Think back to 2001. If you went to the art-house cinema at all that fall, chances are it was to catch Jean-Pierre Jeune's wide-eyed ingénue Amélie. With its many super-tight shots of newcomer Audrey Tautou's eyes floating across the screen, it's hard to reckon if there's ever been a character drawn from film who was more ready for her Broadway close-up. Add to that the stage return to the stage of Hamilton's best-k…
SOURCE: NiteLifeExchange at 02:50PM on April 29, 2017