photographed by ANNIE LEIBOVITZ On a wintry morning, I find myself in an airplane hangar"size soundstage in Astoria, Queens. It's one of the few spaces in New York City vast enough to accommodate the behind-the-scenes technical magic involved in rehearsing the frantically awaited Harry Potter and the Cursed Child, which appears on Broadway this month fresh from a sold-out (and ongoing) run in London. With its brick w…
SOURCE: Vogue at 11:42PM on March 20, 2018