Royal Court, LondonThis family drama confronts a host of dilemmas but is at its best when it allows a fine cast to express the characters' strained relationshipsVivienne Franzmann has in the past tackled the victimisation of teachers (Mogadishu) and the exploitative nature of photojournalism (The Witness). Now she confronts the ethical and social dilemmas raised by surrogate motherhood, and the result is a decent pla…
SOURCE: The Guardian at 09:33AM on July 12, 2017