All stories by Jesse Green on BroadwayStars

Friday, November 13, 2015

Theater Review: Miller Made Minimal by Ivo van Hove, in A View From the Bridge by Jesse Green

Critics, if not theatergoers, often bemoan the tide of revivals flooding Broadway each fall. This season, the ratio of old plays to new is about two to one. But why should revivals be consid…

SOURCE: Vulture at 06:40AM[SHARE]
Thursday, November 12, 2015

Theater Review: Women in Prison in Henry IV by Jesse Green

British actors have a ritual " or at least Ian McKellen does, because I saw him do it once " of blessing a new stage by kissing it. (He then recited a Shakespearean monologue, but that part'…

SOURCE: Vulture at 10:57PM[SHARE]
Tuesday, November 10, 2015

Theater Review: Gay Parents Tell All (or At Least Some) in Dada Woof Papa Hot by Jesse Green

When a play trains its basilisk gaze on a demographic you belong to, it may seem as if the playwright took notes inside your head. That's how I felt, anyway, at Dada Woof Papa Hot, Peter Par…

SOURCE: Vulture at 07:21AM[SHARE]
Monday, November 9, 2015

Theater Reviews: The Politics of Identity Two Ways, in Taylor Mac's Hir and George Takei's Allegiance by Jesse Green

The home that Isaac returns to at the beginning of Taylor Mac's smart but deliberately disorienting new play Hir is not the one he left when he enlisted as a Marine three years ear…

SOURCE: Vulture at 08:24AM[SHARE]
Friday, November 6, 2015

Theater Review: At On Your Feet!, Is The Rhythm, In Fact, Gonna Get You? by Jesse Green

I'm no fan of jukebox musicals. If they're the type that tell an invented tale, like Mamma Mia! or Rock of Ages, the book is generally rendered idiotic by the effort to accommodate the songs…

SOURCE: Vulture at 12:15AM[SHARE]
Monday, November 2, 2015

Theater Review: The Difference Between Ruling and Governing, in King Charles III by Jesse Green

American leaders usually don't come under theatrical scrutiny until decades after they leave office. The first serious mainstream plays about Presidents Johnson (All the Way) and Nixon (Fros…

SOURCE: Vulture at 07:19AM[SHARE]
Friday, October 30, 2015

Theater Review: Keira Knightley Glows From Within In Thérèse Raquin by Jesse Green

Keira Knightley says she has been approached at least three times to play Thérèse Raquin in one or another adaptation of the 1867 Zola novel. She finally succumbed when offered Hel…

SOURCE: Vulture at 08:26AM[SHARE]
Wednesday, October 28, 2015

Theater Review: Annaleigh Ashford Is Sylvia's Rescue Dog by Jesse Green

If, like me, you enjoyed Annaleigh Ashford as the daffy romantic factory worker in Kinky Boots (for which she won a Clarence Derwent award) and loved her as the talentless balletomane in You…

SOURCE: Vulture at 06:03AM[SHARE]
Monday, October 26, 2015

Theater Review: The Complex, Funny Sadness of The Humans by Jesse Green

Great plays are usually great in one of two ways. Either they are culminating examples of existing ideas, or groundbreaking examples of new things entirely. The Humans, by Stephen Karam, at …

SOURCE: Vulture at 06:14AM[SHARE]
Thursday, October 22, 2015

Theater Review: What's the Favorable/Unfavorable on First Daughter Suite? by Jesse Green

Like the M34 bus, Michael John LaChiusa never disappoints for long: If you don't enjoy one show, another will come by soon. At 53, he remains probably the most prolific of his cohort of thea…

SOURCE: Vulture at 06:30AM[SHARE]
Wednesday, October 21, 2015

Theater Review: Ripcord Is a Superior Oldster Sitcom by Jesse Green

It has not been a good fall for elders onstage. A few weeks ago, the meddlesome 70ish character played by Marlo Thomas in Clever Little Lies nearly torpedoed her marriage while trying to sav…

SOURCE: Vulture at 08:06AM[SHARE]
Thursday, October 15, 2015

Why Does Nearly Every Broadway Show Still Release a Cast Album? by Jesse Green

It's only fitting that Atlantic Records is releasing its recording of Hamilton in a variety of formats that, like the hit musical itself, rewind history. The download went on sale September …

SOURCE: Vulture at 11:25AM[SHARE]

Theater Review: Trying to Make Pinter's Old Times New Again by Jesse Green

Harold Pinter wrote Old Times (which opens tonight at the Roundabout) in 1971, only eight years before Caryl Churchill wrote Cloud Nine (which opened last night at the Atlantic). Though both…

SOURCE: Vulture at 10:52AM[SHARE]

Theater Review: Mamie Gummer Does More With Less in Ugly Lies the Bone by Jesse Green

As long as there have been wars, there have been dramatic stories about returning soldiers, wounded in body or spirit. From The Odyssey to Quiara Alegría Hudes's Elliot trilogy, with Th…

SOURCE: Vulture at 10:52AM[SHARE]

Theater Reviews: Americana Light and Dark, in Fool for Love and Barbecue by Jesse Green

The drug-addict mother, the fictional son, the defective airplane parts: Secrets are at the core of many great American plays. Sometimes they are secrets kept by one character from the other…

SOURCE: Vulture at 10:50AM[SHARE]

Theater Reviews: Daddy Long Legs and Fondly, Collette Richland by Jesse Green

Theater composers seem to have a thing for "beloved" novels about ambitious girls, usually orphaned, making their way in an unwelcoming world. There's a good reason for it, too: Such novels …

