Swan, Stratford-upon-AvonNo one any longer has to make a case for this once-despised play. But, whether it is viewed as a neo-Senecan study in stoic acceptance of grief or a Tarantino-like exploration of extremity, a director needs to take a clear line. While Michael Fentiman's robust Royal Shakespeare Company production is strong on momentary effects, it's not exactly a model of intellectual coherence.Fentiman …
SOURCE: The Guardian at 05:40PM on April 12, 2016