Friday, February 27, 2026
The centerpiece of the annual Flamenco Festival New York saw the introduction of another wonder in Juan Tomás de la MolÃa, alongside some veterans of the art.
SOURCE: The New York Times Subscription at 01:40PM[SHARE]Monday, February 23, 2026
His "Baile Inolvidable" has sparked a surge of interest in salsa dancing and brought in a younger generation. "It's been positively contagious," a teacher said.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Monday, February 9, 2026
Friday, January 30, 2026
Peck's "The Wind-Up," set to the first movement of the "Eroica" symphony, doesn't rise to the challenge of the music but is refreshing in other ways.
SOURCE: The New York Times Subscription at 12:11PM[SHARE]Thursday, January 29, 2026
"Irrationalities," at the Joyce Theater, disappoints only if you are expecting Soledad Barrio, the company's world-class dancer, who is out with an injury.
SOURCE: The New York Times Subscription at 12:13PM[SHARE]Thursday, January 15, 2026
"Sons of Echo," in which standout male dancers perform work by women, proves that male choreographers don't have a monopoly on bad taste.
SOURCE: The New York Times Subscription at 12:33PM[SHARE]Monday, January 12, 2026
The company revived and revised a work that juxtaposes formal movement with a sound score that incorporates recordings of the 1979 White Night riots in San Francisco.
SOURCE: The New York Times Subscription at 12:16PM[SHARE]Monday, January 5, 2026
Monday, December 29, 2025
Dahlak Brathwaite's "Try/Step/Trip," part of the Under the Radar festival, uses the language of step to express the liberating and restricting power of groups.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Monday, December 22, 2025
An operatic Vivaldi pastiche, with a new story by Sarah Ruhl, offers an ambivalent message about how art can make people pay attention.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Friday, December 12, 2025
Monday, December 8, 2025
Thursday, December 4, 2025
Tuesday, December 2, 2025
After 40 years of making dances as complicated as human consciousness, Tere O'Connor revives his first work at New York Live Arts. Bonus: He will talk about it.
SOURCE: The New York Times Subscription at 11:47AM[SHARE]Monday, November 24, 2025
Maija GarcÃa's "Jazz Island" is a full-company narrative of a kind that Ailey hasn't done in a while. And it features an Afro-Caribbean score by Etienne Charles.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Wednesday, November 12, 2025
Tuesday, November 11, 2025
Ruth Childs, the niece of the renowned choreographer Lucinda Childs, got over being intimidated by her aunt's achievements. Now, she debuts her own work in New York.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Thursday, October 30, 2025
The French troupe Compagnie Dyptik is making its United States debut with a show seemingly inspired by pandemic isolation and its aftermath.
SOURCE: The New York Times Subscription at 12:19PM[SHARE]Friday, October 24, 2025
Abigail Levine's new work, at Target Margin Theater, is terrific as a kind of enhanced reading, but lags on the level of choreography.
SOURCE: The New York Times Subscription at 12:29PM[SHARE]Wednesday, October 22, 2025
Sunday, October 19, 2025
At the new Powerhouse: International festival in Brooklyn, Christos Papadopoulos debuted an oblique, glacially cool work with seven dancers.
SOURCE: The New York Times Subscription at 12:27PM[SHARE]Friday, October 17, 2025
American Ballet Theater opened its season with an all-Twyla Tharp program, featuring her first dance for the company, "Push Comes to Shove," and the for-the-ages "Bach Partita."
SOURCE: The New York Times Subscription at 01:43PM[SHARE]Wednesday, October 15, 2025
Wednesday, October 8, 2025
A festival at the Joyce Theater leaves out the Age of Aquarius work that made this choreographer popular, presenting surprisingly old-fashioned ballet instead.
SOURCE: The New York Times Subscription at 01:32PM[SHARE]Wednesday, September 17, 2025
The annual festival, popular for its take-a-chance-priced tickets, opened with a show featuring work by Jamar Roberts, the tap dancer Dario Natarelli and Akram Khan.
SOURCE: The New York Times Subscription at 02:10PM[SHARE]Monday, September 15, 2025
Mette Ingvartsen's "Skatepark" will inaugurate the new Powerhouse: International festival, showcasing the vast performing space of Powerhouse Arts in Gowanus, Brooklyn.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Monday, September 1, 2025
At Japan Society, Emergences celebrates Mishima's centennial. "One of the things that I absolutely love about Mishima is that I don't absolutely love him," said one participant.
SOURCE: The New York Times Subscription at 05:12AM[SHARE]Monday, August 25, 2025
The Down to Earth festival answers a pandemic-era call for changes in the performing arts, offering free events in city parks and urban spaces.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Sunday, August 24, 2025
Thursday, August 14, 2025
Thursday, August 7, 2025
Her connection to the great modern dancer lasted a lifetime, from studying with her as a child to leading the Martha Graham Dance Company as an artistic director.
SOURCE: The New York Times Subscription at 02:24PM[SHARE]Loading more stories…
