Park theatre, LondonFrom the necrophilia to the suggestion Christ was framed, the playwright's most dangerous work " performed without the censor's cuts for the first time " shows Orton wasn't just out to shockTo mark the 50th anniversary of Joe Orton's death, this revival of his most famous play restores the cuts originally insisted upon by the stage censor, the Lord Chamberlain. The result not only sharpens an alre…
SOURCE: The Guardian at 09:24AM on August 24, 2017