
Richard Gadd’s follow-up to “Baby Reindeer” traces a decades-long quasi-familial relationship that’s thornier than any other male bond on TV.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]The series, returning for a second season, is the latest example of a new breed"one that relies on elaborate, full-immersion experiments rather than on one-off stunts.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Ryan Murphy attempts to comment on incels, celebrity culture, and the age of Ozempic in a new FX series about a drug that makes its users young and gorgeous"at a terrible price.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]The new sci-fi drama from Vince Gilligan posits an end-of-humanity scenario that everyone other than its protagonist can agree on.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]The new Netflix miniseries makes the 1881 killing of President James Garfield feel thrillingly current.
SOURCE: The New Yorker Subscription at 03:52PM[SHARE]The "Parks and Recreation" star has created the ultimate comfort listen"one that hinges on making her celebrity guests comfortable, too.
SOURCE: The New Yorker Subscription at 03:27PM[SHARE]In her new Netflix show, Lena Dunham revitalizes the genre by delving into her characters' pre-meet-cute pasts"and all the attendant emotional baggage.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]The HBO series is peppered with references to real-life personages and historical events"but it lacks the anything-goes energy of the era in which it's set.
SOURCE: The New Yorker Subscription at 08:12AM[SHARE]Tessa Ross, the Channel 4 film and drama controller who's been called "the mother of British filmmaking," will leave her current position to head the National Theatre.
SOURCE: blogs.indiewire.com at 07:44AM[SHARE]

