
For the Tony Award-winning actress, Sunday is a day to sleep in, read scripts and enjoy the pace of a slowed-down city.
SOURCE: The New York Times Subscription at 11:03PM[SHARE]In "The Annihilation Point," audience members are tagged with a Reproduction Candidate number and led into a time-travel transit station.
SOURCE: The New York Times Subscription at 06:36PM[SHARE]A "soul sonic superstar" diva, part motivational speaker, takes the stage at Soho Rep, punctuating jazz-inflected grooves with strutting dance breaks and regal poses.
SOURCE: The New York Times Subscription at 05:31PM[SHARE]I have been showered with unexpected attention during more than one show because of the gleaming beacon of my fur-free head.
SOURCE: The New York Times Subscription at 05:26PM[SHARE]I have been showered with unexpected attention during more than one show because of the gleaming beacon of my fur-free head.
SOURCE: The New York Times Subscription at 05:26PM[SHARE]"Dollface," a new musical set in the 1950s, brings humor straight from the Borscht Belt to the Lower East Side.
SOURCE: The New York Times Subscription at 05:31PM[SHARE]"Baby Universe: A Puppet Odyssey" is a funny and poignant eco-fable.
SOURCE: The New York Times Subscription at 06:13PM[SHARE]Jackie Hoffman caustically comments on her life so far (up to 50) and her theater career in "Jackie Five-Oh!," at Joe's Pub.
SOURCE: The New York Times Subscription at 06:17PM[SHARE]Lily Rabe has come into her own playing Portia in "The Merchant of Venice" at an emotionally turbulent time: her mother, Jill Clayburgh, died last month.
SOURCE: The New York Times Subscription at 05:00PM[SHARE]An adaptation of Kafka's "Metamorphosis" at the Brooklyn Academy of Music has been conceived with visual imagination and startling physical power.
SOURCE: The New York Times Subscription at 06:38PM[SHARE]"Devil Boys From Beyond," with Everett Quinton, is a campy all-male spoof of 1950s sci-fi B-movies.
SOURCE: The New York Times Subscription at 07:15PM[SHARE]"Personal Enemy," the play John Osborne wrote in 1953 with Anthony Creighton, deals with anti-Communist paranoia and homosexual persecution.
SOURCE: The New York Times Subscription at 07:20PM[SHARE]In "Pieces," an ineffectual psycho-chiller at the Brits Off Broadway festival, no horror film sound effect goes unheard.
SOURCE: The New York Times Subscription at 11:43AM[SHARE]

