All stories by Catey Sullivan on BroadwayStars

Wednesday, July 10, 2019

The Music Man offers a musical conundrum at the Goodman by Catey Sullivan

Mary Zimmerman's production sings, though the gender politics creak. You can say this for director Mary Zimmerman's staging of Meredith Willson's multiple Tony w…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Wednesday, June 26, 2019

Hedwig and the Angry Inch, up close and personal at Theo Ubique by Catey Sullivan

In the title role, Will Lidke is a nova of charisma. It hasn't always been blindingly obvious that Hedwig and the Angry Inch is a riff on Plato's "Symposium." Bu…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Thursday, June 20, 2019

With First Read 2019, the Syndicate hoped to transcend boundaries by Catey Sullivan

The theater company presented readings of three new one-acts by trans playwrights. You don't have to look further than this year's Tony Awards to see why we nee…

SOURCE: www.chicagoreader.com at 03:09PM[SHARE]
Wednesday, June 19, 2019

Maybe a Big Mouth Billy Bass would liven up The River by Catey Sullivan

But all we've got is a murky early effort from Tony winner Jez Butterworth. Playwright Jez Butterworth won the 2019 Best Play Tony Award for The Ferryman, but it…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Wednesday, June 5, 2019

Queen of the Mist somehow manages to make the story of the woman who went over Niagara Falls in a barrel "tedious, monotonous, repetitive, and not f by Catey Sullivan

Firebrand's production can't rise over the limits of the script. Michael John LaChiusa's musical Queen of the Mist contains a second-act song that critiques its …

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Wednesday, May 22, 2019

Four Chords and a Gun reduces the Ramones from punks to adolescent brats by Catey Sullivan

Hey! Ho! Don't go! John Ross Bowie's 90-minute drama purports to be about the creation of the Ramones' album End of the Century, but it's actually about a quarte…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Wednesday, May 8, 2019

The Children vividly imagines the worst-case scenario after an environmental disaster. by Catey Sullivan

Playwright Lucy Kirkwood's devastated world is nightmarishly familiar. It's comforting to regard the premise of Lucy Kirkwood's eco-thriller with a smug sense of…

SOURCE: www.chicagoreader.com at 12:00PM[SHARE]
Thursday, April 25, 2019

Grinning From Fear to Fear at Second City E.T.C. doesn't get funny till hour two by Catey Sullivan

Until then, it relies too heavily on stale old jokes. Second City e.t.c.'s 43rd revue begins with the cast paddling through the audience in a faux water ballet. …

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Wednesday, April 17, 2019

Cambodian Rock Band blends tragedy and joy into one of the best plays of the year by Catey Sullivan

It's a reminder that while art can be silenced, it can never be extinguished. Near the end of the first act of Lauren Yee's Cambodian Rock Band, the cast deliver…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Thursday, April 11, 2019

House Theatre creates a Pinocchio for our time by Catey Sullivan

And not just because the main character's nose grows when he tells a lie. With their adaptation of Carlo Collodi's Pinocchio, Joseph Steakley and Ben Lobpries ha…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Thursday, March 28, 2019

Jackalope and Raven Theatres take audiences on a trip back to 1992 by Catey Sullivan

Dutch Masters and The Undeniable Sound of Right Now ask how much has really changed in politics and music. Jackalope and Raven Theatres are firing up the waybac…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]

How Lily Be made the local storytelling scene look more like Chicago by Catey Sullivan

"Am I the only Latinx sharing stories right now? Where are the rest of us?" After the rush of winning the 2013 Moth GrandSlam storytelling competition faded, Li…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]

Julie Ganey's attempts to reconcile with her Trump-supporter father aren't Good Enough by Catey Sullivan

She ignores that some people don't have the luxury of civility. About midway through Julie Ganey's one-woman show, the author-star describes trying to make her T…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Wednesday, March 13, 2019

Two Pints pays tribute to human resilience and the power of Guinness by Catey Sullivan

This Abbey Theatre import is unexpectedly wonderful. So, two Irish actors walk into a bar. As does the entire audience.…

SOURCE: www.chicagoreader.com at 07:00AM[SHARE]
Saturday, November 4, 2017

Review: Fun Home (Victory Gardens Theater) by Catey Sullivan

In Victory Gardens' triumphant "Fun Home", Director Gary Griffin's ensemble will break your heart with their ability to embody the characters in Alison Bechdel's story, especially Rob Lindle…

SOURCE: Chicago Theater Beat at 10:54PM[SHARE]
Saturday, October 21, 2017

Review: The Taming of the Shrew (Chicago Shakespeare, 2017) by Catey Sullivan

Chicago Shakespeare's Taming of the Shrew is a fine production of a play that doesn't deserve the resources lavished on it. For all the prodigious talent on stage, Shrew remains an endorseme…

SOURCE: Chicago Theater Beat at 10:33PM[SHARE]
Friday, October 20, 2017

Review: Punk (The New Colony) by Catey Sullivan

Between the distracting set design, the plot holes and the ultimately ineffective performances by the rest of the cast, The New Colony's world-premiere Punk is a weak endeavor. (review by Ca…

