Apollo, LondonTruth versus illusion is the great theme of American drama: think of O'Neill, Miller and Williams. And, since it lies at the core of Edward Albee's ritualistic 1962 drama, it is curiously exhilarating to see the play done, in Anthony Page's superb production, by an all-American cast perfectly attuned to its rhythms.Page's production starts deceptively. As Bill Irwin's George and Kathleen Turner's Martha…
SOURCE: The Guardian at 09:00AM on September 17, 2016