Anyone who attends Conor McPherson's Shining City a second time won't be surprised by a certain coup de théâtre at the very end. Those who saw it at Manhattan Theatre Club in 2006 know what I mean. However, what may come as a shock at the Irish Rep's fine revival is how effective Matthew Broderick can be with a good script and an intimate space. After earning critical drubbings for lifeless, robotic work on Broad…
SOURCE: Time Out at 05:02AM on June 10, 2016