Almeida, London Lyndsey Turner's immaculate, neon-lit revival of Crimp's 1993 play lays bare the ways reality is exploited and distorted by the mediaThere's a rich ambiguity to the title of Martin Crimp's play. It could refer to a movie outline or to manipulative human behaviour. In fact, both meanings come together in a play, first seen at the Royal Court in 1993 and now immaculately revived by Lyndsey Turner, that …
SOURCE: The Guardian at 09:18AM on April 30, 2017