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Tuesday, September 10, 2024

Yesterday's Broadway Warhorses, Saddled With Today's Concerns by Jesse Green

Revivals of "Romeo and Juliet," "Our Town," "Gypsy" and "Sunset Boulevard" aim to show that rethinking for the present is what makes classics classic.

SOURCE: The New York Times Subscription at 05:24AM[SHARE]

Tuesday, August 13, 2024

My Midsummer Dream: 7 Plays, 5 Days, 4 Stages, 1 Story by Jesse Green

At the Stratford Festival, a remix of genders and genres tells a brand-new, age-old tale of personal freedom.

SOURCE: The New York Times Subscription at 05:02AM[SHARE]

Wednesday, July 31, 2024

Review: In 'Pamela Palmer,' a Blonde, a Gumshoe and an Existential Mystery by Jesse Green

David Ives's new play at the Williamstown Theater Festival is less a whodunit than a who done what.

SOURCE: The New York Times Subscription at 01:12PM[SHARE]

Tuesday, July 30, 2024

'Job' Review: The Psychopath Will See You Now by Jesse Green

A patient, a shrink and a gun are the raw ingredients of a chic, sadistic Broadway thriller.

SOURCE: The New York Times Subscription at 09:54PM[SHARE]

Monday, July 22, 2024

How a Ballroom 'Cats,' a Gay Kiss and a Black Marine Reclaimed Old Musicals by Jesse Green

How a Black lieutenant, a gay kiss and a catless ballroom are helping reclaim Broadway classics.

SOURCE: The New York Times Subscription at 05:18AM[SHARE]

Thursday, July 11, 2024

Review: What Makes 'Oh, Mary!" One of the Best Summer Comedies in Years by Jesse Green

Cole Escola's dragtastic White House farce asks the immortal question: Besides that, Mrs. Lincoln, how did you like the play?

SOURCE: The New York Times Subscription at 09:06PM[SHARE]

Tuesday, July 2, 2024

15 Summer Theaters for That Nearby, Out-of-Town Experience by Jesse Green

Easygoing days of drama and comedy are just a few hours away (or even closer) in New York, Connecticut and Massachusetts.

SOURCE: The New York Times Subscription at 11:42AM[SHARE]

Thursday, June 27, 2024

'N/A' Review: For Nancy Pelosi and A.O.C., It's a House Divided by Jesse Green

Is moral leadership possible without parliamentary power? Two very familiar congresswomen battle it out onstage.

SOURCE: The New York Times Subscription at 10:12PM[SHARE]

Tuesday, June 25, 2024

Review: A 'Ulysses' That Squeezes Bloomsday Into 2 Hours, 40 Minutes by Jesse Green

Elevator Repair Service's staged reading of the huge James Joyce novel retains much of its humor, pathos and bawdiness.

SOURCE: The New York Times Subscription at 01:36PM[SHARE]

Thursday, June 20, 2024

Review: A 10th Life for Those Jellicle 'Cats,' Now in Drag by Jesse Green

Resetting the "Memory" musical in the world of ballroom competitions makes for a joyful reincarnation.

SOURCE: The New York Times Subscription at 09:18PM[SHARE]

Tuesday, June 18, 2024

Review: In 'Dark Noon,' American History Is a Shoot-'Em-Up Western by Jesse Green

A play from Denmark, with a South African cast, turns the heroic tropes of horse operas into the tools of tragedy at St. Ann's Warehouse in Brooklyn.

SOURCE: The New York Times Subscription at 05:12AM[SHARE]

Thursday, June 13, 2024

Listen to the Best Songs From 8 Tony-Nominated Shows by Jesse Green

"Hell's Kitchen," "Stereophonic" and others are up for top prizes at Sunday's ceremony. Our critic takes stock of their cast albums, all available now.

SOURCE: The New York Times Subscription at 11:36AM[SHARE]

Wednesday, June 12, 2024

Review: A Glorious 'Titanic,' Returned From the Depths by Jesse Green

Maury Yeston's score, stupendously played and sung, is the star of the final production of an excellent Encores! season at New York City Center.