SOURCE: Vulture at 10:50AM[SHARE]
Monday, October 12, 2015

Theater Review: The Tired Little Tropes of Clever Little Lies by Jesse Green

The voice of Marlo Thomas, so cavernously amplified it sounds as if it's coming from a secret vault at an undisclosed location outside of Marlo Thomas, expertly sets up a joke: "If you had t…

SOURCE: Vulture at 08:21PM[SHARE]
Monday, October 5, 2015

Theater Review: A Cloud Nine With a Few Lightning Bolts by Jesse Green

The first American production of Cloud Nine opened off Broadway on May 18, 1981, a few weeks before the Times ran its first account of what would later be known as AIDS. That's pure coincide…

SOURCE: Vulture at 10:23PM[SHARE]
Monday, September 28, 2015

Theater Review: A Signed (But Not Silenced) Spring Awakening by Jesse Green

The fall Broadway season unofficially begins tonight with the opening of Spring Awakening, the first of six revivals in a row. It's not surprising that with so many déjà vus, and m…

SOURCE: Vulture at 12:49PM[SHARE]
Sunday, September 27, 2015

Theater Review: Juliette Binoche and That Downed Malaysia Airlines Jet Inspire a New Antigone by Jesse Green

The Belgian director Ivo van Hove almost always has the term avant-garde attached to his name, but with four major New York productions this season, including two on Broadway, he probably ne…

SOURCE: Vulture at 09:00PM[SHARE]
Thursday, September 17, 2015

Theater Reviews: The Christians, Iphigenia in Aulis, and Hamlet In Bed by Jesse Green

Most plays about religion are really about politics or psychopathology. In Saint Joan, Agnes of God, and Doubt, for instance, it's not dogma that gets dramatized " how could it be? Theology …

SOURCE: Vulture at 10:00PM[SHARE]
Thursday, September 10, 2015

Theater Reviews: Artifice Wrecks, in Isolde and Desire by Jesse Green

Richard Maxwell's Isolde, opening the season at the Theatre for a New Audience, belongs to the Mad Libs school of dramaturgy, in which various more or less random elements are fitted togethe…

SOURCE: Vulture at 10:00PM[SHARE]
Sunday, September 6, 2015

Even Homer Revs: A Biker Odyssey in the Park by Jesse Green

Art for art's sake is sometimes a diet too rich to maintain, yet art that sets out single-mindedly to feed a political agenda almost always fails to satisfy. The Public Theater, whose missio…

SOURCE: Vulture at 05:25PM[SHARE]
Thursday, August 27, 2015

The Twists and Turns of Whorl Inside a Loop by Jesse Green

If you fished Whorl Inside a Loop out of a slush pile and read only its précis, you'd probably cringe: A Broadway actress, described as the whitest person at her own Whitey Mc…

SOURCE: Vulture at 10:00PM[SHARE]
Tuesday, August 25, 2015

Way Off Broadway, But Maybe Not for Long: What's Playing (and What's Working) in the Berkshires by Jesse Green

What used to be called the straw-hat circuit is long gone, as is the customary summer haberdashery that gave it its name. Stars no longer caravan their Broadway hits, in stripped-down versio…

SOURCE: Vulture at 06:32AM[SHARE]
Wednesday, August 12, 2015

Theater Review: A Bed-and-Breakfast Weekend Gone Awkward, in Annie Baker's John by Jesse Green

What interest could Annie Baker possibly have in kitsch? This was the question bothering me as I headed into her new play, John, which takes place in a Gettysburg bed and breakfast so encrus…

SOURCE: Vulture at 09:38PM[SHARE]
Tuesday, August 11, 2015

Theater Review: Cymbeline In the Park, With Some Streamlining by Jesse Green

In the Shakespeare canon, Cymbeline is a late play and a long play: by line count, the third longest, with 3,753. (The Comedy of Errors has less than half as many.) Some of those lines are g…

SOURCE: Vulture at 06:53AM[SHARE]
Friday, August 7, 2015

Theater Review: Is Hamilton Even Better Than It Was? by Jesse Green

A typical musical might list 18 numbers in its program; Hamilton, with 34, is more in the range of operatic works like Porgy and Bess. Ambition is part of it, no less for Lin-Manuel Miranda …

SOURCE: Vulture at 06:42AM[SHARE]
Friday, July 24, 2015

Theater Review: Rach gets Rolling in Preludes by Jesse Green

Dave Malloy has a thing for the Russian romantics. His recent electropop opera Natasha, Pierre, and the Great Comet of 1812 " presented in a big tent fabulously tricked out as a Czarist nigh…

SOURCE: Vulture at 10:28PM[SHARE]
Friday, July 17, 2015

Theater Review: Amazing Grace, Too Sweet, Unsound by Jesse Green

There's a scene in Fun Home " both the book and the musical " in which a 9-year-old girl shows her father a fanciful map she's drawn for school. As the father grows more agitated t…

SOURCE: Vulture at 10:21AM[SHARE]
Thursday, July 16, 2015

Theater Review: At Encores!, a Brief Return to The Wild Party by Jesse Green

Are you Team Lippa or Team LaChiusa? For theater types, the dueling musicals of The Wild Party " one by Andrew Lippa, one by Michael John LaChiusa, both somehow given their premieres in the …

SOURCE: Vulture at 10:35PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off