Saturday, March 19, 2022
BRACING, BELTING, BENIGN    At the end of the evening the great diva, director and muse informs us that we too must sing. In a packed house, on the far side of a pandemic whi…
SOURCE: theatrecat.com at 11:41AM[SHARE]Thursday, March 17, 2022
 LEARNING TO LIVE     Sometimes judging others harshly is a relishable guilty pleasure. In Ruby Thomas' wonderful 80-minute sequence of snapshots of family therapy,…
SOURCE: theatrecat.com at 08:17PM[SHARE]Wednesday, March 16, 2022
NOT A FINE ROMANCE Â Â Mamet plays are Marmite plays. You can applaud Speed the Plow, adore Wag the Dog on screen, and have a pleasurable argument with the opposite sex after a particu…
SOURCE: theatrecat.com at 11:49AM[SHARE]Tuesday, March 15, 2022
LOVE AS AN UNCOURTLY CONTESTÂ Â Â In 2009 " and again in Chichester 2018 " I missed Mike Bartlett's mischievous, half-earnest play about a gay man wrestling with his identity (and h…
SOURCE: theatrecat.com at 07:59PM[SHARE]Friday, February 25, 2022
A VIGOROUS, HEARTSHAKING BRUSH OF OPPOSITES    Two artists in a studio:  the older one pale and floppily blond, languidly self-protective, drawling, preaching a cool…
SOURCE: theatrecat.com at 05:30AM[SHARE]Tuesday, February 15, 2022
AN ORDINARY TRIANGLE TWISTS INTO NIGHTMARE Â Â Â Â The French novelist-turned-playwright Florian Zeller hit the British theatre scene a few years ago with two comedies: The LieÂ…
SOURCE: theatrecat.com at 10:58AM[SHARE]Friday, February 11, 2022
HOMAGE TO A HEALING CHAOS    If " like Prince Charles " you grew up with the Goons in the background ("Ying Tong! Bluebottle! He's fallen in da water!" etc) this will ring be…
SOURCE: theatrecat.com at 12:31PM[SHARE]Friday, January 14, 2022
MIDDLECLASS MOUNTAIN MISERIES Â Â Â Inspired programming here. Â You'd find a decent overlap in any January Venn diagram of regular Donmar audiences and people who wish they were…
SOURCE: theatrecat.com at 10:29AM[SHARE]Thursday, January 13, 2022
Puppets move the heart…    It was a third attempt ( like so many, it has had cancellations and suspensions), and I missed it in Sheffield 2019 through illness. So I bought …
SOURCE: theatrecat.com at 09:14AM[SHARE]Wednesday, January 5, 2022
By Libby Purves
Our resident theatreCat Libby Purves returned to Hampstead Theatre to review Neil Leyshon's play Folk now playing in the Downstairs Theatre.
This post REVIEW: Folk, Hampstead…
SOURCE: britishtheatre.com at 12:55PM[SHARE]SONGS FROM THE LAND    There's a lovely serendipity here. The main theatre is running PEGGY FOR YOU (till 29th) while the little downstairs space has Neil Leyshon's r…
SOURCE: theatrecat.com at 07:18AM[SHARE]Friday, December 31, 2021
PLAGUE YEAR Part 2 "  2021  Below, if you care to scroll , I chronicled the shows that met my return from chemo-then-lockdown in 2020.  An enfeebled theatrical year.  …
SOURCE: theatrecat.com at 01:55PM[SHARE]Thursday, December 30, 2021
PART 1: THE ONSET   I set out, in this eerie Twixtmas gap, to chronicle and celebrate the return of live theatre since May 2021. And this will follow. But when I tott…
SOURCE: theatrecat.com at 11:49AM[SHARE]Saturday, December 18, 2021
By Libby Purves
Our very own theatreCat Libby Purves paid a visit to Peggy For You at Hampstead Theatre. Until 29 January 2022.