SOURCE: The New York Times Subscription at 05:36PM[SHARE]

Wednesday, June 5, 2024

Review: In a Nostalgic Revival, 'Home' Is Where the Heart Was by Jesse Green

Samm-Art Williams's 1979 play about the uprooting of a Black farmer returns to Broadway for the first time.

SOURCE: The New York Times Subscription at 09:54PM[SHARE]

Tuesday, June 4, 2024

Review: In 'Breaking the Story,' All's Unfair in Love and War by Jesse Green

Maggie Siff plays a war journalist facing the most dangerous assignment of her life: domesticity.

SOURCE: The New York Times Subscription at 09:24PM[SHARE]

Monday, May 20, 2024

Review: In 'Three Houses,' a Dark Karaoke Night of the Soul by Jesse Green

It's open mic at the post-pandemic cocktail bar where Dave Malloy's hypnotic triptych of monodramas takes place.

SOURCE: The New York Times Subscription at 09:18PM[SHARE]

Tuesday, May 14, 2024

Tony Awards 2024: Who Will Win (and Who Should) by Jesse Green

Our chief theater critic names the shows and artists he thinks will win, should win and should have been nominated " and suggests a few new categories.

SOURCE: The New York Times Subscription at 05:18AM[SHARE]

Monday, May 13, 2024

Review: A New Lens on Auschwitz in 'Here There Are Blueberries' by Jesse Green

Archivists are the heroes of a documentary play about a photograph album depicting daily life among the perpetrators of the Holocaust.

SOURCE: The New York Times Subscription at 08:06PM[SHARE]

Tuesday, April 30, 2024

Tony Nominations 2024: Biggest Snubs and Surprises by Jesse Green, Alexis Soloski and Scott Heller

It was a strong year for female directors, a play featuring music and American productions.

SOURCE: The New York Times Subscription at 12:48PM[SHARE]

Wednesday, April 24, 2024

Review: Steve Carell as the 50-Year-Old Loser in a Comic 'Uncle Vanya' by Jesse Green

Sleek, lucid, amusing, often beautiful, it's Chekhov with everything, except the main thing.

SOURCE: The New York Times Subscription at 09:32PM[SHARE]

Tuesday, April 23, 2024

'Mary Jane' Review: When Parenting Means Intensive Care by Jesse Green

Amy Herzog's heartbreaker arrives on Broadway with Rachel McAdams as the alarmingly upbeat mother of a fearfully sick child.

SOURCE: The New York Times Subscription at 09:48PM[SHARE]

Monday, April 22, 2024

'Patriots' Review: What Happened to the Man Who Made Putin? by Jesse Green

Michael Stuhlbarg and Will Keen shine as a kingmaker and his creature. But in Peter Morgan's cheesy-fun play, it's not always clear which is which.

SOURCE: The New York Times Subscription at 06:02PM[SHARE]

Sunday, April 21, 2024

'Cabaret' Review: Dancing, and Screaming, at the End of the World by Jesse Green

Eddie Redmayne and Gayle Rankin star in a buzzy Broadway revival that rips the skin off the 1966 musical.

SOURCE: The New York Times Subscription at 09:42PM[SHARE]

Thursday, April 18, 2024

Review: In 'Suffs,' the Thrill of the Vote and How She Got It by Jesse Green

Shaina Taub's new Broadway musical about Alice Paul and the fight for women's suffrage is smart and noble and a bit like a rally.

SOURCE: The New York Times Subscription at 09:48PM[SHARE]

Tuesday, April 16, 2024

Review: In 'Sally & Tom,' Plantation Scandal Meets Backstage Farce by Jesse Green

The 30-year relationship between Sally Hemings and Thomas Jefferson is the basis for Suzan-Lori Parks's hilarious and harrowing nesting doll of a play.

SOURCE: The New York Times Subscription at 10:06PM[SHARE]

Sunday, April 14, 2024