecat.com at 07:59PM[SHARE]A COSMIC CLASH OF PHYSICS AND FAMILY Ah, now this is what the National Theatre is for1 A great reckless sprawl of a brand-new play, with spectacular technology, extraordinary design (…
SOURCE: theatrecat.com at 06:14AM[SHARE]Friday, July 21, 2017
FINE DINING AND FINANCIAL FURY Piquant idea, to open Oliver Cotton’s play about financial inequality in BBC Salary Embarrassment Week. Â While the inequity between multi-milli…
SOURCE: theatrecat.com at 07:51AM[SHARE]Thursday, July 20, 2017
With the news of its West End transfer in autumn – well deserved – Â I Â finally caught up with INK (reviewed here on opening night by Luke. I agree with his rating of…
SOURCE: theatrecat.com at 04:37AM[SHARE]Wednesday, July 19, 2017
FROM HIS MOUTH TO GOD’S EAR… We know Omid Djalili best as a comedian: one of our few Iranian standups. Great timing and great heart, a good Fagin but comparatively …
SOURCE: theatrecat.com at 08:14PM[SHARE]Wednesday, July 12, 2017
NEW GUEST CRITIC THOMAS HOLLOWAY FINDS A NEW MUSICAL Arriving at the Charing Cross Theatre this weekend, in the wake of London's Pride weekend, is this transfer from the enterp…
SOURCE: theatrecat.com at 03:43AM[SHARE]Monday, July 10, 2017
A MODERN WORLD GROWING, BENEATH THE PERIWIGS I saw Helen Edmundson's marvellous RSC history-play about Anne's short reign some eighteen months ago; the review is here – h…
SOURCE: theatrecat.com at 05:37PM[SHARE]Wednesday, July 5, 2017
A GREAT HEART AND TALENT, Â REMEMBERED WITH LOVE O my days! If you have any feeling for jazz and blues, for women, music or the historic trials and triumphs of black America, don't …
SOURCE: theatrecat.com at 01:31PM[SHARE]Monday, July 3, 2017
THE MIRACLE THAT FAILED The subtitle is "The Public Administration and Constitutional Affairs Committee Takes Oral Evidence on Whitehall's Relationship with Kids' Company". Jos…
SOURCE: theatrecat.com at 05:27PM[SHARE]Thursday, June 29, 2017
WE DON’T OFTEN REVIEW TWICE, BUT THE SHORTAGE OF YOUNGER AND DIVERSE VOICES MATTERS…SO (ON HER OWN TICKET) Â JENNIFER-JANE BENJAMIN, Â A YOUNG LONDONER WHOSE OWN HERITAGE IS …
SOURCE: theatrecat.com at 12:11PM[SHARE]Wednesday, June 28, 2017
GUEST REVIEWER LUKE JONES GLORIES IN JAMES GRAHAM’S SUN BACKSTORYÂ It's a solid stunner of a play which has you punching the air for Rupert Murdoch by the interval. Bertie Carvel's …
SOURCE: theatrecat.com at 04:51AM[SHARE]Thursday, June 22, 2017
MILLENIAL  LUKE JONES TIRES OF THIS GENDER AGENDA There aren’t many issues in life that haven’t been solved, rationalised or  helpfully knocked about by plays…
SOURCE: theatrecat.com at 03:33AM[SHARE]Wednesday, June 21, 2017
WHEN SHOCK BECOMES A SALES PITCH There are three acts: the first long, expressing an enervatingly pointless world and ending in a sharp shock. The second is competitively cynic…
SOURCE: theatrecat.com at 07:59PM[SHARE]Tuesday, June 20, 2017
WHERE ROCK ‘ N ROLL DREAMS COME TRUE “On a hot summer night, would you offer your throat to the wolf with the red roses?” Or in this case, a red carpet  lined wit…
SOURCE: theatrecat.com at 08:21PM[SHARE]Friday, June 16, 2017
FOLLICLES, FOLLY, FATHERHOOD It's fun down in the Dorfman pit. Under exuberant African barbershop posters from Lagos, Harare, Accra – and London – a cast of barbers and cu…
SOURCE: theatrecat.com at 08:48AM[SHARE]Thursday, June 15, 2017
WHAT BECOMES OF THE BROKEN-HEARTED? This is a famously significant piece of theatre: created in 2003 in a Cornish field , it was one of the first successes of Emma Rice's Kneeh…
SOURCE: theatrecat.com at 04:17AM[SHARE]Tuesday, June 13, 2017
ANOTHER KIND OF ETERNAL TRIANGLE I have a taste for plays about the years between the wars. The WW1 anniversary saw some fascinating contemporaneous ones, often at the J…
SOURCE: theatrecat.com at 06:20AM[SHARE]Tuesday, June 6, 2017
GUEST REVIEWER CHARLOTTE VALORI FINDS HERSELF REACHING FOR HER PITCHFORK "You are blight and darkness and sin…" Lost village girl Mary comes home to her beloved Laura after a lifetime of s…
SOURCE: theatrecat.com at 06:49PM[SHARE]Monday, June 5, 2017
BET YOUR BOTTOM DOLLAR ON IT… If Nikolai Foster's production of Annie came in a tin, it would prove to be exactly what the label promised. Feelgood, joyful, corny, gorgeous. Ruby St…
SOURCE: theatrecat.com at 06:13PM[SHARE]MOLTO SPLENDIDO From caravans in little greens and fields, Velasquez figures emerge into the hastily erected big Top in silks and plackets, ruffs and feathers and frilled pantaloons a…
SOURCE: theatrecat.com at 05:25AM[SHARE]Saturday, June 3, 2017
PITY, TERROR, TRIUMPH For the first fifteen of the hundred minutes no word is spoken by the two men in ragged prison cottons: Edward Dede as the younger Winston, Mark Springer …
SOURCE: theatrecat.com at 06:16AM[SHARE]Thursday, June 1, 2017
THE PERILS OF PC, THE TERROR OF TWITTER This little  theatre is on a roll, catching topicalities as they fly. After David Henry Hwang's wonderful CHINGLISH. about trade with China,…
SOURCE: theatrecat.com at 06:03PM[SHARE]Thursday, May 25, 2017
GUEST REVIEWER MICHAEL ADAIR ROCKS ALONG WITH RICE AT THE GLOBE… "In Love We Trust" – is the motto of the SS Unity, the ship that swiftly sinks moments into Emma Rice's ta…
SOURCE: theatrecat.com at 03:31AM[SHARE]Loading more stories…
