Royal Opera House, London Shakespeare's problematic play has tripped up choreographers in the past, but Jean-Christophe Maillot's interpretation is bold and fast-wittedThe Taming of the Shrew has always been a problem for theatre directors, yet it's proved an even greater challenge for ballet to nuance this play as anything more than a misogynist's handbook. The version created by John Cranko in 1969 still ranks as a…
SOURCE: The Guardian at 09:49AM on August 4, 2016