Sunday, March 4, 2018
Jaclyn Backhaus and Andrew Neisler's new play wants to be a collection of stories about fierce women. But it's so packed with plot lines, it only partly succeeds.
SOURCE: The New York Times Subscription at 09:45PM[SHARE]Tuesday, February 20, 2018
The play, inspired by real people and events in the decades leading up to the foundation of Israel, cuts to the role of music in creating a nation.
SOURCE: The New York Times Subscription at 09:45PM[SHARE]Monday, February 19, 2018
This bio-play about the married artists Jackson Pollock and Lee Krasner is a surreal sparring match, steeped in alcohol and dripping with paint.
SOURCE: The New York Times Subscription at 02:31PM[SHARE]Thursday, February 15, 2018
Monday, February 12, 2018
Friday, February 9, 2018
Monday, February 5, 2018
From a historical drama to an updated Restoration comedy classic, Washington, D.C., theaters make a case for evening the playing field.
SOURCE: The New York Times Subscription at 03:11PM[SHARE]Friday, February 2, 2018
This smart, troubling piece of documentary theater spends time with men cordoned off from regular society, and those who believe they can be redeemed.
SOURCE: The New York Times Subscription at 08:30PM[SHARE]Sunday, January 28, 2018
Thursday, January 25, 2018
Michael Weller resets "Liliom," the play that inspired Rodgers and Hammerstein, in Coney Island. But the central romance remains problematic.
SOURCE: The New York Times Subscription at 09:45PM[SHARE]Wednesday, January 24, 2018
This New York-based showcase offers the kind of experimental plays, like "Pillowtalk," that thrive in more obscure performance spaces.
SOURCE: The New York Times Subscription at 03:26PM[SHARE]Friday, January 19, 2018
The Mint Theater's handsome, rough around the edges production makes a better case for this 1912 play as a curiosity than as a forgotten gem.
SOURCE: The New York Times Subscription at 12:39PM[SHARE]Wednesday, January 17, 2018
Monday, January 15, 2018
Sunday, January 14, 2018
Wednesday, January 3, 2018
Four women have sued the company and its artistic director, Albert Schultz, accusing him of sexual misconduct and creating a "culture of fear."
SOURCE: The New York Times Subscription at 07:20PM[SHARE]Wednesday, December 27, 2017
The dancer Robert Fairchild's creature has a delicate, disarming beauty in Ensemble for the Romantic Century's ambitious but awkward production.
SOURCE: The New York Times Subscription at 10:12PM[SHARE]Monday, December 25, 2017
Friday, December 22, 2017
In acclaimed works like "The Children," now on Broadway, the British writer argues for collective responsibility in the face of environmental and other challenges.
SOURCE: The New York Times Subscription at 12:18PM[SHARE]Monday, December 18, 2017
Sunday, December 17, 2017
Wednesday, December 13, 2017
Twenty-five-year-old Londoner Jamael Westman has definitely come around, now that he's starring in Lin-Manuel Miranda's hip-hop smash.
SOURCE: The New York Times Subscription at 12:33AM[SHARE]Tuesday, December 5, 2017
This multimedia show, featuring the Lemon Bucket Orkestra and set during the Maidan revolution, doesn't translate its protest anthems, which the audience is asked to join.
SOURCE: The New York Times Subscription at 10:06PM[SHARE]Friday, December 1, 2017
Cultural appropriation isn't a worry for the director Ariane Mnouchkine, who, at 78, isn't slowing down, but knows she won't be here forever.
SOURCE: The New York Times Subscription at 04:04PM[SHARE]Wednesday, November 15, 2017
Wednesday, November 8, 2017
Theresa Rebeck's furious play looks at what happens when a young architect fights back against colleagues who don't take her seriously.
SOURCE: The New York Times Subscription at 10:04PM[SHARE]The Wales Millennium Center's take on this dark, dreamy 1982 play, part of BAM's Next Wave Festival, seems to prize atmospherics over narrative.
SOURCE: The New York Times Subscription at 04:04PM[SHARE]Monday, November 6, 2017
Mickey Rowe is thought to be the first openly autistic actor to play Christopher, a 15-year-old with autism, in "The Curious Incident of the Dog in the Night-Time."
SOURCE: The New York Times Subscription at 11:54AM[SHARE]Wednesday, November 1, 2017
Monday, October 23, 2017
As a Manhattan therapist, Alison Fraser may seem composed. But when she tells her story, Aaron Mark's ghoulish monologue earns its title.
SOURCE: The New York Times Subscription at 01:48PM[SHARE]Loading more stories…
