There’s little wrong with “Skeleton Crew,” the final play in Dominique Morisseau’s Detroit trilogy, that August Wilson couldn’t fix. Like Wilson, whose ten-play cycle surveys a century of African American life, this playwright has heart, along with a sense of historical moments that define the lives of ordinary Americans. Her rough-edged dialogue even has a touch... Read more »
SOURCE: Variety at 10:44PM on January 20, 2016