This thrilling play about three sons who go home to their dads " and their childhoods " shows verbatim theatre's power to heed the forgottenThe scene: a wine-bar close to the Royal Exchange, Manchester. Two critics have just emerged from a verbatim piece, Fatherland, staged as part of the Manchester international festival. One critic, a baggy-eyed oldster, is called Michael. His younger, sharp-witted colleague, is He…
SOURCE: The Guardian at 10:24AM on July 6, 2017