Dorfman, LondonLove is tested to its limits in a series of cruel experiments, in which the cumulative effect is numbing rather than redemptiveEven by her own standards, Sarah Kane's 1998 play is an unusually punishing experience that posits a world in which licensed cruelty tests love to its limits. But while it has an undeniably serious purpose and is imaginatively staged by Katie Mitchell, I find its escalating hor…
SOURCE: The Guardian at 06:55AM on February 24, 2016