This post REVIEW: Peggy For You, Hampstead Theatre âœâœ…
SOURCE: britishtheatre.com at 06:57AM[SHARE]A SHARP , SERPENTINE, SUPERB PERFORMANCE Â Â Â Â Â Lounging in the small hours on her office couch, under a wall of posters for her many clients' shows " both famous and forgo…
SOURCE: theatrecat.com at 05:57AM[SHARE]Friday, December 10, 2021
A PRIMA DONNY JOINS THE FEARLESS FOUR   Last year as a family we came to see the doughty quartet doing this variety show, an adult-joking non-panto to fill the fearful gap. I…
SOURCE: theatrecat.com at 11:31AM[SHARE]Thursday, December 9, 2021
1968 AND ALL THATÂ James Graham's mission might seem unfashionable: trawling 20c history and public culture, looking not for villains and heroes but for the nuances of human behaviour,Â…
SOURCE: theatrecat.com at 06:35PM[SHARE]Wednesday, December 8, 2021
By Libby Purves
Our theatreCat Libby Purves reviews The Book of Dust now playing at The Bridge Theatre where they are pulling out the stops for Pullman.
This post REVIEW: The Book of Dust, B…
SOURCE: britishtheatre.com at 04:10AM[SHARE]Tuesday, December 7, 2021
PULLING OUT THE STOPS FOR PULLMAN Â Â First things first: this is the most wonderfully evocative, romantic and dramatic bit of set-projection you will see all year. Bob Crowley, video …
SOURCE: theatrecat.com at 07:07PM[SHARE]Monday, December 6, 2021
A REVIVING REVIVAL    Do you need to be of a generation to remember Morecambe and Wise, to which this play is a loving tribute-cum-amiable-ripoff? Probably not. They are stamp…
SOURCE: theatrecat.com at 07:36PM[SHARE]Friday, December 3, 2021
ISLAND OF WONDER AND UNEASE Â Â Â Â One of the interesting, rewarding quirks in Tom Littler's small-but-perfectly-formed Tempest is that Tam Williams doubles as Ferdinand, the ul…
SOURCE: theatrecat.com at 09:31AM[SHARE]Wednesday, December 1, 2021
GLIMPSES OF ETERNITY (Review first published on D.Mail, in shorter form)     This is wonderful. Sometimes a simple short performance can shake, rouse, even change you.…
SOURCE: theatrecat.com at 06:19AM[SHARE]Sunday, November 28, 2021
worth going again I say.. Just thought I should mention to theatrecat readers how wonderful this show it. Saw it twice before the pandemic, nipped back to a matinee a week or so back…
SOURCE: theatrecat.com at 11:34AM[SHARE]Wednesday, November 24, 2021
2021 BRITAIN IN A STATELY STORMY NUTSHELL   Just what we needed, I thought! A good old state-of-the-nation black comedy with a semi-derelict Manor in a howling storm, the sea …
SOURCE: theatrecat.com at 04:16AM[SHARE]Sunday, November 21, 2021
By Libby Purves
Our very own theatreCAT Libby Purves reviews Zadie Smith's play The Wife of Willesden at the Kiln Theatre.
This post REVIEW: The Wife Of Willesden, Kiln Theatre âœâœ…
SOURCE: britishtheatre.com at 07:23AM[SHARE]Saturday, November 20, 2021
By Libby Purves
Our very own theatreCat Libby Purves reviews Vanya and Sonia and Masha and Spike by Christopher Durang now playing at the Charing Cross Theatre.
This post REVIEW: Vanya and S…
SOURCE: britishtheatre.com at 06:40PM[SHARE]Thursday, November 18, 2021
SIX CENTURIES ON, IT'S GEOFFREY CHAUCER'S ROUND     Zadie Smith humbly refers to her first play as more like "homework" than the novelist's usual dread of a blank page. Ch…
SOURCE: theatrecat.com at 10:19AM[SHARE]A CHEKHQUERED RESPONSEÂ Â Â Â Â Vanya and Sonia are siblings " though she is adopted " and have led dull dutiful lives in a remote country house surrounded by cherry trees and…
SOURCE: theatrecat.com at 04:23AM[SHARE]Wednesday, November 17, 2021
      ROLL UP! IT'S BACK! Ah, Christmastime!   There's nothing like a buff chap in spike-heeled patent thigh-boots somersaulting in the air to make you feel festive.…
SOURCE: theatrecat.com at 05:56PM[SHARE]A HUMAN ZOO OF ALPHA MEN There are good plays to be written about white male privilege, and about modern capitalism and its relentless expectation of self-promotion and constant advancement …
SOURCE: theatrecat.com at 05:37AM[SHARE]Monday, November 15, 2021
By Libby Purves
Our very own theatreCat Libby Purves reviews Nigel Havers and Patricia Hodge in Noel Coward's Private Lives which is now touring.
This post REVIEW: Private Lives, Nigel Haver…
SOURCE: britishtheatre.com at 05:44PM[SHARE]Loading more stories…
