National Theatre, LondonWhite liberalism and postcolonial freedom-fighting clash in Yaël Farber's sensuous production, but Lorraine Hansberry's play is a product of its timeThis play has been assembled, principally by Robert Nemiroff, from the drafts Lorraine Hansberry left behind on her death in 1965. An earlier version was seen at Manchester's Royal Exchange in 2001, but the overriding impression here is of an e…
SOURCE: The Guardian at 10:31AM on March 31, 2016