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Hadestown: Theater review by Jenna Scherer

In the myth, Eurydice didn't have much of a choice. She died, woke up in the underworld and waited around for Orpheus to save her. Not so in Hadestown, singer-songwriter Anaïs Mitchell's folk-opera adaptation that blends ancient myth with modern sensibility"and a rich topper of New Orleans jazz.

SOURCE: Time Out at 05:32AM on May 25, 2016

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