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Tuesday, July 30, 2019

Review: At This Theater Festival, Death Crouches in the Wings by Laura Collins-Hughes

Bereavement and self-destruction stalk the plays in Series A of this year's Summer Shorts Festival in New York.

SOURCE: The New York Times Subscription at 07:24PM[SHARE]

Friday, July 26, 2019

'Till' Brings a Tragedy to Life by Laura Collins-Hughes

The New York Music Festival production tells the story of the summer when Emmett Till was murdered.

SOURCE: The New York Times Subscription at 03:36PM[SHARE]

Thursday, July 18, 2019

Review: 'the way she spoke' Is a Trip to Ciudad JuaÌrez by Laura Collins-Hughes

Isaac Gomez's one-woman play follows the trail violence in a city on the Mexican border.

SOURCE: The New York Times Subscription at 11:06PM[SHARE]

An Apollo 11 'Oratorio,' Told by Those Who Were There by Laura Collins-Hughes

The "Oslo" playwright J.T. Rogers found himself moved stitching a story he thought he knew well: "It is a piece about hope and wonder."

SOURCE: The New York Times Subscription at 02:06PM[SHARE]

Friday, July 12, 2019

Review: A Meticulous Artist, Numb to the Touch, in 'Reborning' by Laura Collins-Hughes

This play by Zayd Dohrn, about a victim of a horrific crime who grows up to be a dollmaker, is a dark comedy " with a touch of horror.

SOURCE: The New York Times Subscription at 04:24PM[SHARE]

Thursday, July 11, 2019

'Promenade' Review: A '60s Musical That Offers Zany Delights by Laura Collins-Hughes

The City Center revival of this satire on the haves and have-nots features book and lyrics by MarÃa Irene Fornés and a score by Al Carmines.

SOURCE: The New York Times Subscription at 03:32PM[SHARE]

Wednesday, July 3, 2019

Review: Molly Bloom Leaps From 'Ulysses' to Shout 'Yes!' by Laura Collins-Hughes

AedÃn Moloney and Colum McCann lift the character from James Joyce's novel to create a celebration of womanhood for the stage.

SOURCE: The New York Times Subscription at 03:03PM[SHARE]

Tuesday, July 2, 2019

When Theater is a Religious Experience by Laura Collins-Hughes

Faith has had a powerful role in shaping some recent dramas. But plays can bring spiritual solace to the nonbeliever, too.

SOURCE: The New York Times Subscription at 10:24AM[SHARE]

Sunday, June 30, 2019

Review: Hugh Jackman Isn't Quite the Greatest Showman in an Arena by Laura Collins-Hughes

His world tour "The Man. The Music. The Show." stopped at Madison Square Garden. But it would have been better on Broadway.

SOURCE: The New York Times Subscription at 03:18PM[SHARE]

Wednesday, June 26, 2019

How Audra McDonald and Michael Shannon Got Intimate by Laura Collins-Hughes

To make the actors comfortable, the director of "Frankie and Johnny" brought in an expert in staging sex scenes " Broadway's first, and certainly not its last.

SOURCE: The New York Times Subscription at 11:12AM[SHARE]

Thursday, June 20, 2019

Review: In 'The Mountains Look Different,' Sin, Shame and Self-Determination by Laura Collins-Hughes

A forgotten 1948 drama by MicheÃ¡l Mac LiammÃ³ir has been polished to a becoming shimmer at Theater Row.

SOURCE: The New York Times Subscription at 11:42PM[SHARE]

Wednesday, June 19, 2019

Review: Behind the 'Veil,' Facts Are Negotiable by Laura Collins-Hughes

Hollywood filmmakers tell a period story set in China in Gordon Dahlquist's layered look at truth, lies and the power of narrative.

SOURCE: The New York Times Subscription at 02:36PM[SHARE]

Review: 'Dropping Gumballs on Luke Wilson,' Aiming for His Head by Laura Collins-Hughes

Based on an anecdote from the set of an infamous commercial, the play focuses on the behind-the-scenes people who work to realize an artist's vision.

SOURCE: The New York Times Subscription at 11:36AM[SHARE]

Tuesday, June 11, 2019

Review: In 'Public Servant,' a Changed Daughter Returns From College by Laura Collins-Hughes

Bekah Brunstetter's civic-minded new play is about parenthood, paternalism and what it means to work for the people.

