At 22, Hayward is already being fast-tracked into principal roles and is one of the Royal Ballet's most promising talentsAct II of Kenneth MacMillan's Manon takes place in a high-class brothel where the ballet's heroine is being covetously passed between customers, her body lifted, twisted and displayed as the most desirable new object in town.Francesca Hayward, who's been dancing Manon for the first time this season…
SOURCE: The Guardian at 05:48PM on December 8, 2016