Young Vic, London Performing 360-degree loops, pummelled by voices and piecing together her shattered speech, Stevenson goes bravely to the limit in this high-concept showJuliet Stevenson must require danger money when she works at the Young Vic. In the 2014 production of Beckett's Happy Days, she was buried nightly under a mound of cascading shingle. Now in Arthur Kopit's play, she is strapped in a harness and requi…
SOURCE: The Guardian at 06:24AM on September 21, 2017