Friday, May 27, 2016
Sigrid Gilmer blends time travel with runaway slaves in this comedy at the Robert Moss Theater, which features a heroic yet human Harriet Tubman.
SOURCE: The New York Times Subscription at 07:22PM[SHARE]Tuesday, May 24, 2016
Mr. Albo's new solo show, at Dixon Place, relates his immersion in the world of clinics and blood tests when he agrees to help his best friend become pregnant.
SOURCE: The New York Times Subscription at 05:40PM[SHARE]Wednesday, May 18, 2016
Wednesday, May 11, 2016
This sung-through show at Axis Theater, from Randy Sharp and Paul Carbonara, looks and sounds good, but the story is a murk of confusion.
SOURCE: The New York Times Subscription at 02:09PM[SHARE]Thursday, May 5, 2016
Performance Space 122, a center of arts innovation, is offering a mobile tour of sites related to creative performance in the neighborhood.
SOURCE: The New York Times Subscription at 06:02PM[SHARE]Wednesday, May 4, 2016
Jordan Jaffe's dark new eco-comedy stars Nico Tortorella as a callous young oil heir worried that his life may be ruined by a Gulf of Mexico spill.
SOURCE: The New York Times Subscription at 10:19PM[SHARE]Tuesday, May 3, 2016
Monday, May 2, 2016
This Sarah Gancher play, set in Budapest, features a group deciding whether to fight a shutdown just as their country is shifting to the right.
SOURCE: The New York Times Subscription at 05:06PM[SHARE]Wednesday, April 27, 2016
Red Bull Theater's jaunty new production of Richard Brinsley Sheridan's work is directed by Marc Vietor at the Lucille Lortel Theater.
SOURCE: The New York Times Subscription at 03:20PM[SHARE]Monday, April 25, 2016
This new production from Ms. Satter's theater company, Half Straddle, combines a pop concert and a drama as it explores two relationships gone awry.
SOURCE: The New York Times Subscription at 12:46PM[SHARE]Thursday, April 14, 2016
The British playwright's American debut, "Revolt. She Said. Revolt Again.," is a call for feminist revolution with a ferocity absent from her personal demeanor.
SOURCE: The New York Times Subscription at 12:52PM[SHARE]Sunday, April 10, 2016
This play, an investigation of family, creativity and home, takes its main inspiration from Luigi Pirandello's "Six Characters in Search of an Author."
SOURCE: The New York Times Subscription at 05:19PM[SHARE]Wednesday, April 6, 2016
Laura Zlatos's play at 59E59 Theaters sets up a retro rom-com world of young marrieds and introduces a baby whose sex can't be determined.
SOURCE: The New York Times Subscription at 06:55PM[SHARE]Tuesday, April 5, 2016
Monday, April 4, 2016
Aaron Davidman's play about the Israeli-Palestinian conflict trusts in the power of the human voice and the capacity of the human heart.
SOURCE: The New York Times Subscription at 05:49PM[SHARE]Wednesday, March 23, 2016
Monday, March 21, 2016
Friday, March 18, 2016
Tuesday, March 15, 2016
Monday, March 14, 2016
George Bernard Shaw's first play, highlighting the social ills of slums, is reframed as an individual's moral struggle in this adaptation at Beckett Theater.
SOURCE: The New York Times Subscription at 06:22PM[SHARE]Friday, March 4, 2016
Thursday, February 25, 2016
This Charles Messina play features Ralph Macchio and Mario Cantone as part of a brash Italian-American family unconcerned with political correctness.
SOURCE: The New York Times Subscription at 09:40PM[SHARE]A new program at colleges and universities aims at cultivating female playwrights and the creation of more female characters in their work.
SOURCE: The New York Times Subscription at 12:27PM[SHARE]Wednesday, February 24, 2016
Tuesday, February 23, 2016
Martha Clarke and Alfred Uhry's dance-theater piece follows a band of worshipers in stringent religion who are seeking refuge from worldly suffering.
SOURCE: The New York Times Subscription at 12:32AM[SHARE]Monday, February 22, 2016
In the postapocalyptic dystopia of Emilie Collyer's feminist sci-fi comedy, which darkens considerably as it goes along, intimacy is constrained.
SOURCE: The New York Times Subscription at 05:06PM[SHARE]Sunday, February 21, 2016
James Ortiz's play uses puppets and actors, chorus and a lone violin to reimagine the corner of L. Frank Baum's Oz where the Tin Man came to be.
SOURCE: The New York Times Subscription at 07:43PM[SHARE]Wednesday, February 17, 2016
Friday, February 12, 2016
Friday, February 5, 2016
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