SOURCE: The New York Times Subscription at 07:33PM[SHARE]

Tuesday, June 4, 2019

Review: In 'Little Women,' a Girl Dreams of a Man's World by Laura Collins-Hughes

The stage adaptation of Louisa May Alcott's novel places the ambitious, thwarted Jo March at its center.

SOURCE: The New York Times Subscription at 09:54PM[SHARE]

Thursday, May 30, 2019

Review: 'Enter Laughing' Delights. (Except if You're Greta Garbo.) by Laura Collins-Hughes

Set in the 1930s, this musical comedy about a young man striving for stardom lands most of its jokes in song.

SOURCE: The New York Times Subscription at 01:48PM[SHARE]

Wednesday, May 29, 2019

Does Anything Awful Happen to the Cat in the Play? by Laura Collins-Hughes

On the dread, and the glory, of watching animals onstage.

SOURCE: The New York Times Subscription at 08:06AM[SHARE]

Monday, May 20, 2019

Critic's pick: Review: Girls Just Wanna Play 'Mac Beth' by Laura Collins-Hughes

Erica Schmidt's raucously exuberant adaptation finds common cause between rebellious teenagers and bloody-minded Shakespeare.

SOURCE: The New York Times Subscription at 02:42PM[SHARE]

Friday, May 17, 2019

the Tony Awards: 30 Minutes Before Curtain: Hugs, Prayers, Laughter and Noise by Laura Collins-Hughes and Darryn King

Things are tense and tingly enough before the curtain rises at any time of the year. What's it like during prize season?

SOURCE: The New York Times Subscription at 05:18AM[SHARE]

Thursday, May 16, 2019

He Takes Us to the Underworld in 'Hadestown.' And We're Glad to Go. by Laura Collins-Hughes

Fifty years into his stage career, André De Shields cherishes the ability to change what is to come.

SOURCE: The New York Times Subscription at 10:36AM[SHARE]

Sunday, May 12, 2019

Review: 'Democracy in America' Misses Our Current Moment by Laura Collins-Hughes

Romeo Castellucci's Tocqueville-inspired spectacle, presented by Peak Performances, offers highbrow style without the substance to back it up.

SOURCE: The New York Times Subscription at 01:36PM[SHARE]

Thursday, May 9, 2019

Review: In 'Lockdown,' a Prisoner Yearns to Rejoin the World by Laura Collins-Hughes

The play, a sort-of autobiographical story about an author and an inmate, includes a post-show "community conversation" about incarceration.

SOURCE: The New York Times Subscription at 05:36PM[SHARE]

Wednesday, April 17, 2019

Review: In 'All Our Children,' Moral Authority Wades Into Nazi Germany by Laura Collins-Hughes

Stephen Unwin's play, set in Germany in 1941, explores the reluctant evil perpetrated by people who think of themselves as good.

SOURCE: The New York Times Subscription at 12:59PM[SHARE]

Tuesday, April 16, 2019

Review: In 'Socrates,' a Brainy Tribute to a Prickly Provocateur by Laura Collins-Hughes

Michael Stuhlbarg is sublime in the title role of Tim Blake Nelson's admiring but overlong play, presented as part of the Onassis Festival.

SOURCE: The New York Times Subscription at 09:45PM[SHARE]

Monday, April 15, 2019

Critic's Notebook: Toxic Men Get All the Attention. But Not in These Plays. by Laura Collins-Hughes

The perspectives of women are welcome in an art form that inherently fosters empathy " and in which it matters greatly whom we're asked to feel for.

SOURCE: The New York Times Subscription at 03:50PM[SHARE]

Sunday, April 14, 2019

Review: The Women of 'Plano' Are All About Men by Laura Collins-Hughes

In this comedy by Will Arbery, three sisters slip-slide through time in a brightly heightened reality.

SOURCE: The New York Times Subscription at 02:55PM[SHARE]

Sunday, April 7, 2019

Critic's Pick: Review: 'Oasis' Brings Childlike Whimsy to a Manhattan Mall by Laura Collins-Hughes

This charming new piece of site-specific theater from the company Third Rail Projects is staged on the steps of the Winter Garden at Brookfield Place.

SOURCE: The New York Times Subscription at 03:24PM[SHARE]

Tuesday, April 2, 2019

Review: A Devil's Bargain, Live and on Video, in 'Faust 2.0' by Laura Collins-Hughes

The latest Mabou Mines production is a strikingly designed but ultimately bloodless take on the weird second part of Goethe's classic.