Royal Court, LondonSimon Stephens' experimental new piece about grief and urban alienation is intentionally 'fluid and contradictory' " but also baffling and obscureSimon Stephens is clearly trying something new. Instead of a play with fixed characters, he offers a text he describes as "fluid and contradictory and tentative and inchoate" that offers maximum freedom to the director, Imogen Knight, and the five perform…
SOURCE: The Guardian at 10:02AM on April 23, 2017