SOURCE: Chicago Theater Beat at 12:12AM[SHARE]
Tuesday, October 17, 2017

Review: Million Dollar Quartet (Paramount Theatre) by Catey Sullivan

Million Dollar Quartet is irresistible. Set in 1956 during the only recording session when Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins were all in the same room, the juke-bo…

SOURCE: Chicago Theater Beat at 09:04PM[SHARE]
Wednesday, October 4, 2017

Review: The Legend of Georgia McBride (Northlight Theatre) by Catey Sullivan

For most of Northlight Theatre's The Legend of Georgia McBride, audiences are treated to a whacky, audience-pleasing comedy. The plot goes for guffaws by showing the whacky plight of a stra…

SOURCE: Chicago Theater Beat at 06:06PM[SHARE]
Sunday, October 1, 2017

Review: The Rembrandt (Steppenwolf Theatre) by Catey Sullivan

It doesn't matter if you don't know Rembrandt from Renoir, Manet from Monet. In its exploration of why art moves us " and moves us to take extraordinary measures to preserve it through eons …

SOURCE: Chicago Theater Beat at 07:36PM[SHARE]
Friday, September 29, 2017

Review: Five Guys Named Moe (Court Theatre) by Catey Sullivan

Court Theatre's Five Guys Named Moe looks and sounds terrific. Set designer Courtney O'Neill has ingeniously turned the stage into the inside of a old time radio, and sound designer Victoria…

SOURCE: Chicago Theater Beat at 10:18PM[SHARE]
Thursday, September 28, 2017

Review: Alias Grace (Rivendell Theatre) by Catey Sullivan

Despite some shortcomings, world-premiere Alias Grace is well worth seeing. The story of Grace Mark is powerful both as history and as a commentary on history. Rivendell Theatre hasn't captu…

SOURCE: Chicago Theater Beat at 07:48PM[SHARE]
Wednesday, September 27, 2017

Rev‪iew: Bullets Over Broadway (NightBlue Performing Arts) by Catey Sullivan

Under Kevin Bellie's direction, Bullets Over Broadway does have moments of charm. But between these bright spots, the acting aesthetic is cartoons on hyperdrive " loud and garish enough to o…

SOURCE: Chicago Theater Beat at 07:24PM[SHARE]
Sunday, September 24, 2017

Review: A View from the Bridge (Goodman Theatre) by Catey Sullivan

There's a pall of suffocating dread woven through director Ivo Van Hove's galvanizing take on Arthur Miller's 1955 classic A View From the Bridge. Set in the 1950s, the story about immigrati…

SOURCE: Chicago Theater Beat at 07:24PM[SHARE]
Thursday, September 21, 2017

Review: Rock of Ages (Drury Lane Theatre) by Catey Sullivan

Rock of Ages just might be the most shamelessly pandering musical since, oh, the late 1980s. It revels in boobie and poop jokes and stratospherically over-the-top characters. And it's that v…

SOURCE: Chicago Theater Beat at 07:06PM[SHARE]

Review: The Toad Knew (Compagnie du Hanneton) by Catey Sullivan

The story of The Toad Knew " if there is one " is left to the audience to create within their own minds. The performers " a quintet starring creator James Thierrée " are a group of dancers/…

SOURCE: Chicago Theater Beat at 04:36PM[SHARE]
Tuesday, September 19, 2017

Review: Muthaland (16th Street Theater) by Catey Sullivan

An engaging performer, Minita Gandhi plays over a dozen characters in what initially feels like a fairly predictable story of generational and cultural differences. But roughly two-thirds of…

SOURCE: Chicago Theater Beat at 05:12PM[SHARE]
Friday, August 11, 2017

Review: Little Fish (Kokandy Productions) by Catey Sullivan

The cast of Kokandy Productions' Little Fish, by Michael John LaChuisa, is capable enough, and they make beautiful music together. The show sinks, nonetheless, because it's both predictable …

SOURCE: Chicago Theater Beat at 12:54AM[SHARE]
Sunday, July 30, 2017

Review: Luzia (Cirque du Soleil) by Catey Sullivan

There is so much impossible beauty in Cirque du Soleil's Luzia, that watching it almost hurts. Act for act, Luzia: A Waking Dream of Mexico - written and directed by Daniele Finzi Pasca with…

SOURCE: Chicago Theater Beat at 02:32AM[SHARE]
Friday, July 28, 2017

Review: An American in Paris (Broadway in Chicago) by Catey Sullivan

In all, Broadway in Chicago's An American in Paris is joyous, fascinating and moving. It is also an incredible showcase of just how much beauty an ensemble of extraordinary dancers are capab…

SOURCE: Chicago Theater Beat at 11:18PM[SHARE]
Wednesday, July 19, 2017

Review: Hir (Steppenwolf Theatre) by Catey Sullivan

Playwright Taylor Mac has created a kitchen sink family drama whose disarray is actually anxiety-inducing. There's chaos and trouble and pain layered into the heaps of old laundry and bowls …

SOURCE: Chicago Theater Beat at 06:54PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off