Garrick, LondonFirst seen in Edinburgh two years ago, Dale Wasserman's version of the Ken Kesey novel keeps coming back. Clearly that has a lot to do with the star-presence of Christian Slater. This sixties fable also palpably appeals to a mood of youthful rebellion. But, much as I admired the vigour of the production, I wish I liked the play more.On the surface it is a hymn to individual liberation and an attack on …
SOURCE: The Guardian at 05:37AM on October 21, 2016