
In the world described in Ivan Ayr's debut feature, men casually assume they are entitled to say or do whatever they want to women.
SOURCE: The New York Times Subscription at 12:18PM[SHARE]K. Lorrel Manning takes on racism, homophobia, sexism, police violence and immigration in nine short plays.
SOURCE: The New York Times Subscription at 10:48PM[SHARE]The festival, presented by St. Louis Actors' Studio, comprises three one-act plays by Mr. LaBute: "Great Negro Works of Art," "The Fourth Reich" and "Unlikely Japan."
SOURCE: The New York Times Subscription at 01:54PM[SHARE]Started in 2016, the three-day expo provides singalongs, meetups, workshops and, of course, "marketplace" booths targeting theater buffs.
SOURCE: The New York Times Subscription at 03:12PM[SHARE]Visionary stylist or one-trick pony? With "Network" on Broadway and "All About Eve" on the horizon, the multimedia-mad stage director is ready for his close-up.
SOURCE: The New York Times Subscription at 04:24AM[SHARE]Gracie Gardner's "Cowboy," which runs from six to 20 minutes, is part of a triple bill: "I just love having a single visual image onstage," she said.
SOURCE: The New York Times Subscription at 01:54PM[SHARE]Peter Mills Weiss and his collaborator, Julia Mounsey, put the audience on edge with the simplest of theatrical tools.
SOURCE: The New York Times Subscription at 01:54PM[SHARE]A musical must have a minimum of internal logic and some good tunes. "Christmas in Hell" comes up short on both counts.
SOURCE: The New York Times Subscription at 04:54PM[SHARE]Our intrepid theatergoer ate her way through a spate of shows that make food part of the experience. Her stomach sometimes ended up fuller than her imagination.
SOURCE: The New York Times Subscription at 10:54AM[SHARE]Ruben Studdard and Clay Aiken, who once competed on "American Idol," banter, sing and try to upstage each other in this holiday revue.
SOURCE: The New York Times Subscription at 10:18PM[SHARE]Adjani's turn as a flamboyant con artist sends up her own aloof image in this fun and sophisticated comic caper from Romain Gavras.
SOURCE: The New York Times Subscription at 04:18PM[SHARE]The playwright Mike Gorman tries to equate Melville's "Moby-Dick" with the opioid crisis. The ambition is there, but the play falls short.
SOURCE: The New York Times Subscription at 10:18PM[SHARE]Scott Aiello's play about an Italian-American family dealing with a disabled daughter offers no-nonsense American realism.
SOURCE: The New York Times Subscription at 03:24PM[SHARE]Idris Goodwin's energetic but overstuffed play explores race, gender, police brutality and the quest for fame.
SOURCE: The New York Times Subscription at 11:18PM[SHARE]Radio City Music Hall successfully merges old-fashioned showmanship and state-of-the-art technology in this year's Christmas pageant.
SOURCE: The New York Times Subscription at 01:42PM[SHARE]How three Broadway actresses capture the essence of one superstar: Thank the costumes, "Burlesque" " and white teeth.
SOURCE: The New York Times Subscription at 04:48AM[SHARE]Ronnie Marmo wrote and stars in this bioplay about the groundbreaking comic, who died in 1966.
SOURCE: The New York Times Subscription at 10:24PM[SHARE]The Mobile Unit of the Public Theater focuses on the play's comic side in this energetic production.
SOURCE: The New York Times Subscription at 10:48PM[SHARE]William Jackson Harper's polished debut as a playwright, set in 1964, pits patient negotiation against disruptive activism.
SOURCE: The New York Times Subscription at 02:18PM[SHARE]Mr. Mandvi, who spent nearly 10 years as a correspondent on "The Daily Show," brings back his solo comedy act. It returns with new resonance.
SOURCE: The New York Times Subscription at 02:18PM[SHARE]An aspiring musical-theater writer is on the hunt for Ms. Right in this familiar romantic comedy.
SOURCE: The New York Times Subscription at 02:18PM[SHARE]Yasmina Reza's tidy comedy has been produced in 45 countries and translated into 30 languages. How will it withstand a deconstruction by two experimental theater companies?
SOURCE: The New York Times Subscription at 03:48PM[SHARE]"Smugness is lethal," says the filmmaker Todd Solondz, who, with "Emma and Max," brings his sharp eye for hypocrisy to the stage for the first time.
SOURCE: The New York Times Subscription at 04:18AM[SHARE]The Bedlam show, stitched together from parts borrowed from Chekhov and Shakespeare, should perhaps be credited to Chekspeare.
SOURCE: The New York Times Subscription at 11:33AM[SHARE]Rob Roth's new multimedia show uses video to try to capture the relationship between an obsessive fan and the actress who's the object of his fantasies.
SOURCE: The New York Times Subscription at 02:48PM[SHARE]A theater festival presented works he directed, stage adaptations of his films, and creations he influenced. Even a "Seventh Seal" for kids.
SOURCE: The New York Times Subscription at 06:48AM[SHARE]They are often Broadway sensations, but jukebox musicals rarely get good reviews. We invited our critics to stop snarking and tell us what they want.
SOURCE: The New York Times Subscription at 10:48AM[SHARE]In this winning new musical, a 12-year-old girl is spurred to action by her far-flung imaginary friends.
SOURCE: The New York Times Subscription at 06:48PM[SHARE]A future-shock musical comedy about redhead rights could use a makeover.
SOURCE: The New York Times Subscription at 02:18PM[SHARE]Naming a show can be tricky. Some recent titles are obscure, others extremely long. And then there's the weird punctuation. What's going on?
SOURCE: The New York Times Subscription at 10:18AM[SHARE]Scenes from an annual "vent" gathering in Kentucky, where puppets rule and their masters crave respect for an unappreciated art form.
SOURCE: The New York Times Subscription at 02:18PM[SHARE]

