by Samuel L. Leiter Much Ado about Nothing, like every other Shakespeare play, has been subject to endless creative manipulation to wring something new from its romantic complications, especially the contentious love affair between Beatrice and Benedick. Most critics would call the play high comedy with farcical interludes (the Dogberry scenes), but few think of […]
SOURCE: The Broadway Blog at 01:42PM on December 23, 2015