Young Vic, LondonCarrie Cracknell's production certainly puts a new spin on Ibsen's 1879 classic. As if to remind us that this is a play about domestic revolution, Ian MacNeil's design revolves ceaselessly, showing us the different rooms in the Helmer household. But while the endlessly mobile set symbolises the restlessness of Hattie Morahan's superb Nora, it also frequently works against the grain of Ibsen's ex…
SOURCE: The Guardian at 12:24AM on January 25, 2017